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(2-11,Nan) hi! (2-8,O'Dubh) I see you found a laptop! (2-11,Nan) I've got to get used to translating to west coast times (2-8,O'Dubh) It's like 7 there right? (2-11,Nan) actually i rented a IIsi (mac) (2-11,Nan) yep (2-11,Nan) i decided to go for the color (2-2,Rilla) Evening! (2-8,O'Dubh) what sort of work are you doing? (2-11,Nan) hi n huggs rilla (2-8,O'Dubh) Hugs Rilla! (2-2,Rilla) hugs! (2-8,O'Dubh) Rilla.We are gathering up here. (2-2,Rilla) mind if I lurk? (2-8,O'Dubh) No prob (2-11,Nan) work? well......I'm getting ready to move into my new house 3164 in June... (2-8,O'Dubh) Hi LF! (2-11,Nan) making decisions like carpet, paint etc. (2-9,Rose) Rose? (2-8,O'Dubh) Hi Rose! (2-11,Nan) sorta work sorta not (2-9,Rose) Hi! (2-4,Lord Falcon) Good evening all (2-11,Nan) hi rose (2-20,Freepowder) Dia duit all! (2-11,Nan) hi falcom (2-2,Rilla) Hi all! (2-9,Rose) Yes, Hello! (2-11,Nan) hi fp (2-8,O'Dubh) Dia duit, a Fhreepowder! (2-20,Freepowder) oh yeahm hang on (2-20,O'Ba'n) There, that's better! (2-8,O'Dubh) Everyone here knows we are gonna do a Workshop, right? (2-20,O'Ba'n) Ta' (2-8,O'Dubh) Slainte! (2-8,O'Dubh) <=====Typing is getting worse instead of better. (2-20,O'Ba'n) I have a dram o' the creatur right here too! Slainte" (2-22,Wren) Hi, folks. Dia dhuit. (2-2,Rilla) Dia dhuit, Wren! (2-8,O'Dubh) Dia Dhuit, a Whren! (2-20,O'Ba'n) O'd how do you say hello to a bunch of folks, same way? (2-22,Wren) Hey Rilla, brought some chocolate chips cookies .... (2-2,Rilla) ha! (2-8,O'Dubh) FP>yep! (2-2,Rilla) (2-2,Rilla) no fair! (2-2,Rilla) I wont look! (2-20,O'Ba'n) ok. (2-8,O'Dubh) well boys and girls shall we start clearing our throats? (2-22,Wren) ahem (2-20,O'Ba'n) ARRRGGGHHH, hack hack! (2-8,O'Dubh) <======listening to the hackers. (2-9,Rose) Hmmm. (2-2,Rilla) hehe (2-2,Rilla) ahem! (2-2,Rilla) (2-11,Nan) cough cough (2-8,O'Dubh) Ok let's get started! (2-11,Nan) 'scuse me
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(2-8,O'Dubh) Before I begin let me say a few words about how the Workshop is conducted. We will first hear from a presenter, tonight that is me. If you have a question type in a ? and I will acknowledge you by tyoing "ga" at and appropriate time. When you have finished your question type "ga" to let me know that I may respond. When we are finished I will acknowledge the next questioner in a similar manner. If you have a comment or additional information to provide on a topic, please use the "!" to signal me. I will also cycle through those with comments in a similar manner. If their are no questions at this point I will begin tonight's presentation. (2-5,Seanchai) ? (2-8,O'Dubh) The topics I plan to cover tonight are: 3165 Music and Magick in general. Role of Bards and Druids in Celtic Music. Aradach Fionn, Tree tones and associations Some example folk songs and interpretations. (2-8,O'Dubh) Seanchai ga. (2-5,Seanchai) Patience is a virtue I need to learn in a hurry. (2-5,Seanchai) I was going to ask, what's tonight's topic. (2-8,O'Dubh) ok ! (2-5,Seanchai) Ga (2-20,O'Ba'n) LOL! (2-11,Nan) lol (2-9,Rose) ditto (2-8,O'Dubh) Anyone that has ever done Magick knows that it involves resonances and associations. Magick has many color associations as well as musical associations. We have all experienced the magick of music in contemporary music. Sometimes this can be in the form of attending a concert, othertimes it can be when we are alone and listening to our favorites tunes. Modern day religious services take advantage of the Magick inherit to music to enhance their worship services. This can be in singing hymns or hearing organ and choral anthems. I'm sure that we will all agree that music in such sitruarions alters our state of being. We are uplifted and changed by the ritual music we experience. It should be no surprise that the ancient Celts used music in a similar manner. In Morgan Llwellyn's "Druids" we find an example of such a Druidic use of music in Magick. The chief Druid of a village would greet the Sun with song and lead the village each day in welcoming the Sun back from the Underworld. When the Sun set, another farewell song was enjoined. This practice is still followed by some in Celtic lands to this day. Examples of such incantations and greetings to the Sun may be found in the "Carmenica Gadetica" a vast resources of ancient and rercent Celtic verse and song. (2-8,O'Dubh) Please pardon the typos! In many Magick systems, Words of Power using the names of the Gods are used to create resonances within the Magical Circle so that the Magicians may attain a higher state of awareness. The use of these words also serves to open the internal "Power Centers" or "Chakras" of the participants. These godnames are constructed using the letters of the Magickal alphabets of the respective Magickal systems as well as the natural tones and the corresponding resonances that are associated with each letter or symbol. For example: YHVH Yud Heh Vahv He (a Kaballistic godname) (2-8,O'Dubh) An incantaion of a godname becomes a chant with its own inherent melody and rhythm. Such sounds generated form an occult alphabet are thought by Magicians to have inherit Power in their sounds
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and to generate Magickal resonances within the Magician and the Circle. It is my belief that the ancient Celts and Druids used music and sounds from their secret Ogham alphabet to aid them in working Magick in a similar manner. (2-8,O'Dubh) Druidic Bards studied for 15 to 20 years to learn the epics, chants, spells and histories of their peoples and clans. These works were memorized exactly and were a requirement for advancement to a higher or inner level of the Druidic ranks. The works had to be 3166 rendered with feeling so that the listener would be spell bound and consequently could relive the event. The Irish Druids had the following classes of Bards: Class # of Epics __________________________________________ Driseg 20 (the Beginner) Foclaic 30 (Advanced beginner) Cili 100 (Journeyman) Anraid 175 (Master/Warrior) Ollomh 175+ (Doctor/Judge) (2-8,O'Dubh) Bards learned to play the pipes, the whistle, the harp, the lyre, the flute, the sistrum and the bodrun among other instruments. According to Murry Hope these instruments, were used based upon the mood or tone that the particular Bardic work required. He gives a table of the following correspondences: The Flute - Air (later the Organ) The Harp - Water The Sistrum - Earth (The Bells or Bodrun) The Lyre - Fire Poets and Bards carried branches with bells and amulets attached to them. A beginner's branch would be bronze, journeymen carried a silver branch and the Master Bards carried a golden branch. The music of the bells would announce the Bard's presence and an impending performance. (2-8,O'Dubh) Nan ga (2-11,Nan) what's a sistrum? (2-11,Nan) ga (2-8,O'Dubh) It's a stringed instrument that one beats I believe. Anyone got an opinion? (2-2,Rilla) Ray confirms that. (2-20,O'Ba'n) ? (2-2,Rilla) Precursor of the lute maybe? (2-8,O'Dubh) perhaps. (2-9,Rose) I understand that one shakes it like Isis does in the pictures. (2-22,Wren) Similar to a hammered dulcimer? (2-8,O'Dubh) That's what I was thinking, Wren. (2-11,Nan) or a tambourine? (2-9,Rose) I have a picture of one... (2-8,O'Dubh) Rose ga (2-9,Rose) it looks like a tennis racket. (2-9,Rose) with hooks. (2-8,O'Dubh) And you beat it right? (2-9,Rose) I think so. (2-8,O'Dubh) ok Nan any further questions? (2-11,Nan) got it, thanks (2-9,Rose) shake it. (2-20,O'Ba'n)an ancient metal frame with numerous metal rods that jingle when shaken, websters.
