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stringlengths 30
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stringlengths 358
6.49k
| question
stringlengths 1
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| answers
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|---|---|---|---|
34qn5it0tzrfnb75to7yi5b03gq08g
|
Jack is an 11-year-old boy. One day he was playing with a ball. The ball went into the street, and Jack ran for the ball. A car hit him. Jack's parents took him to the hospital. The doctors told them, "Jack's head is hurt. Maybe he will wake up very soon. Maybe he will never wake up." Every day Jack's parents went to see him and talked to him. But Jack never talked to them. He just slept. One day Jack's father said, "Wake up, Jack. Let's go home and play with Cody." Cody is Jack's dog. When Jack's father said "Cody", Jack moved his arm. Then Jack's parents had an idea. They told the nurse, "We want to bring Jack's dog to the hospital. Is it OK?" "A dog in the hospital?" the nurse said. "That's very unusual. But. yes, it's OK." The next day, Jack's parents brought Cody to the hospital. When they put the dog on Jack's bed, Jack opened his eyes. Jack's parents brought Cody to the hospital every day. Cody jumped on Jack's bed and touched Jack's arm. Jack said his first words, "Bad dog!" After seven weeks Jack was well. He left the hospital and went home with Cody.
|
what did they ask the nurse?
|
{
"answer_start": [
597
],
"text": [
"\"We want to bring Jack's dog to the hospital. Is it OK?\""
]
}
|
34qn5it0tzrfnb75to7yi5b03gq08g
|
Jack is an 11-year-old boy. One day he was playing with a ball. The ball went into the street, and Jack ran for the ball. A car hit him. Jack's parents took him to the hospital. The doctors told them, "Jack's head is hurt. Maybe he will wake up very soon. Maybe he will never wake up." Every day Jack's parents went to see him and talked to him. But Jack never talked to them. He just slept. One day Jack's father said, "Wake up, Jack. Let's go home and play with Cody." Cody is Jack's dog. When Jack's father said "Cody", Jack moved his arm. Then Jack's parents had an idea. They told the nurse, "We want to bring Jack's dog to the hospital. Is it OK?" "A dog in the hospital?" the nurse said. "That's very unusual. But. yes, it's OK." The next day, Jack's parents brought Cody to the hospital. When they put the dog on Jack's bed, Jack opened his eyes. Jack's parents brought Cody to the hospital every day. Cody jumped on Jack's bed and touched Jack's arm. Jack said his first words, "Bad dog!" After seven weeks Jack was well. He left the hospital and went home with Cody.
|
did the nurse think that was normal?
|
{
"answer_start": [
696
],
"text": [
"That's very unusual"
]
}
|
34qn5it0tzrfnb75to7yi5b03gq08g
|
Jack is an 11-year-old boy. One day he was playing with a ball. The ball went into the street, and Jack ran for the ball. A car hit him. Jack's parents took him to the hospital. The doctors told them, "Jack's head is hurt. Maybe he will wake up very soon. Maybe he will never wake up." Every day Jack's parents went to see him and talked to him. But Jack never talked to them. He just slept. One day Jack's father said, "Wake up, Jack. Let's go home and play with Cody." Cody is Jack's dog. When Jack's father said "Cody", Jack moved his arm. Then Jack's parents had an idea. They told the nurse, "We want to bring Jack's dog to the hospital. Is it OK?" "A dog in the hospital?" the nurse said. "That's very unusual. But. yes, it's OK." The next day, Jack's parents brought Cody to the hospital. When they put the dog on Jack's bed, Jack opened his eyes. Jack's parents brought Cody to the hospital every day. Cody jumped on Jack's bed and touched Jack's arm. Jack said his first words, "Bad dog!" After seven weeks Jack was well. He left the hospital and went home with Cody.
|
were they allowed to bring the canine?
|
{
"answer_start": [
654
],
"text": [
"\"A dog in the hospital?\" the nurse said. \"That's very unusual. But. yes, it's OK."
]
}
|
34qn5it0tzrfnb75to7yi5b03gq08g
|
Jack is an 11-year-old boy. One day he was playing with a ball. The ball went into the street, and Jack ran for the ball. A car hit him. Jack's parents took him to the hospital. The doctors told them, "Jack's head is hurt. Maybe he will wake up very soon. Maybe he will never wake up." Every day Jack's parents went to see him and talked to him. But Jack never talked to them. He just slept. One day Jack's father said, "Wake up, Jack. Let's go home and play with Cody." Cody is Jack's dog. When Jack's father said "Cody", Jack moved his arm. Then Jack's parents had an idea. They told the nurse, "We want to bring Jack's dog to the hospital. Is it OK?" "A dog in the hospital?" the nurse said. "That's very unusual. But. yes, it's OK." The next day, Jack's parents brought Cody to the hospital. When they put the dog on Jack's bed, Jack opened his eyes. Jack's parents brought Cody to the hospital every day. Cody jumped on Jack's bed and touched Jack's arm. Jack said his first words, "Bad dog!" After seven weeks Jack was well. He left the hospital and went home with Cody.
|
where did they put the dog?
|
{
"answer_start": [
796
],
"text": [
"When they put the dog on Jack's bed"
]
}
|
34qn5it0tzrfnb75to7yi5b03gq08g
|
Jack is an 11-year-old boy. One day he was playing with a ball. The ball went into the street, and Jack ran for the ball. A car hit him. Jack's parents took him to the hospital. The doctors told them, "Jack's head is hurt. Maybe he will wake up very soon. Maybe he will never wake up." Every day Jack's parents went to see him and talked to him. But Jack never talked to them. He just slept. One day Jack's father said, "Wake up, Jack. Let's go home and play with Cody." Cody is Jack's dog. When Jack's father said "Cody", Jack moved his arm. Then Jack's parents had an idea. They told the nurse, "We want to bring Jack's dog to the hospital. Is it OK?" "A dog in the hospital?" the nurse said. "That's very unusual. But. yes, it's OK." The next day, Jack's parents brought Cody to the hospital. When they put the dog on Jack's bed, Jack opened his eyes. Jack's parents brought Cody to the hospital every day. Cody jumped on Jack's bed and touched Jack's arm. Jack said his first words, "Bad dog!" After seven weeks Jack was well. He left the hospital and went home with Cody.
|
did Jack respond?
|
{
"answer_start": [
796
],
"text": [
"When they put the dog on Jack's bed, Jack opened his eyes"
]
}
|
34qn5it0tzrfnb75to7yi5b03gq08g
|
Jack is an 11-year-old boy. One day he was playing with a ball. The ball went into the street, and Jack ran for the ball. A car hit him. Jack's parents took him to the hospital. The doctors told them, "Jack's head is hurt. Maybe he will wake up very soon. Maybe he will never wake up." Every day Jack's parents went to see him and talked to him. But Jack never talked to them. He just slept. One day Jack's father said, "Wake up, Jack. Let's go home and play with Cody." Cody is Jack's dog. When Jack's father said "Cody", Jack moved his arm. Then Jack's parents had an idea. They told the nurse, "We want to bring Jack's dog to the hospital. Is it OK?" "A dog in the hospital?" the nurse said. "That's very unusual. But. yes, it's OK." The next day, Jack's parents brought Cody to the hospital. When they put the dog on Jack's bed, Jack opened his eyes. Jack's parents brought Cody to the hospital every day. Cody jumped on Jack's bed and touched Jack's arm. Jack said his first words, "Bad dog!" After seven weeks Jack was well. He left the hospital and went home with Cody.
|
Did the dog ever jump?
|
{
"answer_start": [
910
],
"text": [
"Cody jumped on Jack's bed"
]
}
|
34qn5it0tzrfnb75to7yi5b03gq08g
|
Jack is an 11-year-old boy. One day he was playing with a ball. The ball went into the street, and Jack ran for the ball. A car hit him. Jack's parents took him to the hospital. The doctors told them, "Jack's head is hurt. Maybe he will wake up very soon. Maybe he will never wake up." Every day Jack's parents went to see him and talked to him. But Jack never talked to them. He just slept. One day Jack's father said, "Wake up, Jack. Let's go home and play with Cody." Cody is Jack's dog. When Jack's father said "Cody", Jack moved his arm. Then Jack's parents had an idea. They told the nurse, "We want to bring Jack's dog to the hospital. Is it OK?" "A dog in the hospital?" the nurse said. "That's very unusual. But. yes, it's OK." The next day, Jack's parents brought Cody to the hospital. When they put the dog on Jack's bed, Jack opened his eyes. Jack's parents brought Cody to the hospital every day. Cody jumped on Jack's bed and touched Jack's arm. Jack said his first words, "Bad dog!" After seven weeks Jack was well. He left the hospital and went home with Cody.
|
where?
|
{
"answer_start": [
910
],
"text": [
"Cody jumped on Jack's bed"
]
}
|
34qn5it0tzrfnb75to7yi5b03gq08g
|
Jack is an 11-year-old boy. One day he was playing with a ball. The ball went into the street, and Jack ran for the ball. A car hit him. Jack's parents took him to the hospital. The doctors told them, "Jack's head is hurt. Maybe he will wake up very soon. Maybe he will never wake up." Every day Jack's parents went to see him and talked to him. But Jack never talked to them. He just slept. One day Jack's father said, "Wake up, Jack. Let's go home and play with Cody." Cody is Jack's dog. When Jack's father said "Cody", Jack moved his arm. Then Jack's parents had an idea. They told the nurse, "We want to bring Jack's dog to the hospital. Is it OK?" "A dog in the hospital?" the nurse said. "That's very unusual. But. yes, it's OK." The next day, Jack's parents brought Cody to the hospital. When they put the dog on Jack's bed, Jack opened his eyes. Jack's parents brought Cody to the hospital every day. Cody jumped on Jack's bed and touched Jack's arm. Jack said his first words, "Bad dog!" After seven weeks Jack was well. He left the hospital and went home with Cody.
|
did jack finally wake up fully?
|
{
"answer_start": [
998
],
"text": [
"After seven weeks Jack was well."
]
}
|
32scwg5hih4v7es1hupqdsgh68p6pf
|
CHAPTER LXXVI Some Pleasant, Shady Talk In The Groves, Between My Lords Abrazza And Media, Babbalanja, Mohi, And Yoomy
Abrazza had a cool retreat--a grove of dates; where we were used to lounge of noons, and mix our converse with the babble of the rills; and mix our punches in goblets chased with grapes. And as ever, King Abrazza was the prince of hosts.
"Your crown," he said to Media; and with his own, he hung it on a bough.
"Be not ceremonious:" and stretched his royal legs upon the turf.
"Wine!" and his pages poured it out.
So on the grass we lounged; and King Abrazza, who loved his antique ancestors; and loved old times; and would not talk of moderns;--bade Yoomy sing old songs; bade Mohi rehearse old histories; bade Babbalanja tell of old ontologies; and commanded all, meanwhile, to drink his old, old wine.
So, all round we quaffed and quoted.
At last, we talked of old Homeric bards:--those who, ages back, harped, and begged, and groped their blinded way through all this charitable Mardi; receiving coppers then, and immortal glory now.
ABRAZZA--How came it, that they all were blind?
BABBALANJA--It was endemical, your Highness. Few grand poets have good eyes; for they needs blind must be, who ever gaze upon the sun. Vavona himself was blind: when, in the silence of his secret bower, he said--"I will build another world. Therein, let there be kings and slaves, philosophers and wits; whose checkered actions--strange, grotesque, and merry-sad, will entertain my idle moods." So, my lord, Vavona played at kings and crowns, and men and manners; and loved that lonely game to play.
|
Where did someone stretch his legs?
|
{
"answer_start": [
491
],
"text": [
" the turf. "
]
}
|
32scwg5hih4v7es1hupqdsgh68p6pf
|
CHAPTER LXXVI Some Pleasant, Shady Talk In The Groves, Between My Lords Abrazza And Media, Babbalanja, Mohi, And Yoomy
Abrazza had a cool retreat--a grove of dates; where we were used to lounge of noons, and mix our converse with the babble of the rills; and mix our punches in goblets chased with grapes. And as ever, King Abrazza was the prince of hosts.
"Your crown," he said to Media; and with his own, he hung it on a bough.
"Be not ceremonious:" and stretched his royal legs upon the turf.
"Wine!" and his pages poured it out.
So on the grass we lounged; and King Abrazza, who loved his antique ancestors; and loved old times; and would not talk of moderns;--bade Yoomy sing old songs; bade Mohi rehearse old histories; bade Babbalanja tell of old ontologies; and commanded all, meanwhile, to drink his old, old wine.
So, all round we quaffed and quoted.
At last, we talked of old Homeric bards:--those who, ages back, harped, and begged, and groped their blinded way through all this charitable Mardi; receiving coppers then, and immortal glory now.
ABRAZZA--How came it, that they all were blind?
BABBALANJA--It was endemical, your Highness. Few grand poets have good eyes; for they needs blind must be, who ever gaze upon the sun. Vavona himself was blind: when, in the silence of his secret bower, he said--"I will build another world. Therein, let there be kings and slaves, philosophers and wits; whose checkered actions--strange, grotesque, and merry-sad, will entertain my idle moods." So, my lord, Vavona played at kings and crowns, and men and manners; and loved that lonely game to play.
|
Who's crown had he taken?
|
{
"answer_start": [
386
],
"text": [
"Media"
]
}
|
32scwg5hih4v7es1hupqdsgh68p6pf
|
CHAPTER LXXVI Some Pleasant, Shady Talk In The Groves, Between My Lords Abrazza And Media, Babbalanja, Mohi, And Yoomy
Abrazza had a cool retreat--a grove of dates; where we were used to lounge of noons, and mix our converse with the babble of the rills; and mix our punches in goblets chased with grapes. And as ever, King Abrazza was the prince of hosts.
"Your crown," he said to Media; and with his own, he hung it on a bough.
"Be not ceremonious:" and stretched his royal legs upon the turf.
"Wine!" and his pages poured it out.
So on the grass we lounged; and King Abrazza, who loved his antique ancestors; and loved old times; and would not talk of moderns;--bade Yoomy sing old songs; bade Mohi rehearse old histories; bade Babbalanja tell of old ontologies; and commanded all, meanwhile, to drink his old, old wine.
So, all round we quaffed and quoted.
At last, we talked of old Homeric bards:--those who, ages back, harped, and begged, and groped their blinded way through all this charitable Mardi; receiving coppers then, and immortal glory now.
ABRAZZA--How came it, that they all were blind?
BABBALANJA--It was endemical, your Highness. Few grand poets have good eyes; for they needs blind must be, who ever gaze upon the sun. Vavona himself was blind: when, in the silence of his secret bower, he said--"I will build another world. Therein, let there be kings and slaves, philosophers and wits; whose checkered actions--strange, grotesque, and merry-sad, will entertain my idle moods." So, my lord, Vavona played at kings and crowns, and men and manners; and loved that lonely game to play.
|
And placed it where?
|
{
"answer_start": [
424
],
"text": [
" a bough. "
]
}
|
32scwg5hih4v7es1hupqdsgh68p6pf
|
CHAPTER LXXVI Some Pleasant, Shady Talk In The Groves, Between My Lords Abrazza And Media, Babbalanja, Mohi, And Yoomy
Abrazza had a cool retreat--a grove of dates; where we were used to lounge of noons, and mix our converse with the babble of the rills; and mix our punches in goblets chased with grapes. And as ever, King Abrazza was the prince of hosts.
"Your crown," he said to Media; and with his own, he hung it on a bough.
"Be not ceremonious:" and stretched his royal legs upon the turf.
"Wine!" and his pages poured it out.
So on the grass we lounged; and King Abrazza, who loved his antique ancestors; and loved old times; and would not talk of moderns;--bade Yoomy sing old songs; bade Mohi rehearse old histories; bade Babbalanja tell of old ontologies; and commanded all, meanwhile, to drink his old, old wine.
So, all round we quaffed and quoted.
At last, we talked of old Homeric bards:--those who, ages back, harped, and begged, and groped their blinded way through all this charitable Mardi; receiving coppers then, and immortal glory now.
ABRAZZA--How came it, that they all were blind?
BABBALANJA--It was endemical, your Highness. Few grand poets have good eyes; for they needs blind must be, who ever gaze upon the sun. Vavona himself was blind: when, in the silence of his secret bower, he said--"I will build another world. Therein, let there be kings and slaves, philosophers and wits; whose checkered actions--strange, grotesque, and merry-sad, will entertain my idle moods." So, my lord, Vavona played at kings and crowns, and men and manners; and loved that lonely game to play.
|
Where did they rest?
|
{
"answer_start": [
546
],
"text": [
"on the grass"
]
}
|
32scwg5hih4v7es1hupqdsgh68p6pf
|
CHAPTER LXXVI Some Pleasant, Shady Talk In The Groves, Between My Lords Abrazza And Media, Babbalanja, Mohi, And Yoomy
Abrazza had a cool retreat--a grove of dates; where we were used to lounge of noons, and mix our converse with the babble of the rills; and mix our punches in goblets chased with grapes. And as ever, King Abrazza was the prince of hosts.
"Your crown," he said to Media; and with his own, he hung it on a bough.
"Be not ceremonious:" and stretched his royal legs upon the turf.
"Wine!" and his pages poured it out.
So on the grass we lounged; and King Abrazza, who loved his antique ancestors; and loved old times; and would not talk of moderns;--bade Yoomy sing old songs; bade Mohi rehearse old histories; bade Babbalanja tell of old ontologies; and commanded all, meanwhile, to drink his old, old wine.
So, all round we quaffed and quoted.
At last, we talked of old Homeric bards:--those who, ages back, harped, and begged, and groped their blinded way through all this charitable Mardi; receiving coppers then, and immortal glory now.
ABRAZZA--How came it, that they all were blind?
BABBALANJA--It was endemical, your Highness. Few grand poets have good eyes; for they needs blind must be, who ever gaze upon the sun. Vavona himself was blind: when, in the silence of his secret bower, he said--"I will build another world. Therein, let there be kings and slaves, philosophers and wits; whose checkered actions--strange, grotesque, and merry-sad, will entertain my idle moods." So, my lord, Vavona played at kings and crowns, and men and manners; and loved that lonely game to play.
|
Who poured the drink?
|
{
"answer_start": [
520
],
"text": [
"pages "
]
}
|
32scwg5hih4v7es1hupqdsgh68p6pf
|
CHAPTER LXXVI Some Pleasant, Shady Talk In The Groves, Between My Lords Abrazza And Media, Babbalanja, Mohi, And Yoomy
Abrazza had a cool retreat--a grove of dates; where we were used to lounge of noons, and mix our converse with the babble of the rills; and mix our punches in goblets chased with grapes. And as ever, King Abrazza was the prince of hosts.
"Your crown," he said to Media; and with his own, he hung it on a bough.
"Be not ceremonious:" and stretched his royal legs upon the turf.
"Wine!" and his pages poured it out.
So on the grass we lounged; and King Abrazza, who loved his antique ancestors; and loved old times; and would not talk of moderns;--bade Yoomy sing old songs; bade Mohi rehearse old histories; bade Babbalanja tell of old ontologies; and commanded all, meanwhile, to drink his old, old wine.
So, all round we quaffed and quoted.
At last, we talked of old Homeric bards:--those who, ages back, harped, and begged, and groped their blinded way through all this charitable Mardi; receiving coppers then, and immortal glory now.
ABRAZZA--How came it, that they all were blind?
BABBALANJA--It was endemical, your Highness. Few grand poets have good eyes; for they needs blind must be, who ever gaze upon the sun. Vavona himself was blind: when, in the silence of his secret bower, he said--"I will build another world. Therein, let there be kings and slaves, philosophers and wits; whose checkered actions--strange, grotesque, and merry-sad, will entertain my idle moods." So, my lord, Vavona played at kings and crowns, and men and manners; and loved that lonely game to play.
|
What was it?
|
{
"answer_start": [
505
],
"text": [
"Wine"
]
}
|
32scwg5hih4v7es1hupqdsgh68p6pf
|
CHAPTER LXXVI Some Pleasant, Shady Talk In The Groves, Between My Lords Abrazza And Media, Babbalanja, Mohi, And Yoomy
Abrazza had a cool retreat--a grove of dates; where we were used to lounge of noons, and mix our converse with the babble of the rills; and mix our punches in goblets chased with grapes. And as ever, King Abrazza was the prince of hosts.
"Your crown," he said to Media; and with his own, he hung it on a bough.
"Be not ceremonious:" and stretched his royal legs upon the turf.
"Wine!" and his pages poured it out.
So on the grass we lounged; and King Abrazza, who loved his antique ancestors; and loved old times; and would not talk of moderns;--bade Yoomy sing old songs; bade Mohi rehearse old histories; bade Babbalanja tell of old ontologies; and commanded all, meanwhile, to drink his old, old wine.
So, all round we quaffed and quoted.
At last, we talked of old Homeric bards:--those who, ages back, harped, and begged, and groped their blinded way through all this charitable Mardi; receiving coppers then, and immortal glory now.
ABRAZZA--How came it, that they all were blind?
BABBALANJA--It was endemical, your Highness. Few grand poets have good eyes; for they needs blind must be, who ever gaze upon the sun. Vavona himself was blind: when, in the silence of his secret bower, he said--"I will build another world. Therein, let there be kings and slaves, philosophers and wits; whose checkered actions--strange, grotesque, and merry-sad, will entertain my idle moods." So, my lord, Vavona played at kings and crowns, and men and manners; and loved that lonely game to play.
|
What grew there?
|
{
"answer_start": [
160
],
"text": [
"dates"
]
}
|
32scwg5hih4v7es1hupqdsgh68p6pf
|
CHAPTER LXXVI Some Pleasant, Shady Talk In The Groves, Between My Lords Abrazza And Media, Babbalanja, Mohi, And Yoomy
Abrazza had a cool retreat--a grove of dates; where we were used to lounge of noons, and mix our converse with the babble of the rills; and mix our punches in goblets chased with grapes. And as ever, King Abrazza was the prince of hosts.
"Your crown," he said to Media; and with his own, he hung it on a bough.
"Be not ceremonious:" and stretched his royal legs upon the turf.
"Wine!" and his pages poured it out.
So on the grass we lounged; and King Abrazza, who loved his antique ancestors; and loved old times; and would not talk of moderns;--bade Yoomy sing old songs; bade Mohi rehearse old histories; bade Babbalanja tell of old ontologies; and commanded all, meanwhile, to drink his old, old wine.
So, all round we quaffed and quoted.
At last, we talked of old Homeric bards:--those who, ages back, harped, and begged, and groped their blinded way through all this charitable Mardi; receiving coppers then, and immortal glory now.
ABRAZZA--How came it, that they all were blind?
BABBALANJA--It was endemical, your Highness. Few grand poets have good eyes; for they needs blind must be, who ever gaze upon the sun. Vavona himself was blind: when, in the silence of his secret bower, he said--"I will build another world. Therein, let there be kings and slaves, philosophers and wits; whose checkered actions--strange, grotesque, and merry-sad, will entertain my idle moods." So, my lord, Vavona played at kings and crowns, and men and manners; and loved that lonely game to play.
|
Did they drink from flutes?
|
{
"answer_start": [
280
],
"text": [
"goblets "
]
}
|
32scwg5hih4v7es1hupqdsgh68p6pf
|
CHAPTER LXXVI Some Pleasant, Shady Talk In The Groves, Between My Lords Abrazza And Media, Babbalanja, Mohi, And Yoomy
Abrazza had a cool retreat--a grove of dates; where we were used to lounge of noons, and mix our converse with the babble of the rills; and mix our punches in goblets chased with grapes. And as ever, King Abrazza was the prince of hosts.
"Your crown," he said to Media; and with his own, he hung it on a bough.
"Be not ceremonious:" and stretched his royal legs upon the turf.
"Wine!" and his pages poured it out.
So on the grass we lounged; and King Abrazza, who loved his antique ancestors; and loved old times; and would not talk of moderns;--bade Yoomy sing old songs; bade Mohi rehearse old histories; bade Babbalanja tell of old ontologies; and commanded all, meanwhile, to drink his old, old wine.
So, all round we quaffed and quoted.
At last, we talked of old Homeric bards:--those who, ages back, harped, and begged, and groped their blinded way through all this charitable Mardi; receiving coppers then, and immortal glory now.
ABRAZZA--How came it, that they all were blind?
BABBALANJA--It was endemical, your Highness. Few grand poets have good eyes; for they needs blind must be, who ever gaze upon the sun. Vavona himself was blind: when, in the silence of his secret bower, he said--"I will build another world. Therein, let there be kings and slaves, philosophers and wits; whose checkered actions--strange, grotesque, and merry-sad, will entertain my idle moods." So, my lord, Vavona played at kings and crowns, and men and manners; and loved that lonely game to play.
|
What then?
|
{
"answer_start": [
280
],
"text": [
"goblets "
]
}
|
32scwg5hih4v7es1hupqdsgh68p6pf
|
CHAPTER LXXVI Some Pleasant, Shady Talk In The Groves, Between My Lords Abrazza And Media, Babbalanja, Mohi, And Yoomy
Abrazza had a cool retreat--a grove of dates; where we were used to lounge of noons, and mix our converse with the babble of the rills; and mix our punches in goblets chased with grapes. And as ever, King Abrazza was the prince of hosts.
"Your crown," he said to Media; and with his own, he hung it on a bough.
"Be not ceremonious:" and stretched his royal legs upon the turf.
"Wine!" and his pages poured it out.
So on the grass we lounged; and King Abrazza, who loved his antique ancestors; and loved old times; and would not talk of moderns;--bade Yoomy sing old songs; bade Mohi rehearse old histories; bade Babbalanja tell of old ontologies; and commanded all, meanwhile, to drink his old, old wine.
So, all round we quaffed and quoted.
At last, we talked of old Homeric bards:--those who, ages back, harped, and begged, and groped their blinded way through all this charitable Mardi; receiving coppers then, and immortal glory now.
ABRAZZA--How came it, that they all were blind?
BABBALANJA--It was endemical, your Highness. Few grand poets have good eyes; for they needs blind must be, who ever gaze upon the sun. Vavona himself was blind: when, in the silence of his secret bower, he said--"I will build another world. Therein, let there be kings and slaves, philosophers and wits; whose checkered actions--strange, grotesque, and merry-sad, will entertain my idle moods." So, my lord, Vavona played at kings and crowns, and men and manners; and loved that lonely game to play.
|
What was requested of Mohi?
|
{
"answer_start": [
712
],
"text": [
"rehearse old histories"
]
}
|
32scwg5hih4v7es1hupqdsgh68p6pf
|
CHAPTER LXXVI Some Pleasant, Shady Talk In The Groves, Between My Lords Abrazza And Media, Babbalanja, Mohi, And Yoomy
Abrazza had a cool retreat--a grove of dates; where we were used to lounge of noons, and mix our converse with the babble of the rills; and mix our punches in goblets chased with grapes. And as ever, King Abrazza was the prince of hosts.
"Your crown," he said to Media; and with his own, he hung it on a bough.
"Be not ceremonious:" and stretched his royal legs upon the turf.
"Wine!" and his pages poured it out.
So on the grass we lounged; and King Abrazza, who loved his antique ancestors; and loved old times; and would not talk of moderns;--bade Yoomy sing old songs; bade Mohi rehearse old histories; bade Babbalanja tell of old ontologies; and commanded all, meanwhile, to drink his old, old wine.
So, all round we quaffed and quoted.
At last, we talked of old Homeric bards:--those who, ages back, harped, and begged, and groped their blinded way through all this charitable Mardi; receiving coppers then, and immortal glory now.
ABRAZZA--How came it, that they all were blind?
BABBALANJA--It was endemical, your Highness. Few grand poets have good eyes; for they needs blind must be, who ever gaze upon the sun. Vavona himself was blind: when, in the silence of his secret bower, he said--"I will build another world. Therein, let there be kings and slaves, philosophers and wits; whose checkered actions--strange, grotesque, and merry-sad, will entertain my idle moods." So, my lord, Vavona played at kings and crowns, and men and manners; and loved that lonely game to play.
|
And Yoomy?
|
{
"answer_start": [
686
],
"text": [
"sing old songs"
]
}
|
32scwg5hih4v7es1hupqdsgh68p6pf
|
CHAPTER LXXVI Some Pleasant, Shady Talk In The Groves, Between My Lords Abrazza And Media, Babbalanja, Mohi, And Yoomy
Abrazza had a cool retreat--a grove of dates; where we were used to lounge of noons, and mix our converse with the babble of the rills; and mix our punches in goblets chased with grapes. And as ever, King Abrazza was the prince of hosts.
"Your crown," he said to Media; and with his own, he hung it on a bough.
"Be not ceremonious:" and stretched his royal legs upon the turf.
"Wine!" and his pages poured it out.
So on the grass we lounged; and King Abrazza, who loved his antique ancestors; and loved old times; and would not talk of moderns;--bade Yoomy sing old songs; bade Mohi rehearse old histories; bade Babbalanja tell of old ontologies; and commanded all, meanwhile, to drink his old, old wine.
So, all round we quaffed and quoted.
At last, we talked of old Homeric bards:--those who, ages back, harped, and begged, and groped their blinded way through all this charitable Mardi; receiving coppers then, and immortal glory now.
ABRAZZA--How came it, that they all were blind?
BABBALANJA--It was endemical, your Highness. Few grand poets have good eyes; for they needs blind must be, who ever gaze upon the sun. Vavona himself was blind: when, in the silence of his secret bower, he said--"I will build another world. Therein, let there be kings and slaves, philosophers and wits; whose checkered actions--strange, grotesque, and merry-sad, will entertain my idle moods." So, my lord, Vavona played at kings and crowns, and men and manners; and loved that lonely game to play.
|
What of babbalanja?
|
{
"answer_start": [
752
],
"text": [
"tell of old ontologies"
]
}
|
32scwg5hih4v7es1hupqdsgh68p6pf
|
CHAPTER LXXVI Some Pleasant, Shady Talk In The Groves, Between My Lords Abrazza And Media, Babbalanja, Mohi, And Yoomy
Abrazza had a cool retreat--a grove of dates; where we were used to lounge of noons, and mix our converse with the babble of the rills; and mix our punches in goblets chased with grapes. And as ever, King Abrazza was the prince of hosts.
"Your crown," he said to Media; and with his own, he hung it on a bough.
"Be not ceremonious:" and stretched his royal legs upon the turf.
"Wine!" and his pages poured it out.
So on the grass we lounged; and King Abrazza, who loved his antique ancestors; and loved old times; and would not talk of moderns;--bade Yoomy sing old songs; bade Mohi rehearse old histories; bade Babbalanja tell of old ontologies; and commanded all, meanwhile, to drink his old, old wine.
So, all round we quaffed and quoted.
At last, we talked of old Homeric bards:--those who, ages back, harped, and begged, and groped their blinded way through all this charitable Mardi; receiving coppers then, and immortal glory now.
ABRAZZA--How came it, that they all were blind?
BABBALANJA--It was endemical, your Highness. Few grand poets have good eyes; for they needs blind must be, who ever gaze upon the sun. Vavona himself was blind: when, in the silence of his secret bower, he said--"I will build another world. Therein, let there be kings and slaves, philosophers and wits; whose checkered actions--strange, grotesque, and merry-sad, will entertain my idle moods." So, my lord, Vavona played at kings and crowns, and men and manners; and loved that lonely game to play.
|
And what were they all to do?
|
{
"answer_start": [
809
],
"text": [
"drink "
]
}
|
32scwg5hih4v7es1hupqdsgh68p6pf
|
CHAPTER LXXVI Some Pleasant, Shady Talk In The Groves, Between My Lords Abrazza And Media, Babbalanja, Mohi, And Yoomy
Abrazza had a cool retreat--a grove of dates; where we were used to lounge of noons, and mix our converse with the babble of the rills; and mix our punches in goblets chased with grapes. And as ever, King Abrazza was the prince of hosts.
"Your crown," he said to Media; and with his own, he hung it on a bough.
"Be not ceremonious:" and stretched his royal legs upon the turf.
"Wine!" and his pages poured it out.
So on the grass we lounged; and King Abrazza, who loved his antique ancestors; and loved old times; and would not talk of moderns;--bade Yoomy sing old songs; bade Mohi rehearse old histories; bade Babbalanja tell of old ontologies; and commanded all, meanwhile, to drink his old, old wine.
So, all round we quaffed and quoted.
At last, we talked of old Homeric bards:--those who, ages back, harped, and begged, and groped their blinded way through all this charitable Mardi; receiving coppers then, and immortal glory now.
ABRAZZA--How came it, that they all were blind?
BABBALANJA--It was endemical, your Highness. Few grand poets have good eyes; for they needs blind must be, who ever gaze upon the sun. Vavona himself was blind: when, in the silence of his secret bower, he said--"I will build another world. Therein, let there be kings and slaves, philosophers and wits; whose checkered actions--strange, grotesque, and merry-sad, will entertain my idle moods." So, my lord, Vavona played at kings and crowns, and men and manners; and loved that lonely game to play.
|
Of what?
|
{
"answer_start": [
818
],
"text": [
" old, old wine. "
]
}
|
32scwg5hih4v7es1hupqdsgh68p6pf
|
CHAPTER LXXVI Some Pleasant, Shady Talk In The Groves, Between My Lords Abrazza And Media, Babbalanja, Mohi, And Yoomy
Abrazza had a cool retreat--a grove of dates; where we were used to lounge of noons, and mix our converse with the babble of the rills; and mix our punches in goblets chased with grapes. And as ever, King Abrazza was the prince of hosts.
"Your crown," he said to Media; and with his own, he hung it on a bough.
"Be not ceremonious:" and stretched his royal legs upon the turf.
"Wine!" and his pages poured it out.
So on the grass we lounged; and King Abrazza, who loved his antique ancestors; and loved old times; and would not talk of moderns;--bade Yoomy sing old songs; bade Mohi rehearse old histories; bade Babbalanja tell of old ontologies; and commanded all, meanwhile, to drink his old, old wine.
So, all round we quaffed and quoted.
At last, we talked of old Homeric bards:--those who, ages back, harped, and begged, and groped their blinded way through all this charitable Mardi; receiving coppers then, and immortal glory now.
ABRAZZA--How came it, that they all were blind?
BABBALANJA--It was endemical, your Highness. Few grand poets have good eyes; for they needs blind must be, who ever gaze upon the sun. Vavona himself was blind: when, in the silence of his secret bower, he said--"I will build another world. Therein, let there be kings and slaves, philosophers and wits; whose checkered actions--strange, grotesque, and merry-sad, will entertain my idle moods." So, my lord, Vavona played at kings and crowns, and men and manners; and loved that lonely game to play.
|
Did they do as requested of them?
|
{
"answer_start": [
850
],
"text": [
"we quaffed "
]
}
|
32scwg5hih4v7es1hupqdsgh68p6pf
|
CHAPTER LXXVI Some Pleasant, Shady Talk In The Groves, Between My Lords Abrazza And Media, Babbalanja, Mohi, And Yoomy
Abrazza had a cool retreat--a grove of dates; where we were used to lounge of noons, and mix our converse with the babble of the rills; and mix our punches in goblets chased with grapes. And as ever, King Abrazza was the prince of hosts.
"Your crown," he said to Media; and with his own, he hung it on a bough.
"Be not ceremonious:" and stretched his royal legs upon the turf.
"Wine!" and his pages poured it out.
So on the grass we lounged; and King Abrazza, who loved his antique ancestors; and loved old times; and would not talk of moderns;--bade Yoomy sing old songs; bade Mohi rehearse old histories; bade Babbalanja tell of old ontologies; and commanded all, meanwhile, to drink his old, old wine.
So, all round we quaffed and quoted.
At last, we talked of old Homeric bards:--those who, ages back, harped, and begged, and groped their blinded way through all this charitable Mardi; receiving coppers then, and immortal glory now.
ABRAZZA--How came it, that they all were blind?
BABBALANJA--It was endemical, your Highness. Few grand poets have good eyes; for they needs blind must be, who ever gaze upon the sun. Vavona himself was blind: when, in the silence of his secret bower, he said--"I will build another world. Therein, let there be kings and slaves, philosophers and wits; whose checkered actions--strange, grotesque, and merry-sad, will entertain my idle moods." So, my lord, Vavona played at kings and crowns, and men and manners; and loved that lonely game to play.
|
Who was blind?
|
{
"answer_start": [
897
],
"text": [
"old Homeric bards"
]
}
|
32scwg5hih4v7es1hupqdsgh68p6pf
|
CHAPTER LXXVI Some Pleasant, Shady Talk In The Groves, Between My Lords Abrazza And Media, Babbalanja, Mohi, And Yoomy
Abrazza had a cool retreat--a grove of dates; where we were used to lounge of noons, and mix our converse with the babble of the rills; and mix our punches in goblets chased with grapes. And as ever, King Abrazza was the prince of hosts.
"Your crown," he said to Media; and with his own, he hung it on a bough.
"Be not ceremonious:" and stretched his royal legs upon the turf.
"Wine!" and his pages poured it out.
So on the grass we lounged; and King Abrazza, who loved his antique ancestors; and loved old times; and would not talk of moderns;--bade Yoomy sing old songs; bade Mohi rehearse old histories; bade Babbalanja tell of old ontologies; and commanded all, meanwhile, to drink his old, old wine.
So, all round we quaffed and quoted.
At last, we talked of old Homeric bards:--those who, ages back, harped, and begged, and groped their blinded way through all this charitable Mardi; receiving coppers then, and immortal glory now.
ABRAZZA--How came it, that they all were blind?
BABBALANJA--It was endemical, your Highness. Few grand poets have good eyes; for they needs blind must be, who ever gaze upon the sun. Vavona himself was blind: when, in the silence of his secret bower, he said--"I will build another world. Therein, let there be kings and slaves, philosophers and wits; whose checkered actions--strange, grotesque, and merry-sad, will entertain my idle moods." So, my lord, Vavona played at kings and crowns, and men and manners; and loved that lonely game to play.
|
Anyone else?
|
{
"answer_start": [
1258
],
"text": [
"Vavona "
]
}
|
32scwg5hih4v7es1hupqdsgh68p6pf
|
CHAPTER LXXVI Some Pleasant, Shady Talk In The Groves, Between My Lords Abrazza And Media, Babbalanja, Mohi, And Yoomy
Abrazza had a cool retreat--a grove of dates; where we were used to lounge of noons, and mix our converse with the babble of the rills; and mix our punches in goblets chased with grapes. And as ever, King Abrazza was the prince of hosts.
"Your crown," he said to Media; and with his own, he hung it on a bough.
"Be not ceremonious:" and stretched his royal legs upon the turf.