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(2-9,Rose) bravo. (2-8,O'Dubh) great! (2-20,O'Ba'n) ? (2-11,Nan) no, ga (2-8,O'Dubh) O'ba'n? 3167 (2-8,O'Dubh) ok let's roll! (2-20,O'Ba'n) wait (2-8,O'Dubh) O'ban ga! (2-20,O'Ba'n) are the instruments dedicated to... (2-20,O'Ba'n) their various areas based on the tonal range they cover or... (2-20,O'Ba'n) the quality of the sound? (2-20,O'Ba'n) ga (2-8,O'Dubh) It's the quality of the sound mostly. The same way they would be scored in an orchestra for instance. (2-20,O'Ba'n) ok. (2-20,O'Ba'n) ga (2-8,O'Dubh) ga (2-20,O'Ba'n) no, you ga! (2-20,O'Ba'n) | (2-8,O'Dubh) My own belief is that the Bards usually accompanied themselves with the harp as they recited their repertorie. Just as Oghams were used as keys to memory with verses being linked by assonance and alliteration, I believe that each Ogham had a unique tone or note associated with it on the harp. The tone or string was struck as the Ogham sound was spoken or sung two notes per line. The begining and ending notes serving to connect each line to the next line in a continuing stream. In the world of my my imagination I can hear the tones and words of the Bards echoing as they float upon a wave of melody acroos the room. The sound reminds me of chanting monks or the plainsong of worship (similar to modern Anglican or Roman Catholic Plainsong). (2-8,O'Dubh) Sean O'Boyle, a late Irish scholar, made an attempt to interpret "Aradach Fionn" (Fionn's Ladder) as harp tabulature using Oghams. He suggested that the Irish practice harp that has only 20 strings has a 1 to 1 correspondence to the first 20 Oghams. As far as I know,no records survived to reach us verifying his theory. It seems to make sense to me but I only speculate. (2-8,O'Dubh) A modern work "Trees for Healing" by Chase and Pawlik, reinforces this belief for me. This book is all about trees, their lore and their spirits. It describes techniques for meditation to determine the harmonic resonaces for a variety of trees. I believe that the ancient Druids also detected certain harmonic tones for each tree and used then in their Tree Ogham Alphabet. If we use the tones that have been rediscovered by Chase and Pawlik and combine them with the ancient chants, incantations and songs of Taliesin and Amergin, we may also be able to work powerful Magicks. This Magick can take any form from enchanting an audience to calling the winds. The Greek Bard Orpheus was able to walk between the worlds in this manner and so can we. I list the trees and the derived modern tonal correspondences below: Ogham Old Irish English Musical Note ____________________________________________________ B Beith Birch F L Luis Rowan C F Fearn Alder E
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S Saille Willow F 3168 N Nuin Ash G ____________________________________________________ H Huathe Hawthorn B D Duir Oak F T Tinne Holly G C Coll Hazel D Q Quert Apple. D# ____________________________________________________ M Muin Vine G G Gort Ivy G Ng Ngetal Reed F St Straif Blackthorn B R Ruis Elder A ____________________________________________________ A Ailim Silver Fir A O Ohn Furze E U Ur Heather B E Eadha White Poplar E I Ioho Yew F ____________________________________________________ Ch,Ea Koad Grove F Oi,Th Oir Spindle C Ui Uilleand Honeysuckle D Ph Phagos Beech A Xi Mor The Sea G (2-8,O'Dubh) Some of these tones were derived by meditation and resonance, some are based upon the colors associated with the Oghams. My suggestion is to (2-11,Nan) ? (2-8,O'Dubh) find such a tree yourself and to meditate under it. play a pipe, a whistle or a harp (even a guitar will do in a pinch!) until you find (2-22,Wren) ? (2-20,O'Ba'n)? 3169 the correct tone for the tree. Other tones will reflect
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from the tree. The "soul tone" of the tree will be absorbed and you will possibly feel a tingle of energy that is released by the Spirit of the Tree. This experience is somewhat akin to the common belief in Ireland (even today) that a particularily gifted musician, harper or piper has been taught by the Sidhe (famed for their enchanted music). Celts believe in harmony and rightness in all things and particularily in Nature. (2-8,O'Dubh) Nan ga (2-11,Nan) I noticed that many different oghams had the same note... are these the same notes or are they in differing octaves? ga (2-8,O'Dubh) The table I presented is not cast in stone! (2-11,Nan) or even in wood? (2-8,O'Dubh) The first approach has each ogham on a different tone For Fionn's ladder for instance. The second approach used meditation techniques to determine the "soul tones" of the trees Some trees evidently have a similar feel to them. I think that the table needs some work myself. Perhaps one of the more musically gifted members could undertake such a study! (2-24,da Medic) ? (2-8,O'Dubh) ? (2-8,O'Dubh) ga Nan (2-8,O'Dubh) additional questions? (2-8,O'Dubh) If not then Wren was next. (2-20,O'Ba'n) ! (2-11,Nan) no, i think wren had some though (2-8,O'Dubh) Wren ga (2-22,Wren) Already answered, thanks. Gotta go, g'nite! (2-8,O'Dubh) Sla'n Wren! (2-11,Nan) g'night wren (2-8,O'Dubh) O'ba'n ga (2-20,O'Ba'n) need to have the transmogrification of what tree is which out west for me to do it... (2-20,O'Ba'n) but with that I'd love to do the tree/tone thing! (2-8,O'Dubh) Ok I'll put a table in the library this week. (2-20,O'Ba'n) GA (2-24,da Medic) does this explain the prevalence of willow/oak in celtic magicks? ga. (2-20,O'Ba'n) Cool! (2-8,O'Dubh) da Medic ga (2-24,da Medic) sorry, saw the ga. (2-8,O'Dubh) Yes it does to some extent. I have entire books on nothing but healing properties of trees. I'm sure Druids knew much more. (2-11,Nan) ? (2-8,O'Dubh) Nan ga (2-11,Nan) could you please post a bibliography of some of those books??? (pretty please?) (2-11,Nan) ga (2-8,O'Dubh) Ok will do that as well this week! (2-20,O'Ba'n) yes! yes! (2-8,O'Dubh) Now to continue... Some of this Magick comes down to us today in the form of folk songs still sung in the outer reaches of Ireland and the British Isles. Such a song is the "Padstow May Song" from Padstow, Cornwall (in part): 3170 "Unite and unite and let us unite For summer is acome unto day And whither we are going we will all unite In the merry morning of May."
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"I warn you young men everyone To go into the greenwood and fetch your May home." "Arise up Mr. _______ and joy you betide And bright is your bride that lies by your side." "Arise up Mrs. _______ and gold be your ring And give to us a cup of ale the merrier we shall sing." "Arise up Miss ______ all in your gown of green You are as fine a lady as wait upon the Queen." "Now fare you well, and we bid you all good cheer We call once more unto your house before another year." (2-8,O'Dubh) I interpret this song to mean this: This song is sung on Beltaine and is said to charge the atmosphere of the festival. It symbolizes the marriage of the youth with the land. (Unite and unite and let us unite) It also adresses 3 individuals: A man, a woman and a Maiden in a green gown (who represents Nature). This song is sung around the May Pole or May bonfires in the evening (and prior to anyone escaping to the outer folds of darkness for an evening of bliss ). ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ 3171 (2-8,O'Dubh) Another ancient folk song that has hidden meanings of Magick is the song "Green Grow the Rushes": " One of them is all alone and ever more shall be so. Two of them are lily-white boys all clothed all in green Oh! Three of them are strangers o'er the wide world they are rangers. Four it is the Dilly Hour when blooms the Gilly Flower. Five it is the Dilly Bird that's seldom seen but heard. Six is the Ferryman in the boat that o'er the river floats, Oh! Seven are the Seven Stars in the Sky, the Shining Stars be Seven, Oh! Eight it is the Morning's break when all the World's awake, Oh! Nine it is the pale Moonshine, the shining Moon is nine, Oh! Ten Forgives all kinds of Sin, from Ten begin again, Oh! "
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(2-8,O'Dubh) This song can be interpreted to mean: 1. There is One Power. 2. The God has two aspects (Light and Dark). 3. The Celts are a wadering people with the sacred number of "3". 4. The 4th Ogham is the Alder sacred to Bran the Blessed and his sister Branwen "the Gilly Flower". 5. The Wizard Merlin as well as the sacred number of the Celtic Gods (not to mention the number of points on a Pentagram). 6. Keridwen's Coracle that ferries us to the Underworld. 7. The sacred number of sea gods and the stars in the crown of Arianrhod. 8. The number of judgement or resurrection. 9. The Triple Moon Goddess Thrice emphasized The number of Priestesses that guard the Cauldron of Rebirth. 10.The necessity to find our "True Selves" in order to understand the Inner Mysteries. The endless cycle of death and rebirth. (2-8,O'Dubh) Everone still awake? 3172 (2-20,O'Ba'n) ? (2-2,Rilla) (2-8,O'Dubh) O'Ba'n ga! (2-20,O'Ba'n) this is your interpretation? (2-20,O'Ba'n) GA (2-8,O'Dubh) It is also Murry Hope's interpretation. I have seen a different version of this song. (2-20,O'Ba'n) suits me! GA (2-8,O'Dubh) that is used by OATh coven and had hoped that perhaps they would be here tonight. (2-24,da Medic) ! (2-8,O'Dubh) da Medic ga (2-24,da Medic) Cunningham also had summat similar ga. (2-8,O'Dubh) Which book? ga (2-24,da Medic) Not sure, will check & advise, methinks in Earth Air Fire water ga (2-8,O'Dubh) Ok I have that one here will check in a min. let's finish up a bit first! (2-8,O'Dubh) Perhaps some of you have some ancient or even modern Celtic folk songs that you would like to share with us this evening? You could enter them here and we could discuss them in detail or maybe just take them to our hearts and embrace their inner messages (for Celtic Music is a music of the Heart and Soul). I know that many of you are very into Celtic Music. I'd like to have each of us contribute the names and titles of our favorite performers and songss.
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(2-8,O'Dubh) My favorite song is the "Rising Of the Moon" by the Clancy Brothers and Tommy Liam. (2-24,da Medic) ! (2-8,O'Dubh) da Medic ga (2-24,da Medic) Joe doughterty's lament, black 47 (2-24,da Medic) ga (2-8,O'Dubh) ok ! Others? (2-20,O'Ba'n) all mine deal with young maidens getting taken advantage of or with drinking, mostly poiti'n (e.g.Cruiscean lan) (2-11,Nan) ! (2-8,O'Dubh) hahaha LOL O'Ba'n !! (2-20,O'Ba'n) ! (2-8,O'Dubh) O'Ba'n ga (2-26,Adam) ? (2-11,Nan) there are sooooo many i can't chose a favorite, but one of the more interesting is "the Tain" by Horselips ga (2-8,O'Dubh) neat nan! (2-20,O'Ba'n) Do you know Ben phagin? I have it but no translation, also the well below the valley o! (2-8,O'Dubh) Most Celtic songs I've heard always have a hidden meaning (2-20,O'Ba'n) GA (2-8,O'Dubh) un minuto OB! (2-8,O'Dubh) Adam question? ga (2-26,Adam) OD, I lost some of your send :P Which is your favorite song? (2-8,O'Dubh) Adam> My favorite song is the Rising of the Moon. by the Clancy Brothers and Tommy Liam. (2-24,da Medic) ! (2-20,O'Ba'n) O'flaherty's drake! 3173 (2-26,Adam) thanks :) (2-8,O'Dubh) OB>Have that one as well. (2-8,O'Dubh) OB ga (2-24,da Medic) gotta go do the work thing-Blesed Be! ga (2-20,O'Ba'n) that one is all about english occupation and resistance as related to a duck (2-11,Nan) lol (2-8,O'Dubh) OB>I know it well (it's about a goose I thought) (2-20,O'Ba'n) how 'bout 5 (or 7) nights drunk! (2-11,Nan) ? (2-8,O'Dubh) But it's really about a man that was killed by the English. They had to sing it in riddles to avoid being hanged. (2-20,O'Ba'n) O'D> and how we has plenty of relatives to take up the fight! (2-8,O'Dubh) That's right. I am reading Trinity right now. about the fight for home rule. (2-8,O'Dubh) more favorites out there? (2-4,Da Shad) OD, went to an Irish festival this weekend... (2-2,Rilla) (2-4,Da Shad) and was really shocked at how strong a presense that the IRA had there, several booths for signing petitions and sending money to the IRA. Pledges even! (2-20,O'Ba'n) "bad luck to the savage to grease his white cabbage that wantonly murdered me beautiful drake" BTW Drakes are male ducks... (2-20,O'Ba'n) Ganders are male geese (2-11,Nan) <---going to the Chieftans next w'end (2-20,O'Ba'n) (2-8,O'Dubh) Da Shad>They need to do something settle the issues up there. (2-8,O'Dubh) OB>Yer right yer scoundrel. :P~ (2-8,O'Dubh) Nan>great!
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(2-8,O'Dubh) Any ideas about next week's Workshop? (2-4,Da Shad) If the IRA really wanted to get the brits out... (2-8,O'Dubh) Hint hint hint! (2-4,Da Shad) they just need to blow up the shipyards in Northern Ireland. (2-20,O'Ba'n) I spoke to an Irishman who was probably in the IRA since he denied it... (2-4,Da Shad) Once there is no more economic value in northern ireland- ... (2-11,Nan) how about a workshop on stone circles etc. (2-4,Da Shad) there owuld be no more need for the brits to keep troops there. (2-20,O'Ba'n) his theory was for the Brits to just pull out, I said "bloodbath would follow", he said... (2-8,O'Dubh) Nan> Great idea!! (2-4,StonedAgain) Just call me stonie! (g) (2-20,O'Ba'n) yes for 3-5 yrs then it would settle down and achieve normalcy with the rest of Ireland (2-11,Nan) is this wkshp officially over? (loggin on long distance here) (2-20,O'Ba'n) one would guess (2-8,O'Dubh) yes Nan we're done for the night. (2-2,Rilla) Nice job, Odie! (2-4,Shadow Hawk) Gee, didn't realize that there was a workshop going on, sorry. (2-2,Rilla) 3174 (2-8,O'Dubh) Thanks Rilla! (2-11,Nan) thanks for another great one O'D', see y'all next week! (2-8,O'Dubh) Sla'n Nan! (2-11,Nan) bye (2-8,O'Dubh) Ta failte romhat! (2-2,Rilla) night Nan~! (2-20,O'Ba'n) gabhaim buiochas, O'Dubh (2-20,O'Ba'n) Slan nan! (2-20,O'Ba'n) did I get that right O;d? (2-8,O'Dubh) OB>A Gaeilge/Bearla dictionary is a dangerous thing to have! (2-20,O'Ba'n) ROFL! TOO RIGHT! (2-20,O'Ba'n) do you know the tune well below the valley? (2-2,Rilla) OB> are you a Bard? (2-8,O'Dubh) OB> no (2-20,O'Ba'n) R> wannabe (2-2,Rilla) do you do music? (2-20,O'Ba'n) I suspect that has all kinds of hidden meanings, will send in msg so you can figger it out (2-26,Adam) OD, I enjoyed sitting in on the workshop :) (2-26,Adam) it was my first in this forum. (2-20,O'Ba'n) R> *I* play Feadog! (tinwhistle) (2-8,O'Dubh) Adam>Thanks for coming! Go raibh maith agat! (2-20,O'Ba'n) pleased to have you Adam! (2-2,Rilla) oh! (2-2,Rilla) neat! (2-15,SCOTT ZAGER) M (2-8,O'Dubh) OB> I bet rising Of the Moon Is great on the tin whistle. My daughter plays it on her flute. (2-20,O'Ba'n) R> AND it's a grand Irish voice I';m havin' (2-8,O'Dubh) Rilla> Guess what? (2-2,Rilla) I saw all kinds of cool stuff in the Lark in the Morning catalog (2-2,Rilla) tin whistles and ancient instruments... (2-2,Rilla) they were really expensive though
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(2-8,O'Dubh) At my daughter's Episcopal Church this weekend they are going to have a shamnistic dancer! (2-20,O'Ba'n) O'd, it's ok but fenian men is better (2-2,Rilla) OB> voice??? I've never HEARD it...so I wouldnt know (2-8,O'Dubh) O'B>Methinks I like the Men of the West better. (2-2,Rilla) OD> really? (2-20,O'Ba'n) "the lark in the morning she whistles and she sings and she flys across the meadow with the dew all on her wings" (2-2,Rilla) cool! (2-2,Rilla) very nice! (2-2,Rilla) Now where's the TAPE? (2-2,Rilla) or WAV file? (2-2,Rilla) hehehe (2-8,O'Dubh) Yep Rilla>She's gonna be raising a Christian Power Cone I guess! (2-20,O'Ba'n) I have a tape, marty Burke, must make a copy & send it to you O'd (2-2,Rilla) OD> Power is Power 3175 (2-2,Rilla) I learned all I know in High Mass (2-4,Shadow Hawk) Hmmm, OD, that's MUCH too phallic a symbol for christians to raise! (2-4,Shadow Hawk) How high were you in mass, rilla? (2-20,O'Ba'n) Bonewits has a lot on that, rituals VERY similar (2-8,O'Dubh) I must be there to make sure they don't fry themselves! (2-2,Rilla) SH> heheheh (2-4,Shadow Hawk) (snicker) (2-2,Rilla) o/~ memories o/~ (2-2,Rilla) OD> make em ground! (2-8,O'Dubh) "O the risin o the Moon the risin o the Moon Many a pike was a flashin" (2-2,Rilla) what are we doing for Beltaine? (2-8,O'Dubh) "by the Risin o the Moon!" (2-26,Adam) y'all, I got to leave the room now... (2-4,Shadow Hawk) Rilla, we be raisin a cone of power (g) (2-2,Rilla) SH> did Sz tell you that I am definitely coming to Fla? (2-26,Adam) I am talking with a very dear friend... (2-8,O'Dubh) I'm heading to OATh for Beltaine if they'll have me. (2-2,Rilla) SH> a raisin? (2-2,Rilla) (2-2,Rilla) oh! (2-4,Shadow Hawk) Bye Adam! (2-2,Rilla) lucky you! (2-26,Adam) thanks again :) MP (2-4,Shadow Hawk) No she didn't Rilla (2-8,O'Dubh) Sla'n Adam!! Next week and check library 16 out! (2-26,Adam) I have been, OD :) (2-2,Rilla) SH> thought we could all stay at the Hyatt..under the waterfall! (2-2,Rilla) (2-8,O'Dubh) Great!! (2-2,Rilla) night Adam! (2-8,O'Dubh) Beannacht leat! (2-2,Rilla) nice to see you again! (2-4,Shadow Hawk) Rilla, if you want, I can stay down all night.... (2-4,Shadow Hawk) I have my own scuba equipment (g) (2-2,Rilla) hahahahahahah....an extra set?? (2-8,O'Dubh) OB>BTW what was that first thing in that post you sent me?