"Wine!" and his pages poured it out.
So on the grass we lounged; and King Abrazza, who loved his antique ancestors; and loved old times; and would not talk of moderns;--bade Yoomy sing old songs; bade Mohi rehearse old histories; bade Babbalanja tell of old ontologies; and commanded all, meanwhile, to drink his old, old wine.
So, all round we quaffed and quoted.
At last, we talked of old Homeric bards:--those who, ages back, harped, and begged, and groped their blinded way through all this charitable Mardi; receiving coppers then, and immortal glory now.
ABRAZZA--How came it, that they all were blind?
BABBALANJA--It was endemical, your Highness. Few grand poets have good eyes; for they needs blind must be, who ever gaze upon the sun. Vavona himself was blind: when, in the silence of his secret bower, he said--"I will build another world. Therein, let there be kings and slaves, philosophers and wits; whose checkered actions--strange, grotesque, and merry-sad, will entertain my idle moods." So, my lord, Vavona played at kings and crowns, and men and manners; and loved that lonely game to play.
|
What did he wish to create?
|
{
"answer_start": [
1349
],
"text": [
"another world."
]
}
|
32scwg5hih4v7es1hupqdsgh68p6pf
|
CHAPTER LXXVI Some Pleasant, Shady Talk In The Groves, Between My Lords Abrazza And Media, Babbalanja, Mohi, And Yoomy
Abrazza had a cool retreat--a grove of dates; where we were used to lounge of noons, and mix our converse with the babble of the rills; and mix our punches in goblets chased with grapes. And as ever, King Abrazza was the prince of hosts.
"Your crown," he said to Media; and with his own, he hung it on a bough.
"Be not ceremonious:" and stretched his royal legs upon the turf.
"Wine!" and his pages poured it out.
So on the grass we lounged; and King Abrazza, who loved his antique ancestors; and loved old times; and would not talk of moderns;--bade Yoomy sing old songs; bade Mohi rehearse old histories; bade Babbalanja tell of old ontologies; and commanded all, meanwhile, to drink his old, old wine.
So, all round we quaffed and quoted.
At last, we talked of old Homeric bards:--those who, ages back, harped, and begged, and groped their blinded way through all this charitable Mardi; receiving coppers then, and immortal glory now.
ABRAZZA--How came it, that they all were blind?
BABBALANJA--It was endemical, your Highness. Few grand poets have good eyes; for they needs blind must be, who ever gaze upon the sun. Vavona himself was blind: when, in the silence of his secret bower, he said--"I will build another world. Therein, let there be kings and slaves, philosophers and wits; whose checkered actions--strange, grotesque, and merry-sad, will entertain my idle moods." So, my lord, Vavona played at kings and crowns, and men and manners; and loved that lonely game to play.
|
Would there be royalty there?
|
{
"answer_start": [
1373
],
"text": [
"let there be kings"
]
}
|
32scwg5hih4v7es1hupqdsgh68p6pf
|
CHAPTER LXXVI Some Pleasant, Shady Talk In The Groves, Between My Lords Abrazza And Media, Babbalanja, Mohi, And Yoomy
Abrazza had a cool retreat--a grove of dates; where we were used to lounge of noons, and mix our converse with the babble of the rills; and mix our punches in goblets chased with grapes. And as ever, King Abrazza was the prince of hosts.
"Your crown," he said to Media; and with his own, he hung it on a bough.
"Be not ceremonious:" and stretched his royal legs upon the turf.
"Wine!" and his pages poured it out.
So on the grass we lounged; and King Abrazza, who loved his antique ancestors; and loved old times; and would not talk of moderns;--bade Yoomy sing old songs; bade Mohi rehearse old histories; bade Babbalanja tell of old ontologies; and commanded all, meanwhile, to drink his old, old wine.
So, all round we quaffed and quoted.
At last, we talked of old Homeric bards:--those who, ages back, harped, and begged, and groped their blinded way through all this charitable Mardi; receiving coppers then, and immortal glory now.
ABRAZZA--How came it, that they all were blind?
BABBALANJA--It was endemical, your Highness. Few grand poets have good eyes; for they needs blind must be, who ever gaze upon the sun. Vavona himself was blind: when, in the silence of his secret bower, he said--"I will build another world. Therein, let there be kings and slaves, philosophers and wits; whose checkered actions--strange, grotesque, and merry-sad, will entertain my idle moods." So, my lord, Vavona played at kings and crowns, and men and manners; and loved that lonely game to play.
|
And wise men?
|
{
"answer_start": [
1404
],
"text": [
"philosophers"
]
}
|
37z929rlg98ym4j55o1dj7d6dscsth
|
Steve and Yaser first met in their chemistry class at an American university. Yaser was an international student from Jordan. He wanted to learn more about American culture and hoped that he and Steve would become good friends. At first, Steve seemed very friendly. He always greeted Yaser warmly before class. Sometimes he offered to study with Yaser. He even invited Yaser to have lunch with him. But after the term was over, Steve seemed distant. The two former classmates didn't see each other very often at school. One day Yaser decided to call Steve. Steve didn't seem very interested in talking to him. Yaser was hurt by Steve's change of attitude. "Steve said we were friends," Yaser complained, "and I thought friends were friends forever." Yaser was a little confused.
As a foreigner, he doesn't understand the way Americans view friendship. Americans use the word "friend" in a very general way. They may call both casual acquaintances(;) and close companions "friends". These friendships are based on common interests. When the shared activity ends, the friendship may fade . Now as Steve and Yaser are no longer classmates, their "friendship" has changed. In some cultures friendship means a strong lifelong bond between two people. In these cultures friendships develop slowly, since they are built to last. American society is one of rapid change. Studies show that one out five American families moves every year. American friendships develop quickly, and _ may change just quickly as well. People from the United States may at first seem friendly. Americans often chat easily with strangers. But American friendliness is not always an offer of true friendship. After an experience like Yaser's , people who've been in this country for only a few months may consider Americans to be fickle . Learning how Americans view friendship can help non-Americans avoid misunderstandings. It can also help them make friends in the American way.
|
Where did the two guys meet?
|
{
"answer_start": [
0
],
"text": [
"Steve and Yaser first met in their chemistry class"
]
}
|
37z929rlg98ym4j55o1dj7d6dscsth
|
Steve and Yaser first met in their chemistry class at an American university. Yaser was an international student from Jordan. He wanted to learn more about American culture and hoped that he and Steve would become good friends. At first, Steve seemed very friendly. He always greeted Yaser warmly before class. Sometimes he offered to study with Yaser. He even invited Yaser to have lunch with him. But after the term was over, Steve seemed distant. The two former classmates didn't see each other very often at school. One day Yaser decided to call Steve. Steve didn't seem very interested in talking to him. Yaser was hurt by Steve's change of attitude. "Steve said we were friends," Yaser complained, "and I thought friends were friends forever." Yaser was a little confused.
As a foreigner, he doesn't understand the way Americans view friendship. Americans use the word "friend" in a very general way. They may call both casual acquaintances(;) and close companions "friends". These friendships are based on common interests. When the shared activity ends, the friendship may fade . Now as Steve and Yaser are no longer classmates, their "friendship" has changed. In some cultures friendship means a strong lifelong bond between two people. In these cultures friendships develop slowly, since they are built to last. American society is one of rapid change. Studies show that one out five American families moves every year. American friendships develop quickly, and _ may change just quickly as well. People from the United States may at first seem friendly. Americans often chat easily with strangers. But American friendliness is not always an offer of true friendship. After an experience like Yaser's , people who've been in this country for only a few months may consider Americans to be fickle . Learning how Americans view friendship can help non-Americans avoid misunderstandings. It can also help them make friends in the American way.
|
Was it a high school class?
|
{
"answer_start": [
35
],
"text": [
"chemistry class at an American university"
]
}
|
37z929rlg98ym4j55o1dj7d6dscsth
|
Steve and Yaser first met in their chemistry class at an American university. Yaser was an international student from Jordan. He wanted to learn more about American culture and hoped that he and Steve would become good friends. At first, Steve seemed very friendly. He always greeted Yaser warmly before class. Sometimes he offered to study with Yaser. He even invited Yaser to have lunch with him. But after the term was over, Steve seemed distant. The two former classmates didn't see each other very often at school. One day Yaser decided to call Steve. Steve didn't seem very interested in talking to him. Yaser was hurt by Steve's change of attitude. "Steve said we were friends," Yaser complained, "and I thought friends were friends forever." Yaser was a little confused.
As a foreigner, he doesn't understand the way Americans view friendship. Americans use the word "friend" in a very general way. They may call both casual acquaintances(;) and close companions "friends". These friendships are based on common interests. When the shared activity ends, the friendship may fade . Now as Steve and Yaser are no longer classmates, their "friendship" has changed. In some cultures friendship means a strong lifelong bond between two people. In these cultures friendships develop slowly, since they are built to last. American society is one of rapid change. Studies show that one out five American families moves every year. American friendships develop quickly, and _ may change just quickly as well. People from the United States may at first seem friendly. Americans often chat easily with strangers. But American friendliness is not always an offer of true friendship. After an experience like Yaser's , people who've been in this country for only a few months may consider Americans to be fickle . Learning how Americans view friendship can help non-Americans avoid misunderstandings. It can also help them make friends in the American way.
|
Where was their class held?
|
{
"answer_start": [
35
],
"text": [
"chemistry class at an American university"
]
}
|
37z929rlg98ym4j55o1dj7d6dscsth
|
Steve and Yaser first met in their chemistry class at an American university. Yaser was an international student from Jordan. He wanted to learn more about American culture and hoped that he and Steve would become good friends. At first, Steve seemed very friendly. He always greeted Yaser warmly before class. Sometimes he offered to study with Yaser. He even invited Yaser to have lunch with him. But after the term was over, Steve seemed distant. The two former classmates didn't see each other very often at school. One day Yaser decided to call Steve. Steve didn't seem very interested in talking to him. Yaser was hurt by Steve's change of attitude. "Steve said we were friends," Yaser complained, "and I thought friends were friends forever." Yaser was a little confused.
As a foreigner, he doesn't understand the way Americans view friendship. Americans use the word "friend" in a very general way. They may call both casual acquaintances(;) and close companions "friends". These friendships are based on common interests. When the shared activity ends, the friendship may fade . Now as Steve and Yaser are no longer classmates, their "friendship" has changed. In some cultures friendship means a strong lifelong bond between two people. In these cultures friendships develop slowly, since they are built to last. American society is one of rapid change. Studies show that one out five American families moves every year. American friendships develop quickly, and _ may change just quickly as well. People from the United States may at first seem friendly. Americans often chat easily with strangers. But American friendliness is not always an offer of true friendship. After an experience like Yaser's , people who've been in this country for only a few months may consider Americans to be fickle . Learning how Americans view friendship can help non-Americans avoid misunderstandings. It can also help them make friends in the American way.
|
How do Americans view companionship?
|
{
"answer_start": [
853
],
"text": [
" Americans use the word \"friend\" in a very general way. "
]
}
|
37z929rlg98ym4j55o1dj7d6dscsth
|
Steve and Yaser first met in their chemistry class at an American university. Yaser was an international student from Jordan. He wanted to learn more about American culture and hoped that he and Steve would become good friends. At first, Steve seemed very friendly. He always greeted Yaser warmly before class. Sometimes he offered to study with Yaser. He even invited Yaser to have lunch with him. But after the term was over, Steve seemed distant. The two former classmates didn't see each other very often at school. One day Yaser decided to call Steve. Steve didn't seem very interested in talking to him. Yaser was hurt by Steve's change of attitude. "Steve said we were friends," Yaser complained, "and I thought friends were friends forever." Yaser was a little confused.
As a foreigner, he doesn't understand the way Americans view friendship. Americans use the word "friend" in a very general way. They may call both casual acquaintances(;) and close companions "friends". These friendships are based on common interests. When the shared activity ends, the friendship may fade . Now as Steve and Yaser are no longer classmates, their "friendship" has changed. In some cultures friendship means a strong lifelong bond between two people. In these cultures friendships develop slowly, since they are built to last. American society is one of rapid change. Studies show that one out five American families moves every year. American friendships develop quickly, and _ may change just quickly as well. People from the United States may at first seem friendly. Americans often chat easily with strangers. But American friendliness is not always an offer of true friendship. After an experience like Yaser's , people who've been in this country for only a few months may consider Americans to be fickle . Learning how Americans view friendship can help non-Americans avoid misunderstandings. It can also help them make friends in the American way.
|
Where was Yaser from?
|
{
"answer_start": [
76
],
"text": [
". Yaser was an international student from Jordan."
]
}
|
37z929rlg98ym4j55o1dj7d6dscsth
|
Steve and Yaser first met in their chemistry class at an American university. Yaser was an international student from Jordan. He wanted to learn more about American culture and hoped that he and Steve would become good friends. At first, Steve seemed very friendly. He always greeted Yaser warmly before class. Sometimes he offered to study with Yaser. He even invited Yaser to have lunch with him. But after the term was over, Steve seemed distant. The two former classmates didn't see each other very often at school. One day Yaser decided to call Steve. Steve didn't seem very interested in talking to him. Yaser was hurt by Steve's change of attitude. "Steve said we were friends," Yaser complained, "and I thought friends were friends forever." Yaser was a little confused.
As a foreigner, he doesn't understand the way Americans view friendship. Americans use the word "friend" in a very general way. They may call both casual acquaintances(;) and close companions "friends". These friendships are based on common interests. When the shared activity ends, the friendship may fade . Now as Steve and Yaser are no longer classmates, their "friendship" has changed. In some cultures friendship means a strong lifelong bond between two people. In these cultures friendships develop slowly, since they are built to last. American society is one of rapid change. Studies show that one out five American families moves every year. American friendships develop quickly, and _ may change just quickly as well. People from the United States may at first seem friendly. Americans often chat easily with strangers. But American friendliness is not always an offer of true friendship. After an experience like Yaser's , people who've been in this country for only a few months may consider Americans to be fickle . Learning how Americans view friendship can help non-Americans avoid misunderstandings. It can also help them make friends in the American way.
|
What meal did the two guys share?
|
{
"answer_start": [
353
],
"text": [
"He even invited Yaser to have lunch with him"
]
}
|
37z929rlg98ym4j55o1dj7d6dscsth
|
Steve and Yaser first met in their chemistry class at an American university. Yaser was an international student from Jordan. He wanted to learn more about American culture and hoped that he and Steve would become good friends. At first, Steve seemed very friendly. He always greeted Yaser warmly before class. Sometimes he offered to study with Yaser. He even invited Yaser to have lunch with him. But after the term was over, Steve seemed distant. The two former classmates didn't see each other very often at school. One day Yaser decided to call Steve. Steve didn't seem very interested in talking to him. Yaser was hurt by Steve's change of attitude. "Steve said we were friends," Yaser complained, "and I thought friends were friends forever." Yaser was a little confused.
As a foreigner, he doesn't understand the way Americans view friendship. Americans use the word "friend" in a very general way. They may call both casual acquaintances(;) and close companions "friends". These friendships are based on common interests. When the shared activity ends, the friendship may fade . Now as Steve and Yaser are no longer classmates, their "friendship" has changed. In some cultures friendship means a strong lifelong bond between two people. In these cultures friendships develop slowly, since they are built to last. American society is one of rapid change. Studies show that one out five American families moves every year. American friendships develop quickly, and _ may change just quickly as well. People from the United States may at first seem friendly. Americans often chat easily with strangers. But American friendliness is not always an offer of true friendship. After an experience like Yaser's , people who've been in this country for only a few months may consider Americans to be fickle . Learning how Americans view friendship can help non-Americans avoid misunderstandings. It can also help them make friends in the American way.
|
What are two emotions Yaser felt?
|
{
"answer_start": [
610
],
"text": [
"Yaser was hurt by Steve's change of attitude. \"Steve said we were friends,\" Yaser complained, \"and I thought friends were friends forever.\" Yaser was a little confused. "
]
}
|
37z929rlg98ym4j55o1dj7d6dscsth
|
Steve and Yaser first met in their chemistry class at an American university. Yaser was an international student from Jordan. He wanted to learn more about American culture and hoped that he and Steve would become good friends. At first, Steve seemed very friendly. He always greeted Yaser warmly before class. Sometimes he offered to study with Yaser. He even invited Yaser to have lunch with him. But after the term was over, Steve seemed distant. The two former classmates didn't see each other very often at school. One day Yaser decided to call Steve. Steve didn't seem very interested in talking to him. Yaser was hurt by Steve's change of attitude. "Steve said we were friends," Yaser complained, "and I thought friends were friends forever." Yaser was a little confused.
As a foreigner, he doesn't understand the way Americans view friendship. Americans use the word "friend" in a very general way. They may call both casual acquaintances(;) and close companions "friends". These friendships are based on common interests. When the shared activity ends, the friendship may fade . Now as Steve and Yaser are no longer classmates, their "friendship" has changed. In some cultures friendship means a strong lifelong bond between two people. In these cultures friendships develop slowly, since they are built to last. American society is one of rapid change. Studies show that one out five American families moves every year. American friendships develop quickly, and _ may change just quickly as well. People from the United States may at first seem friendly. Americans often chat easily with strangers. But American friendliness is not always an offer of true friendship. After an experience like Yaser's , people who've been in this country for only a few months may consider Americans to be fickle . Learning how Americans view friendship can help non-Americans avoid misunderstandings. It can also help them make friends in the American way.
|
Was Yaser interested in American culture?
|
{
"answer_start": [
125
],
"text": [
" He wanted to learn more about American culture"
]
}
|
37z929rlg98ym4j55o1dj7d6dscsth
|
Steve and Yaser first met in their chemistry class at an American university. Yaser was an international student from Jordan. He wanted to learn more about American culture and hoped that he and Steve would become good friends. At first, Steve seemed very friendly. He always greeted Yaser warmly before class. Sometimes he offered to study with Yaser. He even invited Yaser to have lunch with him. But after the term was over, Steve seemed distant. The two former classmates didn't see each other very often at school. One day Yaser decided to call Steve. Steve didn't seem very interested in talking to him. Yaser was hurt by Steve's change of attitude. "Steve said we were friends," Yaser complained, "and I thought friends were friends forever." Yaser was a little confused.
As a foreigner, he doesn't understand the way Americans view friendship. Americans use the word "friend" in a very general way. They may call both casual acquaintances(;) and close companions "friends". These friendships are based on common interests. When the shared activity ends, the friendship may fade . Now as Steve and Yaser are no longer classmates, their "friendship" has changed. In some cultures friendship means a strong lifelong bond between two people. In these cultures friendships develop slowly, since they are built to last. American society is one of rapid change. Studies show that one out five American families moves every year. American friendships develop quickly, and _ may change just quickly as well. People from the United States may at first seem friendly. Americans often chat easily with strangers. But American friendliness is not always an offer of true friendship. After an experience like Yaser's , people who've been in this country for only a few months may consider Americans to be fickle . Learning how Americans view friendship can help non-Americans avoid misunderstandings. It can also help them make friends in the American way.
|
How is American society described?
|
{
"answer_start": [
1324
],
"text": [
"American society is one of rapid change"
]
}
|
37z929rlg98ym4j55o1dj7d6dscsth
|
Steve and Yaser first met in their chemistry class at an American university. Yaser was an international student from Jordan. He wanted to learn more about American culture and hoped that he and Steve would become good friends. At first, Steve seemed very friendly. He always greeted Yaser warmly before class. Sometimes he offered to study with Yaser. He even invited Yaser to have lunch with him. But after the term was over, Steve seemed distant. The two former classmates didn't see each other very often at school. One day Yaser decided to call Steve. Steve didn't seem very interested in talking to him. Yaser was hurt by Steve's change of attitude. "Steve said we were friends," Yaser complained, "and I thought friends were friends forever." Yaser was a little confused.