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(2-4,Shadow Hawk) I would bring an octopus for you. (2-2,Rilla) time for me to go too folks... (2-8,O'Dubh) Sounded like "Quiet child" (2-2,Rilla) Odie> thanks!!! (2-2,Rilla) this was wonderful! (2-4,Shadow Hawk) Nite Rilla (2-8,O'Dubh) or listen up kiddies! (2-8,O'Dubh) Rilla no prob. A labor of love! (2-2,Rilla) (2-2,Rilla) it shows (2-8,O'Dubh) Hugs! (2-20,O'Ba'n) "Come and tell me sean o'ferrel, tell me why you hurry so..." got me goin o'd, "is there a bathroom on this floor" (2-8,O'Dubh) no not that one (2-20,O'Ba'n) (had to go change a diaper, yuck) (2-8,O'Dubh) the one where the arch Druid said 3178 (2-20,O'Ba'n) oh! hang on ... (2-8,O'Dubh) The reply was "He is the Father". (2-8,O'Dubh) "Hush me Buch all hush and listen and his cheeks were all a glow!" (2-20,O'Ba'n) Can't find it right now, was supposed to say "hush children" and "yes father" (2-8,O'Dubh) "I bear orders from the captain, get you ready quick and soon, for the pikes must be together" (2-20,O'Ba'n) "I bear orders for the captain get ye ready wuicka nd soon... (2-8,O'Dubh) "by the Risin o the Moon!" (2-20,O'Ba'n) wuicka? a new religion? (2-4,Shadow Hawk) Wuicka-Wombat wicca (g) (2-8,O'Dubh) OB>Great I thought it said "Quiet child and He is the Father!" (2-20,O'Ba'n) O'd >LOL!< do you know the wearin' of the green? same tune. (2-8,O'Dubh) Yes!! "They're hangin men and women for the Wearin o the Green!" (2-20,O'Ba'n) a gaeilge/bearla dictionary is a dangerous thing. (2-8,O'Dubh) hahahahaha! (2-20,O'Ba'n) BTW how do you say Andrew jacob in gaelic? (2-20,O'Ba'n) my eldest (2-8,O'Dubh) <=====not a clue. (2-8,O'Dubh) I'll ask in FLEFO! (2-20,O'Ba'n) nuts. (2-20,O'Ba'n) my middle is Michilene Og (sp?) (2-20,O'Ba'n) flefo? (2-20,O'Ba'n) son that is (2-8,O'Dubh) BTW Conor mac Nessa from the Tain was Called Conor son of Nessa but Nessa was his Mother! (2-20,O'Ba'n) Really! (2-8,O'Dubh) yeppers! (2-20,O'Ba'n) were they matrilineal? (2-20,O'Ba'n) :0 (2-8,O'Dubh) They were bilineal! (2-8,O'Dubh) Mostly the fathers side though! (2-20,O'Ba'n) LOL! (2-8,O'Dubh) However they did marry the Picts and made them agree to trace lineage on the Mother's side!
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(2-20,O'Ba'n) I heard somewhere they were matrilineal, since they were quite open sexualy (2-20,O'Ba'n) (2-8,O'Dubh) The women had a lot of different partners. and the men went both ways if you can believe a lyin Roman that is! (2-20,O'Ba'n) yup, so how do you know WHO your father is? (2-8,O'Dubh) Simple!! Yer da's the one that wins the fights! (2-20,O'Ba'n) the Romans were...uh... a little...ethnocentric? >LOL! (2-20,O'Ba'n) have you got any music by planxty, or dedanan? (2-8,O'Dubh) OB.No I wish I did though. (2-20,O'Ba'n) Great stuff, traditional. (2-20,O'Ba'n) or Shanachie records, mail order, HoHokus (?) NJ 3179 (2-20,O'Ba'n) they have an excellent Celtic catalog (2-8,O'Dubh) that's Hoboken and it's close to me now! (2-20,O'Ba'n) if you can't find them find a Ladysmith Black Mombasa record and ck the pub, that's them (2-8,O'Dubh) ok bro thanks! (2-20,O'Ba'n) those are the guys that backed up paul simon on graceland (At this point we all retired to the VB&G for some shots o Uisce Beatha!) ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ 3180 Celtic Worshop #5 - The Celtic Otherworld This is the transcript of the fifth Celtic Workshop - The Celtic Otherworld. We engaged in a brief period of socialization before and after the conference. I include that here to give an idea of the spirit and atmosphere with which everyone approaches the task at hand! ......Searles (2-2,Freepowder) Dia duit aNhan! (2-2,Freepowder) Dia duit aShearles! (2-5,Nan) huh? (2-2,Freepowder) hello, in Ir. Gaelic (2-5,Nan) ahhhh, thanks (2-6,O'Dubhain ) Dia Dhuir, a Shean! (2-5,Nan) hi O'D (2-6,O'Dubhain ) Hiya Nan!! (2-5,Nan) i'm probably gonna be a pretty quiet participant tonight, 'cause i'm watching the oscars at the same time (2-2,Freepowder) SEE! I am psychic! (2-2,Freepowder) oh, did you get my translation (2-2,Freepowder) 'sok Nan, I'll fill in for you (2-6,O'Dubhain ) Close but no cigars!:) (2-3,Wren) Hi, guys. Who's singing? (2-6,O'Dubhain ) Hi Wren!! (2-2,Freepowder) i figgered that (2-5,Nan) hi wren (2-2,Freepowder) Dia duit aWhren! (2-6,O'Dubhain ) FP will have to do the singin tonight. (2-6,O'Dubhain ) I am the Seanchai tonight! (2-2,Freepowder) "I left my haaaaaaart in knockaknorra" (2-3,Wren) Ah, you're being serious. (2-6,O'Dubhain ) "Three things about the drink. " (2-3,Wren) FP> Looovely (2-6,O'Dubhain ) "To have it. To Hold it, and to p[ay for it!" (2-2,Freepowder) hahahah! (2-2,Freepowder) My wee phrase book is not up to the task, I guess. (2-6,O'Dubhain ) Good evening SUZAN!\
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(2-3,Wren) Alas, ald (2-2,Freepowder) Dia duit aShuzan! (2-14,SUZAN) hello all... OD! (2-3,Wren) Alas, alad, that is (2-6,O'Dubhain ) FP>Some of these sayings can't be literally translated. (2-2,Freepowder) alad? thought that was alack? (2-6,O'Dubhain ) Tonight we talk Cosmology! (2-5,Nan) hi susan (2-2,Freepowder) too right, uh....what do you call those? (2-3,Wren) If you're going to have a lass, you should have a lad (2-2,Freepowder) LOL! W (2-2,Freepowder) is cosmo here? (2-6,O'Dubhain ) Yes!!! We have the Irish and Welsh Cosmos! Tonight only! (2-2,Freepowder) LOL! (2-6,O'Dubhain ) For the sake of $$$$ Shall we begin? (2-2,Freepowder) ok (2-3,Wren) (2-6,O'Dubhain ) "Celtic Workshop #5 - The Otherworld" 3181 Before I begin let me say a few words about how the Workshop is conducted. We will first hear from a presenter, tonight that is me. If you have a question type in a ? and I will acknowledge you by typing "ga" at and appropriate time. When you have finished your question type "ga" to let me know that I may respond. When we are finished I will acknowledge the next questioner in a similar manner. If you have a comment or additional information to provide on a topic, please use the "!" to signal me. I will also cycle through those with comments. If their are no questions at this point I will begin tonight's presen- tation. (2-6,O'Dubhain ) I would also like to apologize for not producing the list of tree correspondences this week that I promised to provide. Being on the road and away from home, I was not able to get to all my references about trees, herbs and the like. I haven't forgotten the promise however. I will post the list as soon as I return to Virginia this weekend. This list can be used together with certain meditation practices to determine the "soul tones" of the Tree Oghams. I did locate the Ogham/musical tone table of correspondences that I had mentioned in the Celtic Workshop #4. This table is by the Celtic scholar Dr. Sean O'Boyle: For the Treble Cleff (in descending order of tone): Ogham Old Irish English Musical Note ____________________________________________________ B Beith Birch E L Luis Rowan D F Fearn Alder C S Saille Willow B N Nuin Ash A H Huathe Hawthorn G D Duir Oak F
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T Tinne Holly E C Coll Hazel D Q Quert Apple. C# For the Bass Cleff (in descending order of tone): ____________________________________________________ M Muin Vine B G Gort Ivy A Ng Ngetal Reed G# St Straif Blackthorn F# 3182 R Ruis Elder F A Ailim Silver Fir E O Ohn Furze C U Ur Heather B E Eadha White Poplar A I Ioho Yew G ____________________________________________________ (No corresponences were given for these Oghams). Ch,Ea Koad Grove - Th Oir Spindle - Ui Uilleand Honeysuckle - Ph Phagos Beech - Xi Mor The Sea - In addition to the above correspondences, The following properties of our beings were associated with tone combinations: The Body - Single tones The Mind - Two tone intervals The Spirit - Three tones at the same time (chords) For more information on this subject, I recommend reading "The 21 Lessons of Merlin" by Douglas Adams (Llewellyn) or the Original work by O'Boyle: "Ogham: The Poet's Secret" (1980, Gilbert & Dalton Ltd., Dublin). (2-6,O'Dubhain ) The beliefs of the Celts and their Magickal/Religious practices cannot be fully understood without becoming more familiar with their Cosmologies and Deities. In considering how to proceed with the Workshop, a variety of topics came to mind:
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The Otherworld The Gods and Goddesses The Objects of Power The Guardians of the Circle The "Place Names" The "Totem Animals" The Transmigration of the Soul The "In Between Times and Places" The "Need Fires" or Days of Imbalance. The Portals, Dolmens, Stone Circles, Passage Graves The Rite of Three Rays The use of Herbs and Potions 3183 The Gift of Awen The Act of "Becomming" The Charm of "Summoning" "Walking between the Worlds" "Journeys on the Wheel" The "Outer Darkness" The "Dragon's Eye" The "Many Speckled Rainment" The Charm of "Making" (2-6,O'Dubhain ) The Subject of tonight's Celtic Workshop is The Celtic Otherworld. (2-6,O'Dubhain ) The topics I plan to cover tonight are: The Otherworld The Gods and Goddesses The Objects of Power The Guardians of the Circle (2-6,O'Dubhain ) "The Celtic Cosmology" The number three was sacred to the Celts and the Druids. It should come as no surprise that the Celtic Cosmos is threefold: The Sky World, The Earth World and the Underworld. Each of these realms is associated with particular deities and Magickal acts or techniques. (2-6,O'Dubhain ) The Sky World was associated with the heavenly bodies: the Sun, the Moon, the stars. This is the realm of the Gods and Goddesses and is associated with the cycles and patterns of the Sky (and perhaps also associated with The Megalithic Stone Circles). These visible objects were used as a basis for performing Higher Magicks such as: Prophecy and Astral travel. The cycles of the Sun and Moon also were used to determine the appropriate times for doing particular types of Magick. Festivals were held during Full Moons, Dark Moons, the 6th nite of the New Moon, Sunrise, Sunset and the 4 days of the Solar extremes; Mid Winter, Mid Summer and the Equinoxes. The heavenly bodies were not themselves considered to be Deities, but were thought to reflect or contain the types of Power associated with particular entities. The Fires of the Sun were associated with the forge and with inspiration, possibly making Brigid (An aspect of the Irish Celtic Triple Goddess) also a Sun Goddess. Bel or Belenus was usually associated with the powers of the Sun as well. (2-6,O'Dubhain ) The Underworld is the realm of the Ancestors, as well as former humans and a number of Gods and Goddesses associated with the mystery of life springing forth from death. This process could be as simple and mysterious as the life cycle of a seed. From old life, new life appears in a series of changes from planting and germination to