As a foreigner, he doesn't understand the way Americans view friendship. Americans use the word "friend" in a very general way. They may call both casual acquaintances(;) and close companions "friends". These friendships are based on common interests. When the shared activity ends, the friendship may fade . Now as Steve and Yaser are no longer classmates, their "friendship" has changed. In some cultures friendship means a strong lifelong bond between two people. In these cultures friendships develop slowly, since they are built to last. American society is one of rapid change. Studies show that one out five American families moves every year. American friendships develop quickly, and _ may change just quickly as well. People from the United States may at first seem friendly. Americans often chat easily with strangers. But American friendliness is not always an offer of true friendship. After an experience like Yaser's , people who've been in this country for only a few months may consider Americans to be fickle . Learning how Americans view friendship can help non-Americans avoid misunderstandings. It can also help them make friends in the American way.
|
How would Steve greet Yaser?
|
{
"answer_start": [
266
],
"text": [
"He always greeted Yaser warmly"
]
}
|
3ftf2t8wlri896r0rn6xpwffp729ws
|
The BPI (British Recorded Music Industry) Limited, commonly known as the British Phonographic Industry or BPI, is the British recorded music industry's trade association.
Its membership comprises hundreds of music companies including all three "major" record companies in the UK (Warner Music UK, Sony Music Entertainment, and Universal Music Group), and hundreds of independent music labels and small to medium-sized music businesses.
It has represented the interests of British record companies since being formally incorporated in 1973 when the principal aim was to promote British music and fight copyright infringement.
In 2007, the association's legal name was changed from British Phonographic Industry Limited (The).
It founded the annual BRIT Awards for the British music industry in 1977, and, later, The Classic BRIT Awards. The organizing company, BRIT Awards Limited, is a fully owned subsidiary of the BPI. Proceeds from both shows go to the BRIT Trust, the charitable arm of the BPI that has donated almost £15m to charitable causes nationwide since its foundation in 1989. In September 2013, the BPI presented the first ever BRITs Icon Award to Sir Elton John. The BPI also endorsed the launch of the Mercury Prize for the Album of the Year in 1992.
The recorded music industry's Certified Awards program, which attributes Platinum, Gold and Silver status to singles, albums and music videos (Platinum and Gold only) based on their sales performance (see BPI Certified Awards program), has been administered by the BPI since its inception in 1973. In September 2008, the BPI became one of the founding members of UK Music, an umbrella organisation representing the interests of all parts of the industry.
|
what does BPI stand for?
|
{
"answer_start": [
0
],
"text": [
"The BPI (British Recorded Music Industry)"
]
}
|
3ftf2t8wlri896r0rn6xpwffp729ws
|
The BPI (British Recorded Music Industry) Limited, commonly known as the British Phonographic Industry or BPI, is the British recorded music industry's trade association.
Its membership comprises hundreds of music companies including all three "major" record companies in the UK (Warner Music UK, Sony Music Entertainment, and Universal Music Group), and hundreds of independent music labels and small to medium-sized music businesses.
It has represented the interests of British record companies since being formally incorporated in 1973 when the principal aim was to promote British music and fight copyright infringement.
In 2007, the association's legal name was changed from British Phonographic Industry Limited (The).
It founded the annual BRIT Awards for the British music industry in 1977, and, later, The Classic BRIT Awards. The organizing company, BRIT Awards Limited, is a fully owned subsidiary of the BPI. Proceeds from both shows go to the BRIT Trust, the charitable arm of the BPI that has donated almost £15m to charitable causes nationwide since its foundation in 1989. In September 2013, the BPI presented the first ever BRITs Icon Award to Sir Elton John. The BPI also endorsed the launch of the Mercury Prize for the Album of the Year in 1992.
The recorded music industry's Certified Awards program, which attributes Platinum, Gold and Silver status to singles, albums and music videos (Platinum and Gold only) based on their sales performance (see BPI Certified Awards program), has been administered by the BPI since its inception in 1973. In September 2008, the BPI became one of the founding members of UK Music, an umbrella organisation representing the interests of all parts of the industry.
|
What does its membership consist of?
|
{
"answer_start": [
173
],
"text": [
"Its membership comprises hundreds of music companies"
]
}
|
3ftf2t8wlri896r0rn6xpwffp729ws
|
The BPI (British Recorded Music Industry) Limited, commonly known as the British Phonographic Industry or BPI, is the British recorded music industry's trade association.
Its membership comprises hundreds of music companies including all three "major" record companies in the UK (Warner Music UK, Sony Music Entertainment, and Universal Music Group), and hundreds of independent music labels and small to medium-sized music businesses.
It has represented the interests of British record companies since being formally incorporated in 1973 when the principal aim was to promote British music and fight copyright infringement.
In 2007, the association's legal name was changed from British Phonographic Industry Limited (The).
It founded the annual BRIT Awards for the British music industry in 1977, and, later, The Classic BRIT Awards. The organizing company, BRIT Awards Limited, is a fully owned subsidiary of the BPI. Proceeds from both shows go to the BRIT Trust, the charitable arm of the BPI that has donated almost £15m to charitable causes nationwide since its foundation in 1989. In September 2013, the BPI presented the first ever BRITs Icon Award to Sir Elton John. The BPI also endorsed the launch of the Mercury Prize for the Album of the Year in 1992.
The recorded music industry's Certified Awards program, which attributes Platinum, Gold and Silver status to singles, albums and music videos (Platinum and Gold only) based on their sales performance (see BPI Certified Awards program), has been administered by the BPI since its inception in 1973. In September 2008, the BPI became one of the founding members of UK Music, an umbrella organisation representing the interests of all parts of the industry.
|
where?
|
{
"answer_start": [
271
],
"text": [
"in the UK"
]
}
|
3ftf2t8wlri896r0rn6xpwffp729ws
|
The BPI (British Recorded Music Industry) Limited, commonly known as the British Phonographic Industry or BPI, is the British recorded music industry's trade association.
Its membership comprises hundreds of music companies including all three "major" record companies in the UK (Warner Music UK, Sony Music Entertainment, and Universal Music Group), and hundreds of independent music labels and small to medium-sized music businesses.
It has represented the interests of British record companies since being formally incorporated in 1973 when the principal aim was to promote British music and fight copyright infringement.
In 2007, the association's legal name was changed from British Phonographic Industry Limited (The).
It founded the annual BRIT Awards for the British music industry in 1977, and, later, The Classic BRIT Awards. The organizing company, BRIT Awards Limited, is a fully owned subsidiary of the BPI. Proceeds from both shows go to the BRIT Trust, the charitable arm of the BPI that has donated almost £15m to charitable causes nationwide since its foundation in 1989. In September 2013, the BPI presented the first ever BRITs Icon Award to Sir Elton John. The BPI also endorsed the launch of the Mercury Prize for the Album of the Year in 1992.
The recorded music industry's Certified Awards program, which attributes Platinum, Gold and Silver status to singles, albums and music videos (Platinum and Gold only) based on their sales performance (see BPI Certified Awards program), has been administered by the BPI since its inception in 1973. In September 2008, the BPI became one of the founding members of UK Music, an umbrella organisation representing the interests of all parts of the industry.
|
how many major companies does it include?
|
{
"answer_start": [
236
],
"text": [
"all three \"major\" record companies "
]
}
|
3ftf2t8wlri896r0rn6xpwffp729ws
|
The BPI (British Recorded Music Industry) Limited, commonly known as the British Phonographic Industry or BPI, is the British recorded music industry's trade association.
Its membership comprises hundreds of music companies including all three "major" record companies in the UK (Warner Music UK, Sony Music Entertainment, and Universal Music Group), and hundreds of independent music labels and small to medium-sized music businesses.
It has represented the interests of British record companies since being formally incorporated in 1973 when the principal aim was to promote British music and fight copyright infringement.
In 2007, the association's legal name was changed from British Phonographic Industry Limited (The).
It founded the annual BRIT Awards for the British music industry in 1977, and, later, The Classic BRIT Awards. The organizing company, BRIT Awards Limited, is a fully owned subsidiary of the BPI. Proceeds from both shows go to the BRIT Trust, the charitable arm of the BPI that has donated almost £15m to charitable causes nationwide since its foundation in 1989. In September 2013, the BPI presented the first ever BRITs Icon Award to Sir Elton John. The BPI also endorsed the launch of the Mercury Prize for the Album of the Year in 1992.
The recorded music industry's Certified Awards program, which attributes Platinum, Gold and Silver status to singles, albums and music videos (Platinum and Gold only) based on their sales performance (see BPI Certified Awards program), has been administered by the BPI since its inception in 1973. In September 2008, the BPI became one of the founding members of UK Music, an umbrella organisation representing the interests of all parts of the industry.
|
Name one please?
|
{
"answer_start": [
236
],
"text": [
"all three \"major\" record companies in the UK (Warner Music UK, Sony Music Entertainment, and Universal Music Group),"
]
}
|
3ftf2t8wlri896r0rn6xpwffp729ws
|
The BPI (British Recorded Music Industry) Limited, commonly known as the British Phonographic Industry or BPI, is the British recorded music industry's trade association.
Its membership comprises hundreds of music companies including all three "major" record companies in the UK (Warner Music UK, Sony Music Entertainment, and Universal Music Group), and hundreds of independent music labels and small to medium-sized music businesses.
It has represented the interests of British record companies since being formally incorporated in 1973 when the principal aim was to promote British music and fight copyright infringement.
In 2007, the association's legal name was changed from British Phonographic Industry Limited (The).
It founded the annual BRIT Awards for the British music industry in 1977, and, later, The Classic BRIT Awards. The organizing company, BRIT Awards Limited, is a fully owned subsidiary of the BPI. Proceeds from both shows go to the BRIT Trust, the charitable arm of the BPI that has donated almost £15m to charitable causes nationwide since its foundation in 1989. In September 2013, the BPI presented the first ever BRITs Icon Award to Sir Elton John. The BPI also endorsed the launch of the Mercury Prize for the Album of the Year in 1992.
The recorded music industry's Certified Awards program, which attributes Platinum, Gold and Silver status to singles, albums and music videos (Platinum and Gold only) based on their sales performance (see BPI Certified Awards program), has been administered by the BPI since its inception in 1973. In September 2008, the BPI became one of the founding members of UK Music, an umbrella organisation representing the interests of all parts of the industry.
|
and another?
|
{
"answer_start": [
282
],
"text": [
"Warner Music UK"
]
}
|
3ftf2t8wlri896r0rn6xpwffp729ws
|
The BPI (British Recorded Music Industry) Limited, commonly known as the British Phonographic Industry or BPI, is the British recorded music industry's trade association.
Its membership comprises hundreds of music companies including all three "major" record companies in the UK (Warner Music UK, Sony Music Entertainment, and Universal Music Group), and hundreds of independent music labels and small to medium-sized music businesses.
It has represented the interests of British record companies since being formally incorporated in 1973 when the principal aim was to promote British music and fight copyright infringement.
In 2007, the association's legal name was changed from British Phonographic Industry Limited (The).
It founded the annual BRIT Awards for the British music industry in 1977, and, later, The Classic BRIT Awards. The organizing company, BRIT Awards Limited, is a fully owned subsidiary of the BPI. Proceeds from both shows go to the BRIT Trust, the charitable arm of the BPI that has donated almost £15m to charitable causes nationwide since its foundation in 1989. In September 2013, the BPI presented the first ever BRITs Icon Award to Sir Elton John. The BPI also endorsed the launch of the Mercury Prize for the Album of the Year in 1992.
The recorded music industry's Certified Awards program, which attributes Platinum, Gold and Silver status to singles, albums and music videos (Platinum and Gold only) based on their sales performance (see BPI Certified Awards program), has been administered by the BPI since its inception in 1973. In September 2008, the BPI became one of the founding members of UK Music, an umbrella organisation representing the interests of all parts of the industry.
|
and the last one?
|
{
"answer_start": [
329
],
"text": [
"Universal Music Group"
]
}
|
3ftf2t8wlri896r0rn6xpwffp729ws
|
The BPI (British Recorded Music Industry) Limited, commonly known as the British Phonographic Industry or BPI, is the British recorded music industry's trade association.
Its membership comprises hundreds of music companies including all three "major" record companies in the UK (Warner Music UK, Sony Music Entertainment, and Universal Music Group), and hundreds of independent music labels and small to medium-sized music businesses.
It has represented the interests of British record companies since being formally incorporated in 1973 when the principal aim was to promote British music and fight copyright infringement.
In 2007, the association's legal name was changed from British Phonographic Industry Limited (The).
It founded the annual BRIT Awards for the British music industry in 1977, and, later, The Classic BRIT Awards. The organizing company, BRIT Awards Limited, is a fully owned subsidiary of the BPI. Proceeds from both shows go to the BRIT Trust, the charitable arm of the BPI that has donated almost £15m to charitable causes nationwide since its foundation in 1989. In September 2013, the BPI presented the first ever BRITs Icon Award to Sir Elton John. The BPI also endorsed the launch of the Mercury Prize for the Album of the Year in 1992.
The recorded music industry's Certified Awards program, which attributes Platinum, Gold and Silver status to singles, albums and music videos (Platinum and Gold only) based on their sales performance (see BPI Certified Awards program), has been administered by the BPI since its inception in 1973. In September 2008, the BPI became one of the founding members of UK Music, an umbrella organisation representing the interests of all parts of the industry.
|
did it change its name?
|
{
"answer_start": [
631
],
"text": [
"In 2007, the association's legal name was changed from British Phonographic Industry Limited (The). "
]
}
|
3ftf2t8wlri896r0rn6xpwffp729ws
|
The BPI (British Recorded Music Industry) Limited, commonly known as the British Phonographic Industry or BPI, is the British recorded music industry's trade association.
Its membership comprises hundreds of music companies including all three "major" record companies in the UK (Warner Music UK, Sony Music Entertainment, and Universal Music Group), and hundreds of independent music labels and small to medium-sized music businesses.
It has represented the interests of British record companies since being formally incorporated in 1973 when the principal aim was to promote British music and fight copyright infringement.
In 2007, the association's legal name was changed from British Phonographic Industry Limited (The).
It founded the annual BRIT Awards for the British music industry in 1977, and, later, The Classic BRIT Awards. The organizing company, BRIT Awards Limited, is a fully owned subsidiary of the BPI. Proceeds from both shows go to the BRIT Trust, the charitable arm of the BPI that has donated almost £15m to charitable causes nationwide since its foundation in 1989. In September 2013, the BPI presented the first ever BRITs Icon Award to Sir Elton John. The BPI also endorsed the launch of the Mercury Prize for the Album of the Year in 1992.
The recorded music industry's Certified Awards program, which attributes Platinum, Gold and Silver status to singles, albums and music videos (Platinum and Gold only) based on their sales performance (see BPI Certified Awards program), has been administered by the BPI since its inception in 1973. In September 2008, the BPI became one of the founding members of UK Music, an umbrella organisation representing the interests of all parts of the industry.
|
to what?
|
{
"answer_start": [
9
],
"text": [
"British Recorded Music Industry"
]
}
|
3ftf2t8wlri896r0rn6xpwffp729ws
|
The BPI (British Recorded Music Industry) Limited, commonly known as the British Phonographic Industry or BPI, is the British recorded music industry's trade association.
Its membership comprises hundreds of music companies including all three "major" record companies in the UK (Warner Music UK, Sony Music Entertainment, and Universal Music Group), and hundreds of independent music labels and small to medium-sized music businesses.
It has represented the interests of British record companies since being formally incorporated in 1973 when the principal aim was to promote British music and fight copyright infringement.
In 2007, the association's legal name was changed from British Phonographic Industry Limited (The).
It founded the annual BRIT Awards for the British music industry in 1977, and, later, The Classic BRIT Awards. The organizing company, BRIT Awards Limited, is a fully owned subsidiary of the BPI. Proceeds from both shows go to the BRIT Trust, the charitable arm of the BPI that has donated almost £15m to charitable causes nationwide since its foundation in 1989. In September 2013, the BPI presented the first ever BRITs Icon Award to Sir Elton John. The BPI also endorsed the launch of the Mercury Prize for the Album of the Year in 1992.
The recorded music industry's Certified Awards program, which attributes Platinum, Gold and Silver status to singles, albums and music videos (Platinum and Gold only) based on their sales performance (see BPI Certified Awards program), has been administered by the BPI since its inception in 1973. In September 2008, the BPI became one of the founding members of UK Music, an umbrella organisation representing the interests of all parts of the industry.
|
from what?
|
{
"answer_start": [
686
],
"text": [
"British Phonographic Industry Limited"
]
}
|
3ftf2t8wlri896r0rn6xpwffp729ws
|
The BPI (British Recorded Music Industry) Limited, commonly known as the British Phonographic Industry or BPI, is the British recorded music industry's trade association.
Its membership comprises hundreds of music companies including all three "major" record companies in the UK (Warner Music UK, Sony Music Entertainment, and Universal Music Group), and hundreds of independent music labels and small to medium-sized music businesses.
It has represented the interests of British record companies since being formally incorporated in 1973 when the principal aim was to promote British music and fight copyright infringement.
In 2007, the association's legal name was changed from British Phonographic Industry Limited (The).
It founded the annual BRIT Awards for the British music industry in 1977, and, later, The Classic BRIT Awards. The organizing company, BRIT Awards Limited, is a fully owned subsidiary of the BPI. Proceeds from both shows go to the BRIT Trust, the charitable arm of the BPI that has donated almost £15m to charitable causes nationwide since its foundation in 1989. In September 2013, the BPI presented the first ever BRITs Icon Award to Sir Elton John. The BPI also endorsed the launch of the Mercury Prize for the Album of the Year in 1992.
The recorded music industry's Certified Awards program, which attributes Platinum, Gold and Silver status to singles, albums and music videos (Platinum and Gold only) based on their sales performance (see BPI Certified Awards program), has been administered by the BPI since its inception in 1973. In September 2008, the BPI became one of the founding members of UK Music, an umbrella organisation representing the interests of all parts of the industry.
|
when?
|
{
"answer_start": [
632
],
"text": [
"n 2007"
]
}
|
3ftf2t8wlri896r0rn6xpwffp729ws
|
The BPI (British Recorded Music Industry) Limited, commonly known as the British Phonographic Industry or BPI, is the British recorded music industry's trade association.
Its membership comprises hundreds of music companies including all three "major" record companies in the UK (Warner Music UK, Sony Music Entertainment, and Universal Music Group), and hundreds of independent music labels and small to medium-sized music businesses.
It has represented the interests of British record companies since being formally incorporated in 1973 when the principal aim was to promote British music and fight copyright infringement.
In 2007, the association's legal name was changed from British Phonographic Industry Limited (The).
It founded the annual BRIT Awards for the British music industry in 1977, and, later, The Classic BRIT Awards. The organizing company, BRIT Awards Limited, is a fully owned subsidiary of the BPI. Proceeds from both shows go to the BRIT Trust, the charitable arm of the BPI that has donated almost £15m to charitable causes nationwide since its foundation in 1989. In September 2013, the BPI presented the first ever BRITs Icon Award to Sir Elton John. The BPI also endorsed the launch of the Mercury Prize for the Album of the Year in 1992.
The recorded music industry's Certified Awards program, which attributes Platinum, Gold and Silver status to singles, albums and music videos (Platinum and Gold only) based on their sales performance (see BPI Certified Awards program), has been administered by the BPI since its inception in 1973. In September 2008, the BPI became one of the founding members of UK Music, an umbrella organisation representing the interests of all parts of the industry.
|
what did it found?
|
{
"answer_start": [
743
],
"text": [
" the annual BRIT Awards"
]
}
|
3ftf2t8wlri896r0rn6xpwffp729ws
|
The BPI (British Recorded Music Industry) Limited, commonly known as the British Phonographic Industry or BPI, is the British recorded music industry's trade association.
Its membership comprises hundreds of music companies including all three "major" record companies in the UK (Warner Music UK, Sony Music Entertainment, and Universal Music Group), and hundreds of independent music labels and small to medium-sized music businesses.
It has represented the interests of British record companies since being formally incorporated in 1973 when the principal aim was to promote British music and fight copyright infringement.
In 2007, the association's legal name was changed from British Phonographic Industry Limited (The).
It founded the annual BRIT Awards for the British music industry in 1977, and, later, The Classic BRIT Awards. The organizing company, BRIT Awards Limited, is a fully owned subsidiary of the BPI. Proceeds from both shows go to the BRIT Trust, the charitable arm of the BPI that has donated almost £15m to charitable causes nationwide since its foundation in 1989. In September 2013, the BPI presented the first ever BRITs Icon Award to Sir Elton John. The BPI also endorsed the launch of the Mercury Prize for the Album of the Year in 1992.
The recorded music industry's Certified Awards program, which attributes Platinum, Gold and Silver status to singles, albums and music videos (Platinum and Gold only) based on their sales performance (see BPI Certified Awards program), has been administered by the BPI since its inception in 1973. In September 2008, the BPI became one of the founding members of UK Music, an umbrella organisation representing the interests of all parts of the industry.
|
when?
|
{
"answer_start": [
733
],
"text": [
"It founded the annual BRIT Awards for the British music industry in 1977"
]
}
|
3ftf2t8wlri896r0rn6xpwffp729ws
|
The BPI (British Recorded Music Industry) Limited, commonly known as the British Phonographic Industry or BPI, is the British recorded music industry's trade association.
Its membership comprises hundreds of music companies including all three "major" record companies in the UK (Warner Music UK, Sony Music Entertainment, and Universal Music Group), and hundreds of independent music labels and small to medium-sized music businesses.
It has represented the interests of British record companies since being formally incorporated in 1973 when the principal aim was to promote British music and fight copyright infringement.
In 2007, the association's legal name was changed from British Phonographic Industry Limited (The).
It founded the annual BRIT Awards for the British music industry in 1977, and, later, The Classic BRIT Awards. The organizing company, BRIT Awards Limited, is a fully owned subsidiary of the BPI. Proceeds from both shows go to the BRIT Trust, the charitable arm of the BPI that has donated almost £15m to charitable causes nationwide since its foundation in 1989. In September 2013, the BPI presented the first ever BRITs Icon Award to Sir Elton John. The BPI also endorsed the launch of the Mercury Prize for the Album of the Year in 1992.
The recorded music industry's Certified Awards program, which attributes Platinum, Gold and Silver status to singles, albums and music videos (Platinum and Gold only) based on their sales performance (see BPI Certified Awards program), has been administered by the BPI since its inception in 1973. In September 2008, the BPI became one of the founding members of UK Music, an umbrella organisation representing the interests of all parts of the industry.
|
and later?
|
{
"answer_start": [
819
],
"text": [
"The Classic BRIT Awards"
]
}
|
3ftf2t8wlri896r0rn6xpwffp729ws
|
The BPI (British Recorded Music Industry) Limited, commonly known as the British Phonographic Industry or BPI, is the British recorded music industry's trade association.
Its membership comprises hundreds of music companies including all three "major" record companies in the UK (Warner Music UK, Sony Music Entertainment, and Universal Music Group), and hundreds of independent music labels and small to medium-sized music businesses.
It has represented the interests of British record companies since being formally incorporated in 1973 when the principal aim was to promote British music and fight copyright infringement.
In 2007, the association's legal name was changed from British Phonographic Industry Limited (The).
It founded the annual BRIT Awards for the British music industry in 1977, and, later, The Classic BRIT Awards. The organizing company, BRIT Awards Limited, is a fully owned subsidiary of the BPI. Proceeds from both shows go to the BRIT Trust, the charitable arm of the BPI that has donated almost £15m to charitable causes nationwide since its foundation in 1989. In September 2013, the BPI presented the first ever BRITs Icon Award to Sir Elton John. The BPI also endorsed the launch of the Mercury Prize for the Album of the Year in 1992.
The recorded music industry's Certified Awards program, which attributes Platinum, Gold and Silver status to singles, albums and music videos (Platinum and Gold only) based on their sales performance (see BPI Certified Awards program), has been administered by the BPI since its inception in 1973. In September 2008, the BPI became one of the founding members of UK Music, an umbrella organisation representing the interests of all parts of the industry.
|
What is BRIT Awards part of?
|
{
"answer_start": [
867
],
"text": [
" BRIT Awards Limited"
]
}
|
3ftf2t8wlri896r0rn6xpwffp729ws
|
The BPI (British Recorded Music Industry) Limited, commonly known as the British Phonographic Industry or BPI, is the British recorded music industry's trade association.
Its membership comprises hundreds of music companies including all three "major" record companies in the UK (Warner Music UK, Sony Music Entertainment, and Universal Music Group), and hundreds of independent music labels and small to medium-sized music businesses.
It has represented the interests of British record companies since being formally incorporated in 1973 when the principal aim was to promote British music and fight copyright infringement.
In 2007, the association's legal name was changed from British Phonographic Industry Limited (The).
It founded the annual BRIT Awards for the British music industry in 1977, and, later, The Classic BRIT Awards. The organizing company, BRIT Awards Limited, is a fully owned subsidiary of the BPI. Proceeds from both shows go to the BRIT Trust, the charitable arm of the BPI that has donated almost £15m to charitable causes nationwide since its foundation in 1989. In September 2013, the BPI presented the first ever BRITs Icon Award to Sir Elton John. The BPI also endorsed the launch of the Mercury Prize for the Album of the Year in 1992.
The recorded music industry's Certified Awards program, which attributes Platinum, Gold and Silver status to singles, albums and music videos (Platinum and Gold only) based on their sales performance (see BPI Certified Awards program), has been administered by the BPI since its inception in 1973. In September 2008, the BPI became one of the founding members of UK Music, an umbrella organisation representing the interests of all parts of the industry.
|
Where do the proceeds go?
|
{
"answer_start": [
929
],
"text": [
"Proceeds from both shows go to the BRIT Trust, the charitable arm of the BPI that has donated almost £15m to charitable causes nationwide since its foundation in 1989"
]
}
|
3ftf2t8wlri896r0rn6xpwffp729ws
|
The BPI (British Recorded Music Industry) Limited, commonly known as the British Phonographic Industry or BPI, is the British recorded music industry's trade association.
Its membership comprises hundreds of music companies including all three "major" record companies in the UK (Warner Music UK, Sony Music Entertainment, and Universal Music Group), and hundreds of independent music labels and small to medium-sized music businesses.
It has represented the interests of British record companies since being formally incorporated in 1973 when the principal aim was to promote British music and fight copyright infringement.
In 2007, the association's legal name was changed from British Phonographic Industry Limited (The).
It founded the annual BRIT Awards for the British music industry in 1977, and, later, The Classic BRIT Awards. The organizing company, BRIT Awards Limited, is a fully owned subsidiary of the BPI. Proceeds from both shows go to the BRIT Trust, the charitable arm of the BPI that has donated almost £15m to charitable causes nationwide since its foundation in 1989. In September 2013, the BPI presented the first ever BRITs Icon Award to Sir Elton John. The BPI also endorsed the launch of the Mercury Prize for the Album of the Year in 1992.
The recorded music industry's Certified Awards program, which attributes Platinum, Gold and Silver status to singles, albums and music videos (Platinum and Gold only) based on their sales performance (see BPI Certified Awards program), has been administered by the BPI since its inception in 1973. In September 2008, the BPI became one of the founding members of UK Music, an umbrella organisation representing the interests of all parts of the industry.
|
how much has been donated?
|
{
"answer_start": [
1011
],
"text": [
"has donated almost £15m"
]
}
|
382m9cohehfccytc4y7izmvtvn0euz
|
CHAPTER LXV - MISS LONGESTAFFE WRITES HOME
Lady Monogram, when she left Madame Melmotte's house after that entertainment of Imperial Majesty which had been to her of so very little avail, was not in a good humour. Sir Damask, who had himself affected to laugh at the whole thing, but who had been in truth as anxious as his wife to see the Emperor in private society, put her ladyship and Miss Longestaffe into the carriage without a word, and rushed off to his club in disgust. The affair from beginning to end, including the final failure, had been his wife's doing. He had been made to work like a slave, and had been taken against his will to Melmotte's house, and had seen no Emperor and shaken hands with no Prince! 'They may fight it out between them now like the Kilkenny cats.' That was his idea as he closed the carriage-door on the two ladies,--thinking that if a larger remnant were left of one cat than of the other that larger remnant would belong to his wife.
'What a horrid affair!' said Lady Monogram. 'Did anybody ever see anything so vulgar?' This was at any rate unreasonable, for whatever vulgarity there may have been, Lady Monogram had seen none of it.
'I don't know why you were so late,' said Georgiana.
'Late! Why it's not yet twelve. I don't suppose it was eleven when we got into the Square. Anywhere else it would have been early.'
'You knew they did not mean to stay long. It was particularly said so. I really think it was your own fault.'
|
who was in a bad mood after leaving the house?
|
{
"answer_start": [
45
],
"text": [
"Lady Monogram, when she left Madame Melmotte's house after that entertainment of Imperial Majesty which had been to her of so very little avail, was not in a good humour"
]
}
|
382m9cohehfccytc4y7izmvtvn0euz
|
CHAPTER LXV - MISS LONGESTAFFE WRITES HOME
Lady Monogram, when she left Madame Melmotte's house after that entertainment of Imperial Majesty which had been to her of so very little avail, was not in a good humour. Sir Damask, who had himself affected to laugh at the whole thing, but who had been in truth as anxious as his wife to see the Emperor in private society, put her ladyship and Miss Longestaffe into the carriage without a word, and rushed off to his club in disgust. The affair from beginning to end, including the final failure, had been his wife's doing. He had been made to work like a slave, and had been taken against his will to Melmotte's house, and had seen no Emperor and shaken hands with no Prince! 'They may fight it out between them now like the Kilkenny cats.' That was his idea as he closed the carriage-door on the two ladies,--thinking that if a larger remnant were left of one cat than of the other that larger remnant would belong to his wife.
'What a horrid affair!' said Lady Monogram. 'Did anybody ever see anything so vulgar?' This was at any rate unreasonable, for whatever vulgarity there may have been, Lady Monogram had seen none of it.
'I don't know why you were so late,' said Georgiana.
'Late! Why it's not yet twelve. I don't suppose it was eleven when we got into the Square. Anywhere else it would have been early.'
'You knew they did not mean to stay long. It was particularly said so. I really think it was your own fault.'
|
whose home was she at?
|
{
"answer_start": [
60
],
"text": [
"when she left Madame Melmotte's house a"
]
}
|
382m9cohehfccytc4y7izmvtvn0euz
|
CHAPTER LXV - MISS LONGESTAFFE WRITES HOME
Lady Monogram, when she left Madame Melmotte's house after that entertainment of Imperial Majesty which had been to her of so very little avail, was not in a good humour. Sir Damask, who had himself affected to laugh at the whole thing, but who had been in truth as anxious as his wife to see the Emperor in private society, put her ladyship and Miss Longestaffe into the carriage without a word, and rushed off to his club in disgust. The affair from beginning to end, including the final failure, had been his wife's doing. He had been made to work like a slave, and had been taken against his will to Melmotte's house, and had seen no Emperor and shaken hands with no Prince! 'They may fight it out between them now like the Kilkenny cats.' That was his idea as he closed the carriage-door on the two ladies,--thinking that if a larger remnant were left of one cat than of the other that larger remnant would belong to his wife.
'What a horrid affair!' said Lady Monogram. 'Did anybody ever see anything so vulgar?' This was at any rate unreasonable, for whatever vulgarity there may have been, Lady Monogram had seen none of it.
'I don't know why you were so late,' said Georgiana.
'Late! Why it's not yet twelve. I don't suppose it was eleven when we got into the Square. Anywhere else it would have been early.'
'You knew they did not mean to stay long. It was particularly said so. I really think it was your own fault.'
|
was she put into a carriage?
|
{
"answer_start": [
217
],
"text": [
"ir Damask, who had himself affected to laugh at the whole thing, but who had been in truth as anxious as his wife to see the Emperor in private society, put her ladyship and Miss Longestaffe into the carriage without a word"
]
}
|
382m9cohehfccytc4y7izmvtvn0euz
|
CHAPTER LXV - MISS LONGESTAFFE WRITES HOME
Lady Monogram, when she left Madame Melmotte's house after that entertainment of Imperial Majesty which had been to her of so very little avail, was not in a good humour. Sir Damask, who had himself affected to laugh at the whole thing, but who had been in truth as anxious as his wife to see the Emperor in private society, put her ladyship and Miss Longestaffe into the carriage without a word, and rushed off to his club in disgust. The affair from beginning to end, including the final failure, had been his wife's doing. He had been made to work like a slave, and had been taken against his will to Melmotte's house, and had seen no Emperor and shaken hands with no Prince! 'They may fight it out between them now like the Kilkenny cats.' That was his idea as he closed the carriage-door on the two ladies,--thinking that if a larger remnant were left of one cat than of the other that larger remnant would belong to his wife.
'What a horrid affair!' said Lady Monogram. 'Did anybody ever see anything so vulgar?' This was at any rate unreasonable, for whatever vulgarity there may have been, Lady Monogram had seen none of it.
'I don't know why you were so late,' said Georgiana.
'Late! Why it's not yet twelve. I don't suppose it was eleven when we got into the Square. Anywhere else it would have been early.'
'You knew they did not mean to stay long. It was particularly said so. I really think it was your own fault.'
|
with whom?
|
{
"answer_start": [
368
],
"text": [
", put her ladyship and Miss Longestaffe into the carriage without a word, "
]
}
|
382m9cohehfccytc4y7izmvtvn0euz
|
CHAPTER LXV - MISS LONGESTAFFE WRITES HOME
Lady Monogram, when she left Madame Melmotte's house after that entertainment of Imperial Majesty which had been to her of so very little avail, was not in a good humour. Sir Damask, who had himself affected to laugh at the whole thing, but who had been in truth as anxious as his wife to see the Emperor in private society, put her ladyship and Miss Longestaffe into the carriage without a word, and rushed off to his club in disgust. The affair from beginning to end, including the final failure, had been his wife's doing. He had been made to work like a slave, and had been taken against his will to Melmotte's house, and had seen no Emperor and shaken hands with no Prince! 'They may fight it out between them now like the Kilkenny cats.' That was his idea as he closed the carriage-door on the two ladies,--thinking that if a larger remnant were left of one cat than of the other that larger remnant would belong to his wife.
'What a horrid affair!' said Lady Monogram. 'Did anybody ever see anything so vulgar?' This was at any rate unreasonable, for whatever vulgarity there may have been, Lady Monogram had seen none of it.
'I don't know why you were so late,' said Georgiana.
'Late! Why it's not yet twelve. I don't suppose it was eleven when we got into the Square. Anywhere else it would have been early.'
'You knew they did not mean to stay long. It was particularly said so. I really think it was your own fault.'
|
who put them in there?
|
{
"answer_start": [
216
],
"text": [
"Sir Damask, who had himself affected to laugh at the whole thing, but who had been in truth as anxious as his wife to see the Emperor in private society, put her ladyship and Miss Longestaffe into the carriage without a word, "
]
}
|
382m9cohehfccytc4y7izmvtvn0euz
|
CHAPTER LXV - MISS LONGESTAFFE WRITES HOME
Lady Monogram, when she left Madame Melmotte's house after that entertainment of Imperial Majesty which had been to her of so very little avail, was not in a good humour. Sir Damask, who had himself affected to laugh at the whole thing, but who had been in truth as anxious as his wife to see the Emperor in private society, put her ladyship and Miss Longestaffe into the carriage without a word, and rushed off to his club in disgust. The affair from beginning to end, including the final failure, had been his wife's doing. He had been made to work like a slave, and had been taken against his will to Melmotte's house, and had seen no Emperor and shaken hands with no Prince! 'They may fight it out between them now like the Kilkenny cats.' That was his idea as he closed the carriage-door on the two ladies,--thinking that if a larger remnant were left of one cat than of the other that larger remnant would belong to his wife.
'What a horrid affair!' said Lady Monogram. 'Did anybody ever see anything so vulgar?' This was at any rate unreasonable, for whatever vulgarity there may have been, Lady Monogram had seen none of it.
'I don't know why you were so late,' said Georgiana.
'Late! Why it's not yet twelve. I don't suppose it was eleven when we got into the Square. Anywhere else it would have been early.'
'You knew they did not mean to stay long. It was particularly said so. I really think it was your own fault.'
|
who were they there to see?
|
{
"answer_start": [
308
],
"text": [
"as anxious as his wife to see the Emperor"
]
}
|
382m9cohehfccytc4y7izmvtvn0euz
|
CHAPTER LXV - MISS LONGESTAFFE WRITES HOME
Lady Monogram, when she left Madame Melmotte's house after that entertainment of Imperial Majesty which had been to her of so very little avail, was not in a good humour. Sir Damask, who had himself affected to laugh at the whole thing, but who had been in truth as anxious as his wife to see the Emperor in private society, put her ladyship and Miss Longestaffe into the carriage without a word, and rushed off to his club in disgust. The affair from beginning to end, including the final failure, had been his wife's doing. He had been made to work like a slave, and had been taken against his will to Melmotte's house, and had seen no Emperor and shaken hands with no Prince! 'They may fight it out between them now like the Kilkenny cats.' That was his idea as he closed the carriage-door on the two ladies,--thinking that if a larger remnant were left of one cat than of the other that larger remnant would belong to his wife.
'What a horrid affair!' said Lady Monogram. 'Did anybody ever see anything so vulgar?' This was at any rate unreasonable, for whatever vulgarity there may have been, Lady Monogram had seen none of it.
'I don't know why you were so late,' said Georgiana.
'Late! Why it's not yet twelve. I don't suppose it was eleven when we got into the Square. Anywhere else it would have been early.'
'You knew they did not mean to stay long. It was particularly said so. I really think it was your own fault.'
|
did he want to go?
|
{
"answer_start": [
283
],
"text": [
"ut who had been in truth as anxious as his wife to see the Emperor"
]
}
|
382m9cohehfccytc4y7izmvtvn0euz
|
CHAPTER LXV - MISS LONGESTAFFE WRITES HOME
Lady Monogram, when she left Madame Melmotte's house after that entertainment of Imperial Majesty which had been to her of so very little avail, was not in a good humour. Sir Damask, who had himself affected to laugh at the whole thing, but who had been in truth as anxious as his wife to see the Emperor in private society, put her ladyship and Miss Longestaffe into the carriage without a word, and rushed off to his club in disgust. The affair from beginning to end, including the final failure, had been his wife's doing. He had been made to work like a slave, and had been taken against his will to Melmotte's house, and had seen no Emperor and shaken hands with no Prince! 'They may fight it out between them now like the Kilkenny cats.' That was his idea as he closed the carriage-door on the two ladies,--thinking that if a larger remnant were left of one cat than of the other that larger remnant would belong to his wife.