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growth and harvesting. The passage graves and burial customs of the Celts also reflect this expectation of rebirth and afterlife. Many tombs and burial sites show that Celts were buried with objects that they could take with them into the Underworld to be used in battle, in hunting and/or for nourishment. This practice appears to be similar to what was practiced by many ancient peoples, including the Egyptians. Celts did not fear death, they expected to live on and eventually be reborn in another life. The Underworld and the Sky world were linked in 3184 this Mystery, sharing many of the same Gods and Goddesses. The daily rebirth of the Sun and the phases of the Moon are a good instance of this link between the World above and the one below. (2-6,O'Dubhain ) The Earth World, occupied by we the living, also contains reflections and influences of the Sky World and the Underworld. These influences can be pictured as three zones (remember three is a sacred number): the upper zone is associated with the weather, the flight of birds, sky augeries and the elements and powers of Air, the middle zone is further divided into the Four Directions or Quarters (each with it's own Powers/Guardians of the Sacred Land), and the lower zone containing the depths of the sea, caves, cairns, burial mounds, "hollow hills" and sacred springs. This zone is the home of the Sidhe and the spirits associated with the Portals to the Underworld itself. The Celts in their life upon the Sacred Land expected to experience the influences of the Sky and Underworld in their life upon the Land. This attitude is demonstrated in the many dindsenchahs (stories of place names) that are told in Ireland to this day. Many of these stories are associated with a deity, an elemental, an Underworld portal or a combat of the God/desses and/or Epic heroes and heroines. (2-6,O'Dubhain ) The following is a listing of the major Irish Gods and Goddesses: Danu, Dagdha, Nuada, Lugh, Angus Og, Len, Midir, Lir, Manannan, Ogma, Anu, Brigid, Morrighan, Aine, Sinend, Macha, Diancecht, Gobnui, Medb, Scatach, the Cailleach. (2-6,O'Dubhain ) The following is a listing of the major Welsh Gods and Goddesses: The House of Don Manogan, Beli, Don, Math, Mathonwy, Gwydion, Arianrhod, Llew, Dylan, Nwyvre, Amaethon, Govannan(the smith), Nudd, Gwynn, Penardun, Nynniaw. The House of Llyr Iweriadd, Llyr, Penardun, Euroswydd, Bran, Branwen, Matholwch, Gwern, Mananwyddan, Rhiannon, Nissyen, Evinissyen, Pwyll, Pryderi, Kicva (2-6,O'Dubhain ) These two groups seem to relate to one another but sometimes the correspondences can get very confusing. I include the deities that most closely resonate with my own Inner Being when working with the Sky World and the Underworld. My pantheon of Gods and Goddesses is both Welsh and Irish (as am I ). I include a more detailed description of them here: (2-6,O'Dubhain ) Danu The Red Mother of All,
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Major Mother Goddess of Ireland, Mother of the Gods and Patroness of wizards, rivers, water, wells, prosperity and plenty, Magick and wisdom. 3185 Dagdha The All Father, Eochaid Ollathair ( Father of All), Ruadh Rofessa (The Red One, Lord of Occult Knowledge), Dagdha (the Good God) Many talented and powerful, Master of the harp and possessor of a dread double ended club. The Chief of the Tuatha de Dannan. The Goddess of Sovereignty (Banbha, Fodla, Eriu) The Land and the King were wed through many ceremonies. Essentually the fate of the King and the fate of the land were One and vice versa. The Favor of the Goddess could be granted by some heroic act or bu being Magickally chosen (The Lia Fail could do this, more later). Women who held the Sovereignty of the land were often referred to as the Goddess (Such as Medb, Boudicca and Macha-Red Mane). Nuada The King and battle leader of the Tuatha de Dannan, Possessor of the Magick Sword of Findias, Lost his sword hand in the First Battle of Moytura, against the Fir Bolgs, stepped down from the Kingship (because the King could nave no blemish) even though he was outfitted with a Magickal hand of silver. He eventually had his hand Magickally restored to lead the Tuatha de Dannans against the Fomors in the second Battle of Moy Tura. In this battle he was physically killed so he returned the Lands of the Sidhe. Brigid Breo saighead (Fiery Arrow or Power) Often called the Triple Brigid or the Triple Mother. Also Associated with Danu at times. The daughter of the Dagdha. Goddess of the Sacred Flame of Kildare. Goddess of poets, feminine crafts, the hearth, martial arts, healing and inspiration. The White Maiden aspect of the Triple Goddess. Her Feast is the Major Celtic Festival of Imbolc. She who gives hope and new beginnings. The Celtic Church could not replace her, so they absorbed her as the "foster-mother" of Christ and as St. Brigit, the daughter of the Druid Dougal the Brown. Brigid is very like the Greek Goddess Athena. Lugh Sam ildanach (many skilled). This is the Celtic Mercury. The grandson of Balor (leader of the Fomorians and the son of
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3186 Cian and Ethniu, a Sidhe princess. His feast is Lughnasadh, a celebration of the death of his "foster mother", Tailtiu. He is the combination of the Tuatha de Dannans and the Fomors. He replaces Nuada as the King and battle leader of the Tuatha de Dannan and leads them to ultimate victory in the second Battle of Moytura. He is sometimes called the "Shining One" and/or Lugh Lamhfada (of the "long arm"). He also has attributes of a carpenter, mason, poet,Druid, physician and a goldsmith. He can be considered the Irish God of just about everything. He was also the father of the great Irish hero, Cuchulain. (2-6,O'Dubhain ) I see only the diehards are still with me! (many more Deities to come folks)! (2-2,Freepowder) wimps. leaving early! (2-5,Nan) :) (2-6,O'Dubhain ) hahahaha! (2-6,O'Dubhain ) Videotapers! (2-5,Nan) <---multitasking (watching & reading & reading) (2-2,Freepowder) LOL! (2-6,O'Dubhain ) More to come!..... Mannan mac Lyr Chief Irish God of the sea. Not a member of the Tuatha de Dannan. A happy-go-lucky gypsy type. Always carried "the Crane Bag", ` a kind of Magick "horn of plenty". He gave the last 5 Oghams to the Druids (also called the "Crane Bag"). He preferred to roam among the people in disguise and aid their exploits.He could change his shape at will. Despite his antics, he was an extremely powerful God and was usually associated with fertility, rebirth, weather, sailing and Magick. He also had a Magickal ship that moved without sails and was directed by the mind. Linked to the Isle of Man. Gwynn ap Nudd The Master of the Wild Hunt, The Welsh Guardian of the Dark Portals of the Underworld. He rode the Night in a flowing grey cloak upon a pale horse following his Hounds called Cwn Annwn. (very large, white with red tipped ears). They would seek out and collect souls. Arianrhod "of the Silver Wheel", A star goddess of Wales, Her palace was called Caer Arianrhod (Aurora Borealis), Goddess of time and karma. Mother aspect of the Triple Goddess in Wales. Goddess of beauty, the Moon, fertility and reincarna- tion. Also associated with the sea. Cerridwen Welsh Goddess of Nature, associated with the Sacred Cauldron of Wisdom that allowed Taliesin to become enlightened. When she discovered that 3187 Gwion had tasted of her cauldron, she chased him