'What a horrid affair!' said Lady Monogram. 'Did anybody ever see anything so vulgar?' This was at any rate unreasonable, for whatever vulgarity there may have been, Lady Monogram had seen none of it.
'I don't know why you were so late,' said Georgiana.
'Late! Why it's not yet twelve. I don't suppose it was eleven when we got into the Square. Anywhere else it would have been early.'
'You knew they did not mean to stay long. It was particularly said so. I really think it was your own fault.'
|
did he see the emperor?
|
{
"answer_start": [
300
],
"text": [
"n truth as anxious as his wife to see the Emperor in private society, put her ladyship and Miss Longestaffe into the carriage without a word, and rushed off to his club in disgust. "
]
}
|
382m9cohehfccytc4y7izmvtvn0euz
|
CHAPTER LXV - MISS LONGESTAFFE WRITES HOME
Lady Monogram, when she left Madame Melmotte's house after that entertainment of Imperial Majesty which had been to her of so very little avail, was not in a good humour. Sir Damask, who had himself affected to laugh at the whole thing, but who had been in truth as anxious as his wife to see the Emperor in private society, put her ladyship and Miss Longestaffe into the carriage without a word, and rushed off to his club in disgust. The affair from beginning to end, including the final failure, had been his wife's doing. He had been made to work like a slave, and had been taken against his will to Melmotte's house, and had seen no Emperor and shaken hands with no Prince! 'They may fight it out between them now like the Kilkenny cats.' That was his idea as he closed the carriage-door on the two ladies,--thinking that if a larger remnant were left of one cat than of the other that larger remnant would belong to his wife.
'What a horrid affair!' said Lady Monogram. 'Did anybody ever see anything so vulgar?' This was at any rate unreasonable, for whatever vulgarity there may have been, Lady Monogram had seen none of it.
'I don't know why you were so late,' said Georgiana.
'Late! Why it's not yet twelve. I don't suppose it was eleven when we got into the Square. Anywhere else it would have been early.'
'You knew they did not mean to stay long. It was particularly said so. I really think it was your own fault.'
|
who did he want to shake hands with?
|
{
"answer_start": [
668
],
"text": [
"nd had seen no Emperor and shaken hands with no Prince!"
]
}
|
382m9cohehfccytc4y7izmvtvn0euz
|
CHAPTER LXV - MISS LONGESTAFFE WRITES HOME
Lady Monogram, when she left Madame Melmotte's house after that entertainment of Imperial Majesty which had been to her of so very little avail, was not in a good humour. Sir Damask, who had himself affected to laugh at the whole thing, but who had been in truth as anxious as his wife to see the Emperor in private society, put her ladyship and Miss Longestaffe into the carriage without a word, and rushed off to his club in disgust. The affair from beginning to end, including the final failure, had been his wife's doing. He had been made to work like a slave, and had been taken against his will to Melmotte's house, and had seen no Emperor and shaken hands with no Prince! 'They may fight it out between them now like the Kilkenny cats.' That was his idea as he closed the carriage-door on the two ladies,--thinking that if a larger remnant were left of one cat than of the other that larger remnant would belong to his wife.
'What a horrid affair!' said Lady Monogram. 'Did anybody ever see anything so vulgar?' This was at any rate unreasonable, for whatever vulgarity there may have been, Lady Monogram had seen none of it.
'I don't know why you were so late,' said Georgiana.
'Late! Why it's not yet twelve. I don't suppose it was eleven when we got into the Square. Anywhere else it would have been early.'
'You knew they did not mean to stay long. It was particularly said so. I really think it was your own fault.'
|
where did he go after putting the ladies in the carriage?
|
{
"answer_start": [
445
],
"text": [
" rushed off to his club in disgus"
]
}
|
382m9cohehfccytc4y7izmvtvn0euz
|
CHAPTER LXV - MISS LONGESTAFFE WRITES HOME
Lady Monogram, when she left Madame Melmotte's house after that entertainment of Imperial Majesty which had been to her of so very little avail, was not in a good humour. Sir Damask, who had himself affected to laugh at the whole thing, but who had been in truth as anxious as his wife to see the Emperor in private society, put her ladyship and Miss Longestaffe into the carriage without a word, and rushed off to his club in disgust. The affair from beginning to end, including the final failure, had been his wife's doing. He had been made to work like a slave, and had been taken against his will to Melmotte's house, and had seen no Emperor and shaken hands with no Prince! 'They may fight it out between them now like the Kilkenny cats.' That was his idea as he closed the carriage-door on the two ladies,--thinking that if a larger remnant were left of one cat than of the other that larger remnant would belong to his wife.
'What a horrid affair!' said Lady Monogram. 'Did anybody ever see anything so vulgar?' This was at any rate unreasonable, for whatever vulgarity there may have been, Lady Monogram had seen none of it.
'I don't know why you were so late,' said Georgiana.
'Late! Why it's not yet twelve. I don't suppose it was eleven when we got into the Square. Anywhere else it would have been early.'
'You knew they did not mean to stay long. It was particularly said so. I really think it was your own fault.'
|
did he say anything about the ladies fighting?
|
{
"answer_start": [
722
],
"text": [
"! 'They may fight it out between them now like the Kilkenny cats.' "
]
}
|
382m9cohehfccytc4y7izmvtvn0euz
|
CHAPTER LXV - MISS LONGESTAFFE WRITES HOME
Lady Monogram, when she left Madame Melmotte's house after that entertainment of Imperial Majesty which had been to her of so very little avail, was not in a good humour. Sir Damask, who had himself affected to laugh at the whole thing, but who had been in truth as anxious as his wife to see the Emperor in private society, put her ladyship and Miss Longestaffe into the carriage without a word, and rushed off to his club in disgust. The affair from beginning to end, including the final failure, had been his wife's doing. He had been made to work like a slave, and had been taken against his will to Melmotte's house, and had seen no Emperor and shaken hands with no Prince! 'They may fight it out between them now like the Kilkenny cats.' That was his idea as he closed the carriage-door on the two ladies,--thinking that if a larger remnant were left of one cat than of the other that larger remnant would belong to his wife.
'What a horrid affair!' said Lady Monogram. 'Did anybody ever see anything so vulgar?' This was at any rate unreasonable, for whatever vulgarity there may have been, Lady Monogram had seen none of it.
'I don't know why you were so late,' said Georgiana.
'Late! Why it's not yet twelve. I don't suppose it was eleven when we got into the Square. Anywhere else it would have been early.'
'You knew they did not mean to stay long. It was particularly said so. I really think it was your own fault.'
|
what animal did he say they could fight like?
|
{
"answer_start": [
723
],
"text": [
" 'They may fight it out between them now like the Kilkenny cats.'"
]
}
|
382m9cohehfccytc4y7izmvtvn0euz
|
CHAPTER LXV - MISS LONGESTAFFE WRITES HOME
Lady Monogram, when she left Madame Melmotte's house after that entertainment of Imperial Majesty which had been to her of so very little avail, was not in a good humour. Sir Damask, who had himself affected to laugh at the whole thing, but who had been in truth as anxious as his wife to see the Emperor in private society, put her ladyship and Miss Longestaffe into the carriage without a word, and rushed off to his club in disgust. The affair from beginning to end, including the final failure, had been his wife's doing. He had been made to work like a slave, and had been taken against his will to Melmotte's house, and had seen no Emperor and shaken hands with no Prince! 'They may fight it out between them now like the Kilkenny cats.' That was his idea as he closed the carriage-door on the two ladies,--thinking that if a larger remnant were left of one cat than of the other that larger remnant would belong to his wife.
'What a horrid affair!' said Lady Monogram. 'Did anybody ever see anything so vulgar?' This was at any rate unreasonable, for whatever vulgarity there may have been, Lady Monogram had seen none of it.
'I don't know why you were so late,' said Georgiana.
'Late! Why it's not yet twelve. I don't suppose it was eleven when we got into the Square. Anywhere else it would have been early.'
'You knew they did not mean to stay long. It was particularly said so. I really think it was your own fault.'
|
did anyone think the situation was vulgar?
|
{
"answer_start": [
979
],
"text": [
"'What a horrid affair!' said Lady Monogram. 'Did anybody ever see anything so vulgar?' This was at any rate unreasonable, for whatever vulgarity there may have been, Lady Monogram had seen none of it. "
]
}
|
382m9cohehfccytc4y7izmvtvn0euz
|
CHAPTER LXV - MISS LONGESTAFFE WRITES HOME
Lady Monogram, when she left Madame Melmotte's house after that entertainment of Imperial Majesty which had been to her of so very little avail, was not in a good humour. Sir Damask, who had himself affected to laugh at the whole thing, but who had been in truth as anxious as his wife to see the Emperor in private society, put her ladyship and Miss Longestaffe into the carriage without a word, and rushed off to his club in disgust. The affair from beginning to end, including the final failure, had been his wife's doing. He had been made to work like a slave, and had been taken against his will to Melmotte's house, and had seen no Emperor and shaken hands with no Prince! 'They may fight it out between them now like the Kilkenny cats.' That was his idea as he closed the carriage-door on the two ladies,--thinking that if a larger remnant were left of one cat than of the other that larger remnant would belong to his wife.
'What a horrid affair!' said Lady Monogram. 'Did anybody ever see anything so vulgar?' This was at any rate unreasonable, for whatever vulgarity there may have been, Lady Monogram had seen none of it.
'I don't know why you were so late,' said Georgiana.
'Late! Why it's not yet twelve. I don't suppose it was eleven when we got into the Square. Anywhere else it would have been early.'
'You knew they did not mean to stay long. It was particularly said so. I really think it was your own fault.'
|
who
|
{
"answer_start": [
979
],
"text": [
"'What a horrid affair!' said Lady Monogram. 'Did anybody ever see anything so vulgar?' "
]
}
|
382m9cohehfccytc4y7izmvtvn0euz
|
CHAPTER LXV - MISS LONGESTAFFE WRITES HOME
Lady Monogram, when she left Madame Melmotte's house after that entertainment of Imperial Majesty which had been to her of so very little avail, was not in a good humour. Sir Damask, who had himself affected to laugh at the whole thing, but who had been in truth as anxious as his wife to see the Emperor in private society, put her ladyship and Miss Longestaffe into the carriage without a word, and rushed off to his club in disgust. The affair from beginning to end, including the final failure, had been his wife's doing. He had been made to work like a slave, and had been taken against his will to Melmotte's house, and had seen no Emperor and shaken hands with no Prince! 'They may fight it out between them now like the Kilkenny cats.' That was his idea as he closed the carriage-door on the two ladies,--thinking that if a larger remnant were left of one cat than of the other that larger remnant would belong to his wife.
'What a horrid affair!' said Lady Monogram. 'Did anybody ever see anything so vulgar?' This was at any rate unreasonable, for whatever vulgarity there may have been, Lady Monogram had seen none of it.
'I don't know why you were so late,' said Georgiana.
'Late! Why it's not yet twelve. I don't suppose it was eleven when we got into the Square. Anywhere else it would have been early.'
'You knew they did not mean to stay long. It was particularly said so. I really think it was your own fault.'
|
who commented on her lateness?
|
{
"answer_start": [
1182
],
"text": [
"'I don't know why you were so late,' said Georgiana. \n"
]
}
|
382m9cohehfccytc4y7izmvtvn0euz
|
CHAPTER LXV - MISS LONGESTAFFE WRITES HOME
Lady Monogram, when she left Madame Melmotte's house after that entertainment of Imperial Majesty which had been to her of so very little avail, was not in a good humour. Sir Damask, who had himself affected to laugh at the whole thing, but who had been in truth as anxious as his wife to see the Emperor in private society, put her ladyship and Miss Longestaffe into the carriage without a word, and rushed off to his club in disgust. The affair from beginning to end, including the final failure, had been his wife's doing. He had been made to work like a slave, and had been taken against his will to Melmotte's house, and had seen no Emperor and shaken hands with no Prince! 'They may fight it out between them now like the Kilkenny cats.' That was his idea as he closed the carriage-door on the two ladies,--thinking that if a larger remnant were left of one cat than of the other that larger remnant would belong to his wife.
'What a horrid affair!' said Lady Monogram. 'Did anybody ever see anything so vulgar?' This was at any rate unreasonable, for whatever vulgarity there may have been, Lady Monogram had seen none of it.
'I don't know why you were so late,' said Georgiana.
'Late! Why it's not yet twelve. I don't suppose it was eleven when we got into the Square. Anywhere else it would have been early.'
'You knew they did not mean to stay long. It was particularly said so. I really think it was your own fault.'
|
what time did she say they got into the square?
|
{
"answer_start": [
1237
],
"text": [
"'Late! Why it's not yet twelve. I don't suppose it was eleven when we got into the Square. Anywhere else it would have been early.' "
]
}
|
382m9cohehfccytc4y7izmvtvn0euz
|
CHAPTER LXV - MISS LONGESTAFFE WRITES HOME
Lady Monogram, when she left Madame Melmotte's house after that entertainment of Imperial Majesty which had been to her of so very little avail, was not in a good humour. Sir Damask, who had himself affected to laugh at the whole thing, but who had been in truth as anxious as his wife to see the Emperor in private society, put her ladyship and Miss Longestaffe into the carriage without a word, and rushed off to his club in disgust. The affair from beginning to end, including the final failure, had been his wife's doing. He had been made to work like a slave, and had been taken against his will to Melmotte's house, and had seen no Emperor and shaken hands with no Prince! 'They may fight it out between them now like the Kilkenny cats.' That was his idea as he closed the carriage-door on the two ladies,--thinking that if a larger remnant were left of one cat than of the other that larger remnant would belong to his wife.
'What a horrid affair!' said Lady Monogram. 'Did anybody ever see anything so vulgar?' This was at any rate unreasonable, for whatever vulgarity there may have been, Lady Monogram had seen none of it.
'I don't know why you were so late,' said Georgiana.
'Late! Why it's not yet twelve. I don't suppose it was eleven when we got into the Square. Anywhere else it would have been early.'
'You knew they did not mean to stay long. It was particularly said so. I really think it was your own fault.'
|
did she think that was late?
|
{
"answer_start": [
1238
],
"text": [
"Late! Why it's not yet twelve. I don't suppose it was eleven when we got into the Square. Anywhere else it would have been early.' "
]
}
|
3ohyz19ugc5e9gs3s7tn4xddraxoav
|
Hyderabad (i/ˈhaɪdərəˌbæd/ HY-dər-ə-bad; often /ˈhaɪdrəˌbæd/) is the capital of the southern Indian state of Telangana and de jure capital of Andhra Pradesh.[A] Occupying 650 square kilometres (250 sq mi) along the banks of the Musi River, it has a population of about 6.7 million and a metropolitan population of about 7.75 million, making it the fourth most populous city and sixth most populous urban agglomeration in India. At an average altitude of 542 metres (1,778 ft), much of Hyderabad is situated on hilly terrain around artificial lakes, including Hussain Sagar—predating the city's founding—north of the city centre.
Established in 1591 by Muhammad Quli Qutb Shah, Hyderabad remained under the rule of the Qutb Shahi dynasty for nearly a century before the Mughals captured the region. In 1724, Mughal viceroy Asif Jah I declared his sovereignty and created his own dynasty, known as the Nizams of Hyderabad. The Nizam's dominions became a princely state during the British Raj, and remained so for 150 years, with the city serving as its capital. The Nizami influence can still be seen in the culture of the Hyderabadi Muslims. The city continued as the capital of Hyderabad State after it was brought into the Indian Union in 1948, and became the capital of Andhra Pradesh after the States Reorganisation Act, 1956. Since 1956, Rashtrapati Nilayam in the city has been the winter office of the President of India. In 2014, the newly formed state of Telangana split from Andhra Pradesh and the city became joint capital of the two states, a transitional arrangement scheduled to end by 2025.
|
What was created in the 50's?
|
{
"answer_start": [
1263
],
"text": [
"capital of Andhra Pradesh "
]
}
|
3ohyz19ugc5e9gs3s7tn4xddraxoav
|
Hyderabad (i/ˈhaɪdərəˌbæd/ HY-dər-ə-bad; often /ˈhaɪdrəˌbæd/) is the capital of the southern Indian state of Telangana and de jure capital of Andhra Pradesh.[A] Occupying 650 square kilometres (250 sq mi) along the banks of the Musi River, it has a population of about 6.7 million and a metropolitan population of about 7.75 million, making it the fourth most populous city and sixth most populous urban agglomeration in India. At an average altitude of 542 metres (1,778 ft), much of Hyderabad is situated on hilly terrain around artificial lakes, including Hussain Sagar—predating the city's founding—north of the city centre.
Established in 1591 by Muhammad Quli Qutb Shah, Hyderabad remained under the rule of the Qutb Shahi dynasty for nearly a century before the Mughals captured the region. In 1724, Mughal viceroy Asif Jah I declared his sovereignty and created his own dynasty, known as the Nizams of Hyderabad. The Nizam's dominions became a princely state during the British Raj, and remained so for 150 years, with the city serving as its capital. The Nizami influence can still be seen in the culture of the Hyderabadi Muslims. The city continued as the capital of Hyderabad State after it was brought into the Indian Union in 1948, and became the capital of Andhra Pradesh after the States Reorganisation Act, 1956. Since 1956, Rashtrapati Nilayam in the city has been the winter office of the President of India. In 2014, the newly formed state of Telangana split from Andhra Pradesh and the city became joint capital of the two states, a transitional arrangement scheduled to end by 2025.
|
What was the capital called?
|
{
"answer_start": [
1486
],
"text": [
"Andhra Pradesh"
]
}
|
3ohyz19ugc5e9gs3s7tn4xddraxoav
|
Hyderabad (i/ˈhaɪdərəˌbæd/ HY-dər-ə-bad; often /ˈhaɪdrəˌbæd/) is the capital of the southern Indian state of Telangana and de jure capital of Andhra Pradesh.[A] Occupying 650 square kilometres (250 sq mi) along the banks of the Musi River, it has a population of about 6.7 million and a metropolitan population of about 7.75 million, making it the fourth most populous city and sixth most populous urban agglomeration in India. At an average altitude of 542 metres (1,778 ft), much of Hyderabad is situated on hilly terrain around artificial lakes, including Hussain Sagar—predating the city's founding—north of the city centre.
Established in 1591 by Muhammad Quli Qutb Shah, Hyderabad remained under the rule of the Qutb Shahi dynasty for nearly a century before the Mughals captured the region. In 1724, Mughal viceroy Asif Jah I declared his sovereignty and created his own dynasty, known as the Nizams of Hyderabad. The Nizam's dominions became a princely state during the British Raj, and remained so for 150 years, with the city serving as its capital. The Nizami influence can still be seen in the culture of the Hyderabadi Muslims. The city continued as the capital of Hyderabad State after it was brought into the Indian Union in 1948, and became the capital of Andhra Pradesh after the States Reorganisation Act, 1956. Since 1956, Rashtrapati Nilayam in the city has been the winter office of the President of India. In 2014, the newly formed state of Telangana split from Andhra Pradesh and the city became joint capital of the two states, a transitional arrangement scheduled to end by 2025.
|
What year was it official?
|
{
"answer_start": [
1433
],
"text": [
"2014"
]
}
|
3ohyz19ugc5e9gs3s7tn4xddraxoav
|
Hyderabad (i/ˈhaɪdərəˌbæd/ HY-dər-ə-bad; often /ˈhaɪdrəˌbæd/) is the capital of the southern Indian state of Telangana and de jure capital of Andhra Pradesh.[A] Occupying 650 square kilometres (250 sq mi) along the banks of the Musi River, it has a population of about 6.7 million and a metropolitan population of about 7.75 million, making it the fourth most populous city and sixth most populous urban agglomeration in India. At an average altitude of 542 metres (1,778 ft), much of Hyderabad is situated on hilly terrain around artificial lakes, including Hussain Sagar—predating the city's founding—north of the city centre.
Established in 1591 by Muhammad Quli Qutb Shah, Hyderabad remained under the rule of the Qutb Shahi dynasty for nearly a century before the Mughals captured the region. In 1724, Mughal viceroy Asif Jah I declared his sovereignty and created his own dynasty, known as the Nizams of Hyderabad. The Nizam's dominions became a princely state during the British Raj, and remained so for 150 years, with the city serving as its capital. The Nizami influence can still be seen in the culture of the Hyderabadi Muslims. The city continued as the capital of Hyderabad State after it was brought into the Indian Union in 1948, and became the capital of Andhra Pradesh after the States Reorganisation Act, 1956. Since 1956, Rashtrapati Nilayam in the city has been the winter office of the President of India. In 2014, the newly formed state of Telangana split from Andhra Pradesh and the city became joint capital of the two states, a transitional arrangement scheduled to end by 2025.
|
When will it be done?
|
{
"answer_start": [
1600
],
"text": [
" 2025"
]
}
|
3ohyz19ugc5e9gs3s7tn4xddraxoav
|
Hyderabad (i/ˈhaɪdərəˌbæd/ HY-dər-ə-bad; often /ˈhaɪdrəˌbæd/) is the capital of the southern Indian state of Telangana and de jure capital of Andhra Pradesh.[A] Occupying 650 square kilometres (250 sq mi) along the banks of the Musi River, it has a population of about 6.7 million and a metropolitan population of about 7.75 million, making it the fourth most populous city and sixth most populous urban agglomeration in India. At an average altitude of 542 metres (1,778 ft), much of Hyderabad is situated on hilly terrain around artificial lakes, including Hussain Sagar—predating the city's founding—north of the city centre.
Established in 1591 by Muhammad Quli Qutb Shah, Hyderabad remained under the rule of the Qutb Shahi dynasty for nearly a century before the Mughals captured the region. In 1724, Mughal viceroy Asif Jah I declared his sovereignty and created his own dynasty, known as the Nizams of Hyderabad. The Nizam's dominions became a princely state during the British Raj, and remained so for 150 years, with the city serving as its capital. The Nizami influence can still be seen in the culture of the Hyderabadi Muslims. The city continued as the capital of Hyderabad State after it was brought into the Indian Union in 1948, and became the capital of Andhra Pradesh after the States Reorganisation Act, 1956. Since 1956, Rashtrapati Nilayam in the city has been the winter office of the President of India. In 2014, the newly formed state of Telangana split from Andhra Pradesh and the city became joint capital of the two states, a transitional arrangement scheduled to end by 2025.
|
How many people live there?
|
{
"answer_start": [
268
],
"text": [
" 6.7 million"
]
}
|
3ohyz19ugc5e9gs3s7tn4xddraxoav
|
Hyderabad (i/ˈhaɪdərəˌbæd/ HY-dər-ə-bad; often /ˈhaɪdrəˌbæd/) is the capital of the southern Indian state of Telangana and de jure capital of Andhra Pradesh.[A] Occupying 650 square kilometres (250 sq mi) along the banks of the Musi River, it has a population of about 6.7 million and a metropolitan population of about 7.75 million, making it the fourth most populous city and sixth most populous urban agglomeration in India. At an average altitude of 542 metres (1,778 ft), much of Hyderabad is situated on hilly terrain around artificial lakes, including Hussain Sagar—predating the city's founding—north of the city centre.
Established in 1591 by Muhammad Quli Qutb Shah, Hyderabad remained under the rule of the Qutb Shahi dynasty for nearly a century before the Mughals captured the region. In 1724, Mughal viceroy Asif Jah I declared his sovereignty and created his own dynasty, known as the Nizams of Hyderabad. The Nizam's dominions became a princely state during the British Raj, and remained so for 150 years, with the city serving as its capital. The Nizami influence can still be seen in the culture of the Hyderabadi Muslims. The city continued as the capital of Hyderabad State after it was brought into the Indian Union in 1948, and became the capital of Andhra Pradesh after the States Reorganisation Act, 1956. Since 1956, Rashtrapati Nilayam in the city has been the winter office of the President of India. In 2014, the newly formed state of Telangana split from Andhra Pradesh and the city became joint capital of the two states, a transitional arrangement scheduled to end by 2025.
|
And how big?
|
{
"answer_start": [
161
],
"text": [
"Occupying 650 square kilometres"
]
}
|
3ohyz19ugc5e9gs3s7tn4xddraxoav
|
Hyderabad (i/ˈhaɪdərəˌbæd/ HY-dər-ə-bad; often /ˈhaɪdrəˌbæd/) is the capital of the southern Indian state of Telangana and de jure capital of Andhra Pradesh.[A] Occupying 650 square kilometres (250 sq mi) along the banks of the Musi River, it has a population of about 6.7 million and a metropolitan population of about 7.75 million, making it the fourth most populous city and sixth most populous urban agglomeration in India. At an average altitude of 542 metres (1,778 ft), much of Hyderabad is situated on hilly terrain around artificial lakes, including Hussain Sagar—predating the city's founding—north of the city centre.
Established in 1591 by Muhammad Quli Qutb Shah, Hyderabad remained under the rule of the Qutb Shahi dynasty for nearly a century before the Mughals captured the region. In 1724, Mughal viceroy Asif Jah I declared his sovereignty and created his own dynasty, known as the Nizams of Hyderabad. The Nizam's dominions became a princely state during the British Raj, and remained so for 150 years, with the city serving as its capital. The Nizami influence can still be seen in the culture of the Hyderabadi Muslims. The city continued as the capital of Hyderabad State after it was brought into the Indian Union in 1948, and became the capital of Andhra Pradesh after the States Reorganisation Act, 1956. Since 1956, Rashtrapati Nilayam in the city has been the winter office of the President of India. In 2014, the newly formed state of Telangana split from Andhra Pradesh and the city became joint capital of the two states, a transitional arrangement scheduled to end by 2025.
|
Is it by water?
|
{
"answer_start": [
204
],
"text": [
" along the banks of the Musi River"
]
}
|
3ohyz19ugc5e9gs3s7tn4xddraxoav
|
Hyderabad (i/ˈhaɪdərəˌbæd/ HY-dər-ə-bad; often /ˈhaɪdrəˌbæd/) is the capital of the southern Indian state of Telangana and de jure capital of Andhra Pradesh.[A] Occupying 650 square kilometres (250 sq mi) along the banks of the Musi River, it has a population of about 6.7 million and a metropolitan population of about 7.75 million, making it the fourth most populous city and sixth most populous urban agglomeration in India. At an average altitude of 542 metres (1,778 ft), much of Hyderabad is situated on hilly terrain around artificial lakes, including Hussain Sagar—predating the city's founding—north of the city centre.
Established in 1591 by Muhammad Quli Qutb Shah, Hyderabad remained under the rule of the Qutb Shahi dynasty for nearly a century before the Mughals captured the region. In 1724, Mughal viceroy Asif Jah I declared his sovereignty and created his own dynasty, known as the Nizams of Hyderabad. The Nizam's dominions became a princely state during the British Raj, and remained so for 150 years, with the city serving as its capital. The Nizami influence can still be seen in the culture of the Hyderabadi Muslims. The city continued as the capital of Hyderabad State after it was brought into the Indian Union in 1948, and became the capital of Andhra Pradesh after the States Reorganisation Act, 1956. Since 1956, Rashtrapati Nilayam in the city has been the winter office of the President of India. In 2014, the newly formed state of Telangana split from Andhra Pradesh and the city became joint capital of the two states, a transitional arrangement scheduled to end by 2025.
|
What sort of water?
|
{
"answer_start": [
233
],
"text": [
"River"
]
}
|
3ohyz19ugc5e9gs3s7tn4xddraxoav
|
Hyderabad (i/ˈhaɪdərəˌbæd/ HY-dər-ə-bad; often /ˈhaɪdrəˌbæd/) is the capital of the southern Indian state of Telangana and de jure capital of Andhra Pradesh.[A] Occupying 650 square kilometres (250 sq mi) along the banks of the Musi River, it has a population of about 6.7 million and a metropolitan population of about 7.75 million, making it the fourth most populous city and sixth most populous urban agglomeration in India. At an average altitude of 542 metres (1,778 ft), much of Hyderabad is situated on hilly terrain around artificial lakes, including Hussain Sagar—predating the city's founding—north of the city centre.
Established in 1591 by Muhammad Quli Qutb Shah, Hyderabad remained under the rule of the Qutb Shahi dynasty for nearly a century before the Mughals captured the region. In 1724, Mughal viceroy Asif Jah I declared his sovereignty and created his own dynasty, known as the Nizams of Hyderabad. The Nizam's dominions became a princely state during the British Raj, and remained so for 150 years, with the city serving as its capital. The Nizami influence can still be seen in the culture of the Hyderabadi Muslims. The city continued as the capital of Hyderabad State after it was brought into the Indian Union in 1948, and became the capital of Andhra Pradesh after the States Reorganisation Act, 1956. Since 1956, Rashtrapati Nilayam in the city has been the winter office of the President of India. In 2014, the newly formed state of Telangana split from Andhra Pradesh and the city became joint capital of the two states, a transitional arrangement scheduled to end by 2025.
|
What's it called?
|
{
"answer_start": [
228
],
"text": [
"Musi River"
]
}
|
3ohyz19ugc5e9gs3s7tn4xddraxoav
|
Hyderabad (i/ˈhaɪdərəˌbæd/ HY-dər-ə-bad; often /ˈhaɪdrəˌbæd/) is the capital of the southern Indian state of Telangana and de jure capital of Andhra Pradesh.[A] Occupying 650 square kilometres (250 sq mi) along the banks of the Musi River, it has a population of about 6.7 million and a metropolitan population of about 7.75 million, making it the fourth most populous city and sixth most populous urban agglomeration in India. At an average altitude of 542 metres (1,778 ft), much of Hyderabad is situated on hilly terrain around artificial lakes, including Hussain Sagar—predating the city's founding—north of the city centre.
Established in 1591 by Muhammad Quli Qutb Shah, Hyderabad remained under the rule of the Qutb Shahi dynasty for nearly a century before the Mughals captured the region. In 1724, Mughal viceroy Asif Jah I declared his sovereignty and created his own dynasty, known as the Nizams of Hyderabad. The Nizam's dominions became a princely state during the British Raj, and remained so for 150 years, with the city serving as its capital. The Nizami influence can still be seen in the culture of the Hyderabadi Muslims. The city continued as the capital of Hyderabad State after it was brought into the Indian Union in 1948, and became the capital of Andhra Pradesh after the States Reorganisation Act, 1956. Since 1956, Rashtrapati Nilayam in the city has been the winter office of the President of India. In 2014, the newly formed state of Telangana split from Andhra Pradesh and the city became joint capital of the two states, a transitional arrangement scheduled to end by 2025.
|
How many other places are bigger?
|
{
"answer_start": [
333
],
"text": [
" making it the fourth most populous city "
]
}
|
3ohyz19ugc5e9gs3s7tn4xddraxoav
|
Hyderabad (i/ˈhaɪdərəˌbæd/ HY-dər-ə-bad; often /ˈhaɪdrəˌbæd/) is the capital of the southern Indian state of Telangana and de jure capital of Andhra Pradesh.[A] Occupying 650 square kilometres (250 sq mi) along the banks of the Musi River, it has a population of about 6.7 million and a metropolitan population of about 7.75 million, making it the fourth most populous city and sixth most populous urban agglomeration in India. At an average altitude of 542 metres (1,778 ft), much of Hyderabad is situated on hilly terrain around artificial lakes, including Hussain Sagar—predating the city's founding—north of the city centre.
Established in 1591 by Muhammad Quli Qutb Shah, Hyderabad remained under the rule of the Qutb Shahi dynasty for nearly a century before the Mughals captured the region. In 1724, Mughal viceroy Asif Jah I declared his sovereignty and created his own dynasty, known as the Nizams of Hyderabad. The Nizam's dominions became a princely state during the British Raj, and remained so for 150 years, with the city serving as its capital. The Nizami influence can still be seen in the culture of the Hyderabadi Muslims. The city continued as the capital of Hyderabad State after it was brought into the Indian Union in 1948, and became the capital of Andhra Pradesh after the States Reorganisation Act, 1956. Since 1956, Rashtrapati Nilayam in the city has been the winter office of the President of India. In 2014, the newly formed state of Telangana split from Andhra Pradesh and the city became joint capital of the two states, a transitional arrangement scheduled to end by 2025.
|
How high is it?
|
{
"answer_start": [
453
],
"text": [
" 542 metres"
]
}
|
3ohyz19ugc5e9gs3s7tn4xddraxoav
|
Hyderabad (i/ˈhaɪdərəˌbæd/ HY-dər-ə-bad; often /ˈhaɪdrəˌbæd/) is the capital of the southern Indian state of Telangana and de jure capital of Andhra Pradesh.[A] Occupying 650 square kilometres (250 sq mi) along the banks of the Musi River, it has a population of about 6.7 million and a metropolitan population of about 7.75 million, making it the fourth most populous city and sixth most populous urban agglomeration in India. At an average altitude of 542 metres (1,778 ft), much of Hyderabad is situated on hilly terrain around artificial lakes, including Hussain Sagar—predating the city's founding—north of the city centre.
Established in 1591 by Muhammad Quli Qutb Shah, Hyderabad remained under the rule of the Qutb Shahi dynasty for nearly a century before the Mughals captured the region. In 1724, Mughal viceroy Asif Jah I declared his sovereignty and created his own dynasty, known as the Nizams of Hyderabad. The Nizam's dominions became a princely state during the British Raj, and remained so for 150 years, with the city serving as its capital. The Nizami influence can still be seen in the culture of the Hyderabadi Muslims. The city continued as the capital of Hyderabad State after it was brought into the Indian Union in 1948, and became the capital of Andhra Pradesh after the States Reorganisation Act, 1956. Since 1956, Rashtrapati Nilayam in the city has been the winter office of the President of India. In 2014, the newly formed state of Telangana split from Andhra Pradesh and the city became joint capital of the two states, a transitional arrangement scheduled to end by 2025.
|
Are all the bodies of water natural?
|
{
"answer_start": [
530
],
"text": [
" artificial lakes"
]
}
|
3ohyz19ugc5e9gs3s7tn4xddraxoav
|
Hyderabad (i/ˈhaɪdərəˌbæd/ HY-dər-ə-bad; often /ˈhaɪdrəˌbæd/) is the capital of the southern Indian state of Telangana and de jure capital of Andhra Pradesh.[A] Occupying 650 square kilometres (250 sq mi) along the banks of the Musi River, it has a population of about 6.7 million and a metropolitan population of about 7.75 million, making it the fourth most populous city and sixth most populous urban agglomeration in India. At an average altitude of 542 metres (1,778 ft), much of Hyderabad is situated on hilly terrain around artificial lakes, including Hussain Sagar—predating the city's founding—north of the city centre.
Established in 1591 by Muhammad Quli Qutb Shah, Hyderabad remained under the rule of the Qutb Shahi dynasty for nearly a century before the Mughals captured the region. In 1724, Mughal viceroy Asif Jah I declared his sovereignty and created his own dynasty, known as the Nizams of Hyderabad. The Nizam's dominions became a princely state during the British Raj, and remained so for 150 years, with the city serving as its capital. The Nizami influence can still be seen in the culture of the Hyderabadi Muslims. The city continued as the capital of Hyderabad State after it was brought into the Indian Union in 1948, and became the capital of Andhra Pradesh after the States Reorganisation Act, 1956. Since 1956, Rashtrapati Nilayam in the city has been the winter office of the President of India. In 2014, the newly formed state of Telangana split from Andhra Pradesh and the city became joint capital of the two states, a transitional arrangement scheduled to end by 2025.
|
Which ones aren't?
|
{
"answer_start": [
531
],
"text": [
"artificial"
]
}
|
3lo69w1su3d7dm291f5582kmv1lgl1
|
Modern-day Nigeria has been the site of numerous kingdoms and tribal states over the millennia. The modern state originated from British colonial rule beginning in the 19th century, and the merging of the Southern Nigeria Protectorate and Northern Nigeria Protectorate in 1914. The British set up administrative and legal structures whilst practising indirect rule through traditional chiefdoms. Nigeria became a formally independent federation in 1960, and plunged into a civil war from 1967 to 1970. It has since alternated between democratically-elected civilian governments and military dictatorships, until it achieved a stable democracy in 1999, with its 2011 presidential elections being viewed as the first to be conducted reasonably freely and fairly.
Nigeria is often referred to as the "Giant of Africa", owing to its large population and economy. With approximately 182 million inhabitants, Nigeria is the most populous country in Africa and the seventh most populous country in the world. Nigeria has one of the largest populations of youth in the world. The country is viewed as a multinational state, as it is inhabited by over 500 ethnic groups, of which the three largest are the Hausa, Igbo and Yoruba; these ethnic groups speak over 500 different languages, and are identified with wide variety of cultures. The official language is English. Nigeria is divided roughly in half between Christians, who live mostly in the southern part of the country, and Muslims in the northern part. A minority of the population practise religions indigenous to Nigeria, such as those native to Igbo and Yoruba peoples.
|
what is Nigeria called?
|
{
"answer_start": [
763
],
"text": [
"Nigeria is often referred to as the \"Giant of Africa\""
]
}
|
3lo69w1su3d7dm291f5582kmv1lgl1
|
Modern-day Nigeria has been the site of numerous kingdoms and tribal states over the millennia. The modern state originated from British colonial rule beginning in the 19th century, and the merging of the Southern Nigeria Protectorate and Northern Nigeria Protectorate in 1914. The British set up administrative and legal structures whilst practising indirect rule through traditional chiefdoms. Nigeria became a formally independent federation in 1960, and plunged into a civil war from 1967 to 1970. It has since alternated between democratically-elected civilian governments and military dictatorships, until it achieved a stable democracy in 1999, with its 2011 presidential elections being viewed as the first to be conducted reasonably freely and fairly.