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through a variety of mutaual shape changes until at last she caught and consummed him as a grain of wheat. This caused her to give birth to Talie sin. Cernunnos Known to all Celts as the "Horned God ". God of nature, virility, fertility, animals, sex, reincarnation and shamanism. Known to the Druids as Hu Gadarn. God of the Underworld and Astral Planes. The Consort of the Great Goddess. Amergin/Taliesin The two greatest Celtic Bards that ever lived. Amergin was the Chief Bard of the Mileseans and aided them in overcoming the Magicks of the Tuatha de Dannans to become the heirs to the land ofIreland. Taliesin was the great Bard of the Welsh, whose poetry and songs, Including the Cad Goddieu, tell us most of what we know about Druidry in Wales. He gained his knowledge from the Cauldron of Cerridwen. They are both patrons of Bards, music, Magick and poetry. Morrighan The Dark aspect of the Celtic Triple Goddess. The "Washer at the Ford" (seem washing bloody laundry prior to battle by those destined to die). The Battle Goddess, also Queen of the Witches and Goddess of Magick. Could appear as a Raven, a beautiful Maiden or an ugly Hag. Marries the Dagdha at Samhain. The Goddess of Death. Ogma The "Sun Faced" One, so called because he was a God of Wisdom and of speech. He invented the Oghams and was also a great Warrior. Sometimes associated with the Greek Herakles. Also Irish God of music, spells, the arts and eloquence. Scathach "She Who Strikes Fear". The Irish/Scottish Goddess of martial arts. The Destroyer aspect of the Dark Goddess. A great sword warrior and instructor. Native to the Isle of Skye. Teacher of Cuchulain. Patroness of martial arts, prophecy, blacksmiths and magic. 2-6,O'Dubhain ) "The Objects of Power" The Tuatha de Dannans are the Children of the Mother Goddess Danu. They are the Gods and Goddesses of Ireland. Some say they come from the sky, others say the North. They were masters of Occult knowledge learned in the four great Magickal cities of Findias, Gorias, Murias and Falias. They were given a great treasure by the Chief Mages of each city (Uiscias from Findias, Esras from Gorias, Semias from Murias and Morfessa from Falias). These gifts are the four treasures of Ireland: The Sword of Nuada, the Spear of Lugh, the Cauldron of Rebirth and the Stone of Fal. We can use the Power of such gifts in our own Magick by invoking the four Masters of the North. Once invoked, the Power of 3188 their gifts can once again be manifested in our very own Magickal Talismans.
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2-6,O'Dubhain ) "The Sword Of Nuada Argetla'm" The first object of Power comes from Findias. It is the invincible sword of Nuada "of the silver hand". It represents the forces of insight and illumination. It is a representation of the terrible Powers of creative energy. The drawing of such a sword is what gives us new and terrible abilities (Atomic Power is an example of what such inspiration can create). The wisdom to not use or to maintain control such powers is what the use of this Sword is all about. Many times the wisest course of action is to keep the Sword sheathed and to resolve our conflicts peacefully. Here is a description of this Magickal weapon's use in a modern day ritual: "Here is the Sword of Nuada Argetla'm in its deady scabbard. Heed the Magicks of Findias! Uiscias wrought this blade! He of the Silver Hand lives again! Who will dare to grasp it and define the boundaries of our safety?" "Come forth Old One of the East!!!" "Guard us well so that our lives may be our own. Dia is Bandia linn! (So Mote It Be!)" 2-6,O'Dubhain ) "The Spear of Lugh Lamhfadha" The second object of Power comes from Findias. It is the iresistible Spear of Lugh "of the Long Arm". This gift represents the ability to act across a distance. It is represented by the Powers of fire that can also act across a distance, leaping between burning buildings yet also warming us from within the hearth fires. This flaming spear always finds its target once thrown. It is no surprise that Lugh must defeat Balor "of the Evil Eye" allowing the Tuatha de Dannans to conquer the Fomor. Today the ability to act across a distance might be better characterised by the telephone/communications networks. The free exchange of information has fanned the flames of creativity in the modern world. 2-6,O'Dubhain ) Here is a description of this Magickal weapon's use in the same modern day ritual as before: 3189 "In my Right hand I hold the Spear of Lugh Lamhfadha. Brought from Gorias and given by Esras. It contains the Wisdom of Many acting across the Ways. No batle can be sustained against us while we possess it. Who will wield this Power?" 2-6,O'Dubhain ) "Come forth Old One of the South!!!" "Guard us well so that our ideas may burn
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as does Thy eternal flame. Dia is Bandia linn! (So Mote It Be!)" 2-6,O'Dubhain ) "The Cauldron of Rebirth" The third object of Power comes from Murias. It is the "Cauldron of Rebirth". This gift has the Power to regenerate life and is usually associated with the Dagdha or Bran the Blessed. It can also be linked with portals to the Otherworld through which all life passes during the death/life cycle. Mannanan mac Llyr who rules the sea and who is the possessor of the "Crane Bag" (another symbol for the Cauldron) is another deity associated with this Magickal device. The Welsh Goddess Cerridwen is also a keeper of the Sacred Cauldron.The Spring of Life and wisdom flows forth from the depths of the sea (another use for this cauldron). 2-6,O'Dubhain ) Here is a description of this Magickal device's use in our modern day rituals: "This is the Cauldron of Rebirth, by it's waters we are reborn. Fashioned in the fires of Murias, Forged by the will of Samias. Life eternal is its gift. We pass through Death with each use. May the waters of rebirth ever flow forth! Who will call us back from the deepest meditation? Who will summon us from the Shadows of the Sea?" "Make thy Presence known Old One of the West!" 3190 "Keep our Spirits safe within Your soft embrace. Dia is Bandia linn! So Mote It Be!" 2-6,O'Dubhain ) "The Lia Fail" This is the Kingship stone of Ireland. It was brought from the Northern city of Fal by the Tuatha de Dannan. This stone represents the Land and it's Sovereignty. It also represents the Power of the Earth to Judge all men. The other portals to the Underworld (caves and raths) are represen- ted by this Magickal object. The dark reaches of the Underworld hide the secret knowledge of Death and Life. It is into the earth that Celts are buried to begin their journeys after death. Small wonder it is that the Goddess guarding this object should be the dread Morrighan. She represents the Wisdom that is gained via the Dark Pathways, yet she is also the bringer of victory in battle as well as new life, where none was expected. She represents the stark reality of Life and Death. 2-6,O'Dubhain ) Here is a description of this Magickal device's use in our modern day rituals:
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"This is the Lia Fail, let all here be sobered by its True Judgement. This is the Stone of Judgement, Solemn sacred One of Falias, grant our space your Sovereignty. Morfesa has worked the Earth's Power within you. Judge of Kings, Center of Earth, Speak and we shall listen! Do not let us fail to heed your warnings!" "Who will Stand with the Stone of Destiny?" "Manifest your Power Old One of the North!" "Open Your Dark Pathways Give us True Judgement! Bring forth Thy Hidden Knowledge!" "May our souls know the Truth of Eternity. Dia is Bandia linn! So Mote it Be!" "My Brothers and Sisters in the One Power, Hear my Words! Our Circle is complete! We have Perfectly Created a Sacred Space, a Place out of Time. Let none seek to enter who would violate our Purpose. Our will shall be done and none shall be harmed! May the Guardians of the 3191 Four Quarters keep Their Watch over this Circle and lend us Their Mighty Aid!" 2-6,O'Dubhain ) That pretty much sums up the prepared presentation, any questions? (2-5,Nan) Whew! (2-5,Nan) I'm still absorbing (2-2,Freepowder) bet your fingers are cramped (2-6,O'Dubhain ) yep! Well there is a lot more I could say! (2-2,Freepowder) ok! (2-2,Freepowder) (2-6,O'Dubhain ) Like We could talk about just where those cities were? The Sky or the North? UFO's maybe? (2-2,Freepowder) ok, first tho, was the stone of fal... (2-2,Freepowder) the same as the stone of scone? (2-2,Freepowder) ga (2-6,O'Dubhain ) That was what the Scots and the Sassanach would have us believe. (2-2,Freepowder) you say? (2-6,O'Dubhain ) But the Irish tradition is that it is still inside of Tara. (2-2,Freepowder) thought so. hrumph. (2-6,O'Dubhain ) Why would we every give away one of the treasures of the Land? (2-6,O'Dubhain ) Besides! (2-2,Freepowder) stolen? (2-5,Nan) what's the stone of scone? (other than a very old tea snack ) (2-2,Freepowder) LOL
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(2-6,O'Dubhain ) If it really was stolen then it sits in Westminister Abbey! And hasn't cried out in over 400 years! (2-2,Freepowder) nahm, it's still in Tara, yup! (2-6,O'Dubhain ) Meaning.....that the Sassanach are not the rightful kings of Ireland!!!! (2-6,O'Dubhain ) The stone of Scone was the kingship stone of the Scots (2-5,Nan) ahh, now i remember (2-2,Freepowder) N> Scotland had a similar legend to that of the stone of Fal, it was taken to westminister abbey when the english took scotland (2-2,Freepowder) And they niver give it back! (2-6,O'Dubhain ) Fp>That's right....thieving Sassanch! (2-2,Freepowder) rude! (2-5,Nan) lol (2-6,O'Dubhain ) <======Just finished "Trinity" and in a very unforgiving mood. (2-2,Freepowder) the 4 cities, which world were they in? (2-2,Freepowder) LOL! (2-2,Freepowder) grand book! read it a few years ago. (2-6,O'Dubhain ) Yes it sure makes one think that they'll never resolve the Problem of Northern Ireland. (2-2,Freepowder) I met a fellow, prob IRA, said... (2-2,Freepowder) the brits need to just pull out... (2-2,Freepowder) I said ther'd be a blood bath.... (2-6,O'Dubhain ) Fp>The Four Cities were in the North but in the 3201 of the Dead, Arawn. Cuchulain the Champion of Ulster gets his name from replacing the Hound of Cuchul that he kills. He is called the "Hound of Ulster" from this event. The hound is also his totem animal. (2-21,O'Dubh) There are many other Magickal totemic animals in Celtic Magick and history: the Eagle (Iolair), Crow (Badb), Raven (Bran), Sow (Airc), Boar (Bacrie), Cat (Caoit), Otter (Balgair), Bear (Arth), Badger (Breach) and the Eel (As-chu). The Dragon is another mighty Magical animal that appears in British and Welsh stories. It is, of course, a creature of fire but is also related to the Power of the Land. Another word for Ley Lines is Dragon Lines. Another name for raising Power is to invoke the "Eye of the Dragon". The whole Earth was viewed by the Druids as the body of the Dragon. Menhirs and stone Circles were located at great Power nodes. The Celts called Dragons "Fire Drakes". (2-21,O'Dubh) The importance of these animals is in their use as Spirit Guides in the Otherworld and their aid as a familiar in working Magick. To find your totemic animal will require you to experience a shamanistivc trance. This is usually accomplished by "drumming" and meditation. (You'll need someone to drum or a "drumming tape" to allow yourself a chance to really meditate). Open youself up to the God of the Hunt as you meditate upon the Tree of Life. He will come to you while you are in trance (usually after 10 to 40 minutes of drumming). Your totem animal will apear running from the Great Forest. When the animal appears, let its essence fill you. Become your totem. Dance its dance and sing its song until you are one in the Spirit. You should repeat this ritual as often as necessary to have a close rapport with your Spirit Animal guide. Much of what you are told and given will be from the perspective of the Animal and will be difficult to understand unless you are truly One with it. (2-4,Nan) does one usually only have a single totem animal or is it possible to have more than one? ga (2-21,O'Dubh) It's possible to have more than one. You might have a
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clan totem as well as a personal totem animal. (2-21,O'Dubh) Ok I have one more topic to cover "The Transmigration of the Soul" I would like to start this discussion by quoting an ancient Celtic Culdean verse: "Out of a Timeless World Shadows fall upon time. From a beauty older than earth A ladder the soul may climb. I climb by Fionn's Stair To a whiteness older than time." The above verse is referring to Aradach Fionn, a listing of the Oghams. Each rung of the ladder or stair represents a lesson learned or a new life of continuing perfection. Such a series of lessons and rebirths are a manifestation of the Druidic concept of the Tramsmigration of the Soul. 3202 A few quotes about Druids: "The principal point of their teaching is that the soul does not perish, and that after death it passes from one body into another." .....Julius Caesar. "Among them the doctrine of Pythagoras prevails, according to which the souls of men are immortal, and after a fixed term recommence to live, taking upon themselves a new body."....Diodorus According to some sources, this transmigration of the soul was done in an upward fashion, with each incarnation bringing the Being closer to the True Spirit. According to others, we are reincarnated into future lives of our progeny...thus Mongan is The Spirit of Fionn reincarnated in the Seventh Century CE (Fionn himself was said to be Cumhail reincar- nated). As we have seen previously, the Spirit of Tuan mac Carill is reincarnated several times as a variety of animals until he is reborn in the sixth century and relates his history of Ireland from the time of Partholan forward, St. Finnen is the Irish monk to whom the story was related. This story was eventually recorded in the Eleventh century manuscript, "The Book of the Dun Cow". No record exists to indicate that the Druids believed in "karma", duality (as seen in the concept of "good and evil"), original sin (actually they believed man was inheritly good), nor a heaven and hell afterlife. Where did one's soul reside then ? Many stories were told and written of the Otherworlds that awaited the Spirit between incarnations, These stories are called immrama or "wonder voyages" and usually involve taking ship to a Magickal Isle. The voyages of Bran and St. Brendan generally fit into these catagories. When one arrives at an Otherworldly island, time can pass extremely slowly compared to the Physical world. Oisin the son of Fionn went to such a faery world for a few days only. When he returned for a visit upon one of those Magickal White Horses, he discovered that many hundreds of years had passsed. Although he had been cautioned not to dismount during his visit, he did so and was immediately transformed into an extremely elderly man. St. Patrick was brought to him and heard his many stories of the exploits of Fionn and the Fianna as well as the lands of Tir na Og. Oisin was eventualy rescued by his Sidhe princess and returned to the Land of Eternal Youth. Some of the other Lands are called:
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Tir fo Thuinn - Land under the Wave. Tir na mBan - Land of Women. Tir na mBeo - Land of Life. These four Tirs or lands make up the Celtic Underworld where Souls reside until reborn. There are also Plains above that are generally the habitations of the Gods. Thes are: Sen Magh - Old Plain Magh Argetal - Plain of Silver Clouds Magh Mell - Plain of Delight Magh Ionganaidh - Plain of Wonder 3203 The Irish Celts felt that the Being had the following attributes or divisions: Delph - The appearance or Outer form Duile - The Body Elements (fles h, bone, blood, etc) Ana'l - The breath or anima Menma - The Mind and the Will Cuimhne - The Memory Fein - The Self Pu'ca - The shape-shifting Shadow Enaid - The Soul. I would like to finish my remarks on Reincarnation and Transmigration with another ancient verse. This verse is from the Fifth Century CE and is the translation by Kuno Meyer: "I invoke the seven daughters of the sea Who fashion the threads of the sons of long life. May three deaths be taken from me! May seven waves of good fortune be dealt to me! May no evil spirits harm me on my circuit! In flashing corslet without hindrance! May my fame not perish! May old age come to me, may death not come to me until I am old!" "I invoke Senach of the seven periods of time, Whom fairy women have reared on the breasts of plenty. May my seven candles not be extinguished! I am an indestructable stronghold. I am an unshaken rock. I am a precious stone. I am the luck of the week. May I live a hundred times a hundred years. Each hundred of them apart! I summon their boons to me. May the grace of the Holy Spirit be upon me!" That's the Celtic view of life! To live but to have variety and passion, while reincarnating over and over! Celtic Workshop #7
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"In Between Times and Places", "Need Fires" or Days of Imbalance, Portals, Dolmens, Passage Graves and Stone Circles" Tonight the Magickal nature of "In Between Times and Places" will be discussed and examples will be given for their use in Magickal "wor- kings". The Druidic concept of "imbalance" in Magickal workings will be introduced and discussed. The nature and use of the stone megalithic sites will also be presented and discussed. Tonight we undertake a journey to the lands that are between the worlds. This is the same place where anything can happen that Rod Serling referred to as the "Twilight Zone". The ancient Celts sought out this 3204 Magickal place to aid their Magickal Power and to seek the Otherworld. Before we can undertake this journey of the Spirit as well as the Mind, a brief review and synopsis of our previous discussions on the Celtic Otherworld and Magick are in order. "In Between Times and Places" As we noted previously, the Celts believed that Reality actually consisted of multiple worlds. As a minimum, they believed there was a World of the Stars or Gods, a Middle World (the Earth) and an Under- world. All these worlds were connected in some way, with events and Magicks from one affecting events occuring in a different world. The Celts believed that these Worlds were closer at certain times. These are the "In Between Times" that we are going to speak about tonight. It should also be no surprise that the Celts and Druids practiced their most important Magicks during such times of transition as the sunrise, sunset,the moonrise, moonset and the transitions of the seasons (Beltaine and Samhain) and the extremes of the Sun (Mid-Winter and Mid-Summer) or the great "Fire Festivals". Later during our discussions of stone circles and passage graves we shall see one way that this desire to do Magick at the optimal times was possibly implemented. "The Magickal Laws of Druidic Power" Celtic tales of Magick are filled with events that are linked to "in between states". This could be a mysterious fog, a time of dusk or next to the edge of water. All of these conditions have one state in common, they represent imbalance. Any student of the physical sciences can tell you, that all forces can be resolved into the sum total of the in- dividual forces. One of the factors that must be overcome when moving anything is inertia. During times of change, when imbalance occurs naturally, is the time chosen by Druids for their Magicks. This is and example of the Law of Magickal Association, the Law of Similarity and the Law of Contagion as stated by Issac Bonewits in his book "Real Magick". Here is a listing of those three laws of Magick: Law of Association. If two things have anything in common that thing can be used to control both, and they have a mutual influence on each other, depending on the size of the thing shared. The more they have in common, the more they influence each other. Law of Similarity. This is the basis of "Sympathetic" magic and basically says that effects resembles causes. "Lookalikes are alike". Law of Contagion.