Nigeria is often referred to as the "Giant of Africa", owing to its large population and economy. With approximately 182 million inhabitants, Nigeria is the most populous country in Africa and the seventh most populous country in the world. Nigeria has one of the largest populations of youth in the world. The country is viewed as a multinational state, as it is inhabited by over 500 ethnic groups, of which the three largest are the Hausa, Igbo and Yoruba; these ethnic groups speak over 500 different languages, and are identified with wide variety of cultures. The official language is English. Nigeria is divided roughly in half between Christians, who live mostly in the southern part of the country, and Muslims in the northern part. A minority of the population practise religions indigenous to Nigeria, such as those native to Igbo and Yoruba peoples.
|
why?
|
{
"answer_start": [
763
],
"text": [
"Nigeria is often referred to as the \"Giant of Africa\", owing to its large population and economy. "
]
}
|
3lo69w1su3d7dm291f5582kmv1lgl1
|
Modern-day Nigeria has been the site of numerous kingdoms and tribal states over the millennia. The modern state originated from British colonial rule beginning in the 19th century, and the merging of the Southern Nigeria Protectorate and Northern Nigeria Protectorate in 1914. The British set up administrative and legal structures whilst practising indirect rule through traditional chiefdoms. Nigeria became a formally independent federation in 1960, and plunged into a civil war from 1967 to 1970. It has since alternated between democratically-elected civilian governments and military dictatorships, until it achieved a stable democracy in 1999, with its 2011 presidential elections being viewed as the first to be conducted reasonably freely and fairly.
Nigeria is often referred to as the "Giant of Africa", owing to its large population and economy. With approximately 182 million inhabitants, Nigeria is the most populous country in Africa and the seventh most populous country in the world. Nigeria has one of the largest populations of youth in the world. The country is viewed as a multinational state, as it is inhabited by over 500 ethnic groups, of which the three largest are the Hausa, Igbo and Yoruba; these ethnic groups speak over 500 different languages, and are identified with wide variety of cultures. The official language is English. Nigeria is divided roughly in half between Christians, who live mostly in the southern part of the country, and Muslims in the northern part. A minority of the population practise religions indigenous to Nigeria, such as those native to Igbo and Yoruba peoples.
|
how many ethnic groups?
|
{
"answer_start": [
1117
],
"text": [
" as it is inhabited by over 500 ethnic groups,"
]
}
|
3lo69w1su3d7dm291f5582kmv1lgl1
|
Modern-day Nigeria has been the site of numerous kingdoms and tribal states over the millennia. The modern state originated from British colonial rule beginning in the 19th century, and the merging of the Southern Nigeria Protectorate and Northern Nigeria Protectorate in 1914. The British set up administrative and legal structures whilst practising indirect rule through traditional chiefdoms. Nigeria became a formally independent federation in 1960, and plunged into a civil war from 1967 to 1970. It has since alternated between democratically-elected civilian governments and military dictatorships, until it achieved a stable democracy in 1999, with its 2011 presidential elections being viewed as the first to be conducted reasonably freely and fairly.
Nigeria is often referred to as the "Giant of Africa", owing to its large population and economy. With approximately 182 million inhabitants, Nigeria is the most populous country in Africa and the seventh most populous country in the world. Nigeria has one of the largest populations of youth in the world. The country is viewed as a multinational state, as it is inhabited by over 500 ethnic groups, of which the three largest are the Hausa, Igbo and Yoruba; these ethnic groups speak over 500 different languages, and are identified with wide variety of cultures. The official language is English. Nigeria is divided roughly in half between Christians, who live mostly in the southern part of the country, and Muslims in the northern part. A minority of the population practise religions indigenous to Nigeria, such as those native to Igbo and Yoruba peoples.
|
whats one of the largest?
|
{
"answer_start": [
1167
],
"text": [
"which the three largest are the Hausa, Igbo and Yoruba; t"
]
}
|
3lo69w1su3d7dm291f5582kmv1lgl1
|
Modern-day Nigeria has been the site of numerous kingdoms and tribal states over the millennia. The modern state originated from British colonial rule beginning in the 19th century, and the merging of the Southern Nigeria Protectorate and Northern Nigeria Protectorate in 1914. The British set up administrative and legal structures whilst practising indirect rule through traditional chiefdoms. Nigeria became a formally independent federation in 1960, and plunged into a civil war from 1967 to 1970. It has since alternated between democratically-elected civilian governments and military dictatorships, until it achieved a stable democracy in 1999, with its 2011 presidential elections being viewed as the first to be conducted reasonably freely and fairly.
Nigeria is often referred to as the "Giant of Africa", owing to its large population and economy. With approximately 182 million inhabitants, Nigeria is the most populous country in Africa and the seventh most populous country in the world. Nigeria has one of the largest populations of youth in the world. The country is viewed as a multinational state, as it is inhabited by over 500 ethnic groups, of which the three largest are the Hausa, Igbo and Yoruba; these ethnic groups speak over 500 different languages, and are identified with wide variety of cultures. The official language is English. Nigeria is divided roughly in half between Christians, who live mostly in the southern part of the country, and Muslims in the northern part. A minority of the population practise religions indigenous to Nigeria, such as those native to Igbo and Yoruba peoples.
|
have they had a civil war?
|
{
"answer_start": [
396
],
"text": [
"Nigeria became a formally independent federation in 1960, and plunged into a civil war from 1967 to 1970"
]
}
|
3lo69w1su3d7dm291f5582kmv1lgl1
|
Modern-day Nigeria has been the site of numerous kingdoms and tribal states over the millennia. The modern state originated from British colonial rule beginning in the 19th century, and the merging of the Southern Nigeria Protectorate and Northern Nigeria Protectorate in 1914. The British set up administrative and legal structures whilst practising indirect rule through traditional chiefdoms. Nigeria became a formally independent federation in 1960, and plunged into a civil war from 1967 to 1970. It has since alternated between democratically-elected civilian governments and military dictatorships, until it achieved a stable democracy in 1999, with its 2011 presidential elections being viewed as the first to be conducted reasonably freely and fairly.
Nigeria is often referred to as the "Giant of Africa", owing to its large population and economy. With approximately 182 million inhabitants, Nigeria is the most populous country in Africa and the seventh most populous country in the world. Nigeria has one of the largest populations of youth in the world. The country is viewed as a multinational state, as it is inhabited by over 500 ethnic groups, of which the three largest are the Hausa, Igbo and Yoruba; these ethnic groups speak over 500 different languages, and are identified with wide variety of cultures. The official language is English. Nigeria is divided roughly in half between Christians, who live mostly in the southern part of the country, and Muslims in the northern part. A minority of the population practise religions indigenous to Nigeria, such as those native to Igbo and Yoruba peoples.
|
when?
|
{
"answer_start": [
453
],
"text": [
" and plunged into a civil war from 1967 to 1970. "
]
}
|
3lo69w1su3d7dm291f5582kmv1lgl1
|
Modern-day Nigeria has been the site of numerous kingdoms and tribal states over the millennia. The modern state originated from British colonial rule beginning in the 19th century, and the merging of the Southern Nigeria Protectorate and Northern Nigeria Protectorate in 1914. The British set up administrative and legal structures whilst practising indirect rule through traditional chiefdoms. Nigeria became a formally independent federation in 1960, and plunged into a civil war from 1967 to 1970. It has since alternated between democratically-elected civilian governments and military dictatorships, until it achieved a stable democracy in 1999, with its 2011 presidential elections being viewed as the first to be conducted reasonably freely and fairly.
Nigeria is often referred to as the "Giant of Africa", owing to its large population and economy. With approximately 182 million inhabitants, Nigeria is the most populous country in Africa and the seventh most populous country in the world. Nigeria has one of the largest populations of youth in the world. The country is viewed as a multinational state, as it is inhabited by over 500 ethnic groups, of which the three largest are the Hausa, Igbo and Yoruba; these ethnic groups speak over 500 different languages, and are identified with wide variety of cultures. The official language is English. Nigeria is divided roughly in half between Christians, who live mostly in the southern part of the country, and Muslims in the northern part. A minority of the population practise religions indigenous to Nigeria, such as those native to Igbo and Yoruba peoples.
|
where did it originate from?
|
{
"answer_start": [
96
],
"text": [
"The modern state originated from British colonial rule"
]
}
|
3lo69w1su3d7dm291f5582kmv1lgl1
|
Modern-day Nigeria has been the site of numerous kingdoms and tribal states over the millennia. The modern state originated from British colonial rule beginning in the 19th century, and the merging of the Southern Nigeria Protectorate and Northern Nigeria Protectorate in 1914. The British set up administrative and legal structures whilst practising indirect rule through traditional chiefdoms. Nigeria became a formally independent federation in 1960, and plunged into a civil war from 1967 to 1970. It has since alternated between democratically-elected civilian governments and military dictatorships, until it achieved a stable democracy in 1999, with its 2011 presidential elections being viewed as the first to be conducted reasonably freely and fairly.
Nigeria is often referred to as the "Giant of Africa", owing to its large population and economy. With approximately 182 million inhabitants, Nigeria is the most populous country in Africa and the seventh most populous country in the world. Nigeria has one of the largest populations of youth in the world. The country is viewed as a multinational state, as it is inhabited by over 500 ethnic groups, of which the three largest are the Hausa, Igbo and Yoruba; these ethnic groups speak over 500 different languages, and are identified with wide variety of cultures. The official language is English. Nigeria is divided roughly in half between Christians, who live mostly in the southern part of the country, and Muslims in the northern part. A minority of the population practise religions indigenous to Nigeria, such as those native to Igbo and Yoruba peoples.
|
what merging happened?
|
{
"answer_start": [
181
],
"text": [
" and the merging of the Southern Nigeria Protectorate and Northern Nigeria Protectorate in 1914. "
]
}
|
3lo69w1su3d7dm291f5582kmv1lgl1
|
Modern-day Nigeria has been the site of numerous kingdoms and tribal states over the millennia. The modern state originated from British colonial rule beginning in the 19th century, and the merging of the Southern Nigeria Protectorate and Northern Nigeria Protectorate in 1914. The British set up administrative and legal structures whilst practising indirect rule through traditional chiefdoms. Nigeria became a formally independent federation in 1960, and plunged into a civil war from 1967 to 1970. It has since alternated between democratically-elected civilian governments and military dictatorships, until it achieved a stable democracy in 1999, with its 2011 presidential elections being viewed as the first to be conducted reasonably freely and fairly.
Nigeria is often referred to as the "Giant of Africa", owing to its large population and economy. With approximately 182 million inhabitants, Nigeria is the most populous country in Africa and the seventh most populous country in the world. Nigeria has one of the largest populations of youth in the world. The country is viewed as a multinational state, as it is inhabited by over 500 ethnic groups, of which the three largest are the Hausa, Igbo and Yoruba; these ethnic groups speak over 500 different languages, and are identified with wide variety of cultures. The official language is English. Nigeria is divided roughly in half between Christians, who live mostly in the southern part of the country, and Muslims in the northern part. A minority of the population practise religions indigenous to Nigeria, such as those native to Igbo and Yoruba peoples.
|
what structures did the Brits have there?
|
{
"answer_start": [
278
],
"text": [
"The British set up administrative and legal structures"
]
}
|
3lo69w1su3d7dm291f5582kmv1lgl1
|
Modern-day Nigeria has been the site of numerous kingdoms and tribal states over the millennia. The modern state originated from British colonial rule beginning in the 19th century, and the merging of the Southern Nigeria Protectorate and Northern Nigeria Protectorate in 1914. The British set up administrative and legal structures whilst practising indirect rule through traditional chiefdoms. Nigeria became a formally independent federation in 1960, and plunged into a civil war from 1967 to 1970. It has since alternated between democratically-elected civilian governments and military dictatorships, until it achieved a stable democracy in 1999, with its 2011 presidential elections being viewed as the first to be conducted reasonably freely and fairly.
Nigeria is often referred to as the "Giant of Africa", owing to its large population and economy. With approximately 182 million inhabitants, Nigeria is the most populous country in Africa and the seventh most populous country in the world. Nigeria has one of the largest populations of youth in the world. The country is viewed as a multinational state, as it is inhabited by over 500 ethnic groups, of which the three largest are the Hausa, Igbo and Yoruba; these ethnic groups speak over 500 different languages, and are identified with wide variety of cultures. The official language is English. Nigeria is divided roughly in half between Christians, who live mostly in the southern part of the country, and Muslims in the northern part. A minority of the population practise religions indigenous to Nigeria, such as those native to Igbo and Yoruba peoples.
|
when did it become independent?
|
{
"answer_start": [
395
],
"text": [
" Nigeria became a formally independent federation in 1960"
]
}
|
3lo69w1su3d7dm291f5582kmv1lgl1
|
Modern-day Nigeria has been the site of numerous kingdoms and tribal states over the millennia. The modern state originated from British colonial rule beginning in the 19th century, and the merging of the Southern Nigeria Protectorate and Northern Nigeria Protectorate in 1914. The British set up administrative and legal structures whilst practising indirect rule through traditional chiefdoms. Nigeria became a formally independent federation in 1960, and plunged into a civil war from 1967 to 1970. It has since alternated between democratically-elected civilian governments and military dictatorships, until it achieved a stable democracy in 1999, with its 2011 presidential elections being viewed as the first to be conducted reasonably freely and fairly.
Nigeria is often referred to as the "Giant of Africa", owing to its large population and economy. With approximately 182 million inhabitants, Nigeria is the most populous country in Africa and the seventh most populous country in the world. Nigeria has one of the largest populations of youth in the world. The country is viewed as a multinational state, as it is inhabited by over 500 ethnic groups, of which the three largest are the Hausa, Igbo and Yoruba; these ethnic groups speak over 500 different languages, and are identified with wide variety of cultures. The official language is English. Nigeria is divided roughly in half between Christians, who live mostly in the southern part of the country, and Muslims in the northern part. A minority of the population practise religions indigenous to Nigeria, such as those native to Igbo and Yoruba peoples.
|
what type of government have they had?
|
{
"answer_start": [
502
],
"text": [
"It has since alternated between democratically-elected civilian governments and military dictatorships,"
]
}
|
3lo69w1su3d7dm291f5582kmv1lgl1
|
Modern-day Nigeria has been the site of numerous kingdoms and tribal states over the millennia. The modern state originated from British colonial rule beginning in the 19th century, and the merging of the Southern Nigeria Protectorate and Northern Nigeria Protectorate in 1914. The British set up administrative and legal structures whilst practising indirect rule through traditional chiefdoms. Nigeria became a formally independent federation in 1960, and plunged into a civil war from 1967 to 1970. It has since alternated between democratically-elected civilian governments and military dictatorships, until it achieved a stable democracy in 1999, with its 2011 presidential elections being viewed as the first to be conducted reasonably freely and fairly.
Nigeria is often referred to as the "Giant of Africa", owing to its large population and economy. With approximately 182 million inhabitants, Nigeria is the most populous country in Africa and the seventh most populous country in the world. Nigeria has one of the largest populations of youth in the world. The country is viewed as a multinational state, as it is inhabited by over 500 ethnic groups, of which the three largest are the Hausa, Igbo and Yoruba; these ethnic groups speak over 500 different languages, and are identified with wide variety of cultures. The official language is English. Nigeria is divided roughly in half between Christians, who live mostly in the southern part of the country, and Muslims in the northern part. A minority of the population practise religions indigenous to Nigeria, such as those native to Igbo and Yoruba peoples.
|
/what happened in 2011?
|
{
"answer_start": [
652
],
"text": [
"with its 2011 presidential elections being viewed as the first to be conducted reasonably freely and fairly. "
]
}
|
3lo69w1su3d7dm291f5582kmv1lgl1
|
Modern-day Nigeria has been the site of numerous kingdoms and tribal states over the millennia. The modern state originated from British colonial rule beginning in the 19th century, and the merging of the Southern Nigeria Protectorate and Northern Nigeria Protectorate in 1914. The British set up administrative and legal structures whilst practising indirect rule through traditional chiefdoms. Nigeria became a formally independent federation in 1960, and plunged into a civil war from 1967 to 1970. It has since alternated between democratically-elected civilian governments and military dictatorships, until it achieved a stable democracy in 1999, with its 2011 presidential elections being viewed as the first to be conducted reasonably freely and fairly.
Nigeria is often referred to as the "Giant of Africa", owing to its large population and economy. With approximately 182 million inhabitants, Nigeria is the most populous country in Africa and the seventh most populous country in the world. Nigeria has one of the largest populations of youth in the world. The country is viewed as a multinational state, as it is inhabited by over 500 ethnic groups, of which the three largest are the Hausa, Igbo and Yoruba; these ethnic groups speak over 500 different languages, and are identified with wide variety of cultures. The official language is English. Nigeria is divided roughly in half between Christians, who live mostly in the southern part of the country, and Muslims in the northern part. A minority of the population practise religions indigenous to Nigeria, such as those native to Igbo and Yoruba peoples.
|
what the population?
|
{
"answer_start": [
861
],
"text": [
"With approximately 182 million inhabitants, Ni"
]
}
|
3lo69w1su3d7dm291f5582kmv1lgl1
|
Modern-day Nigeria has been the site of numerous kingdoms and tribal states over the millennia. The modern state originated from British colonial rule beginning in the 19th century, and the merging of the Southern Nigeria Protectorate and Northern Nigeria Protectorate in 1914. The British set up administrative and legal structures whilst practising indirect rule through traditional chiefdoms. Nigeria became a formally independent federation in 1960, and plunged into a civil war from 1967 to 1970. It has since alternated between democratically-elected civilian governments and military dictatorships, until it achieved a stable democracy in 1999, with its 2011 presidential elections being viewed as the first to be conducted reasonably freely and fairly.
Nigeria is often referred to as the "Giant of Africa", owing to its large population and economy. With approximately 182 million inhabitants, Nigeria is the most populous country in Africa and the seventh most populous country in the world. Nigeria has one of the largest populations of youth in the world. The country is viewed as a multinational state, as it is inhabited by over 500 ethnic groups, of which the three largest are the Hausa, Igbo and Yoruba; these ethnic groups speak over 500 different languages, and are identified with wide variety of cultures. The official language is English. Nigeria is divided roughly in half between Christians, who live mostly in the southern part of the country, and Muslims in the northern part. A minority of the population practise religions indigenous to Nigeria, such as those native to Igbo and Yoruba peoples.
|
where does in rank in population?
|
{
"answer_start": [
904
],
"text": [
" Nigeria is the most populous country in Africa "
]
}
|
3lo69w1su3d7dm291f5582kmv1lgl1
|
Modern-day Nigeria has been the site of numerous kingdoms and tribal states over the millennia. The modern state originated from British colonial rule beginning in the 19th century, and the merging of the Southern Nigeria Protectorate and Northern Nigeria Protectorate in 1914. The British set up administrative and legal structures whilst practising indirect rule through traditional chiefdoms. Nigeria became a formally independent federation in 1960, and plunged into a civil war from 1967 to 1970. It has since alternated between democratically-elected civilian governments and military dictatorships, until it achieved a stable democracy in 1999, with its 2011 presidential elections being viewed as the first to be conducted reasonably freely and fairly.
Nigeria is often referred to as the "Giant of Africa", owing to its large population and economy. With approximately 182 million inhabitants, Nigeria is the most populous country in Africa and the seventh most populous country in the world. Nigeria has one of the largest populations of youth in the world. The country is viewed as a multinational state, as it is inhabited by over 500 ethnic groups, of which the three largest are the Hausa, Igbo and Yoruba; these ethnic groups speak over 500 different languages, and are identified with wide variety of cultures. The official language is English. Nigeria is divided roughly in half between Christians, who live mostly in the southern part of the country, and Muslims in the northern part. A minority of the population practise religions indigenous to Nigeria, such as those native to Igbo and Yoruba peoples.
|
what about the world?
|
{
"answer_start": [
956
],
"text": [
"the seventh most populous country in the world."
]
}
|
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