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It states that once things come into contact, they continue to interact after separation. "Power is contagious". These three Laws of Magick basically say that if you want to do Magick pick a time when Magick occurs that is similar to the kind of Magick that you want to accomplish. There is a very similar belief held by modern Wiccans. Wiccans normally do creative or "positive" magick when the Moon is in its waxing phases. Banishing or "dark" Magick is done 3205 during the waning phases of the Moon. Druidic Magick took advantage of the times when the Sun or Moon "touched" the Earth (Sun/Moon rise/set). At such a time, some of the Power inherit to these heavenly deities could be "borrowed". This is the Law of Contagion at work. At Sunrise and Sunset is when the mists "Magickally" appear, making fog or mists a time of Magickal workings. The area of transition between states of matter such as the edge of a river or lake was also thought to be a Magickal location. This could have been due to the belief that all knowledge flowed forth from the Well of Segais or Conla's Well but I believe it is more closely associated with the belief that where different worlds met was also a place where entry to the Otherworld was the easiest. This also explains why they favored divination by the edge of water. Fire scrying is another example of this "Magick" in transition states. Fire is the ultimate transitory state of matter and leads us to the next topic of discussion, "Need Fires" and "Days of Imbalance". "Days of Imbalance" As you will recall, another time of greatest imbalance was when the change of the seasons and the extremes of the Sun. This is, of course, Beltaine, Samhain, Mid-Winter's and Mid-Summer's Solstices. Great fires were kindled during these festivals for two reasons: To encourage and enhance the energies of the Sun and to create conditions favorable to Tramsmutation of Power. These "need fires" were used to scry, to purify and to sacrifice as well. Animals and other offerings were cast into the flames. As we have seen in a previous Workshop, cattle were driven between the fires and youths engaged in jumping through the flames. (It has been conjectured that this practice of flame jumping had its origins in earlier practices of human sacrifice. I personally have not seen a single valid reference to Druidic human sacrifices.) The thought was also held that "like attracts like", so that the Power of the flames would also attract the Magickal Power of the Sun. Being periods of imbalance, the Druids also took advantage of the flows of power to perform divinations. These great fires also served to signal the Power of the Druids to all people, as well as to unify their control over the minds of the Celtic nations. "The Otherworld, Portals and Domans" Although the Celts did not build the megalithic structures found within their lands, they were certainly aware of them. Without exception these monuments were attributed to the God/dessess, heroes and/or to the Tuatha de Dannan. The many dolmens were thought to be passage ways or portals to the Otherworld. Many myths and tales surround trips made to and from the realm of the Sidhe by passing through a dolmen archway when the Moon was full. Modern archeology has determined that these dolmens are actually neolithic burial sites. "Bru'gh na Bo'inne (Newgrange)"
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One of the oldest structures in the Western world is found in Ireland upon the banks of the Boyne river. This is the Bru'gh na Bo'inne, the burial place of Irish kings and the legendary palce of the Dagdha and Angus mac Og. The area is also known, in English, as New Grange. This structure was erected by the original inhabitants of the land around 3206 3500 BC, predating Stonehenge and being contemporary with the Sphinx and the Pyramids of Egypt. The structure was covered with white stones in ancient times and would "shine' in the Sun when seen from great distances. This is very similar to the way the Great Pyramid was also described when seen in the sunlight with it's reflective coating. Many ancient Irish legends and tales are associated with this structure and the passage of time. Most of these tales are about time standing still or seeming to pass without notice. Their stories center around Angus mac Og (the Young God), his birth in a day, his attaining the ownership of the Bruig for "only a day and a night" (lasting forever in endless cycles), and his arrangement of his foster father Midir's marriage to Etain (who is the subject of many stories of shapeshifting and transformation). "Spirals, Symbols and Carvings" This theme of timeless days and transformation is very important when one considers that one possible use of this structure was the taking of shamanistic journeys. (Angus himself was visited by an aisling or "dream woman" who played for him upon a timpan and eventually they are transformed into white birds of enchantment). Martin Brennan, an Irish-American, was the first person to note the relationship between the carvings at New Grange and the rays of the Sun. Using the discoveries of Brennan and our previous information about Celtic Shamanism, I am going to suggest that the interior chambers of this structure were used for shamanistic ceremonies and journeys. Let me describe the geometry of Bru'gh na Bo'inne that a Draoi' priest might have encountered when appraoching the structure for religious/Mag- ickal ceremonies. The first thing that would be noticed is a brillant white bowl or hemisphere shining amidst a sea of green. This mound is surrounded by 97 kerbstones and the entire structure is then encircled by a ring of standing stones. At the entrance is a stone that one walks around to enter the inner chambers. This stone is covered with spirals that have been carved into the stone. The stone is divided by a line that is aligned with the Mid-Winter Sunrise, the right hand spirals being counter clockwise (tuathal or widdershins) and the left hand spirals going clockwise (deosil). This is exactly the same type of path through the sky that one would observe for the sun during the year. (In fact, if you take a lens and focus the Sun's light on a board and leave it in place for a year, a track will burned upon the board in the shape of an interconnected double spiral. This experiment was done in the early 1970's by American artist Charles Ross.) The entrace to the interior chambers, beyond the entrance stone, is 70 meters in length. One must pass beneath three large stones that are thought to be symbolic of the Celtic Cosmology, the Sky World, the Middle World and the Underworld. Once past this Otherworldly entrance, one encounters a large chamber with four smaller side chambers that are oriented to the four cardinal directions (North, South, East and West). The inner walls are covered with spirals and symbols, among them is an eight-rayed sun symbol (depicted within a circle). This symbol as well as the rest are selectively illuminated by the Sun's entrance through a small hole in the roof box that is oriented directly to the Mid-Winter sunrise. A finger of light would shine within the chamber to illuminate the
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carvings, shining in golden flecks upon the chamber walls. Within the 3207 main chamber were great stone bowls that were possibly filed with water and arranged to further enhance the solar display within by acting as mirrors. The seemingly hap-hazard arrangement of carvings upon the walls are organized and transformed by the rays of the Sun. "A Night with Angus mac Og" Now that the stage is set, imagine yourself to be a seer of the fourth millenia BC. You have fasted for days and have spent the long dark night of Mid-Winter meditating within the inner chambers of Angus mac Og. You have performed your rituals you have attained a trance-like state and you await the rising of the Sun, the new God of Light to return to the world. What far journeys or estatic visions will be triggered within your Sacred Space by the new Sun's first rays? A sudden thin ray of white light pierces the blackness of the inner chamber with an il- luminating shower of images as the inner darkness explodes! Your mind reflects the brilliance of the new born Sun as your inner consciousness expands into infinity! Your brothers and sisters would follow the dark shadow the standing stone to the carn's entrance to find you and the inner chamber reborn within the rebirth of the Mid-Winter Sunrise! What stories you could tell! What prophecies you could make! I sometimes think that Bru'gh na Bo'inne is really the Hyperborean " ...temple of the Sun..." mentioned by the ancient Greek writers, rather than Stonehenge. "The Land of the Hyperboreans" Perhaps the British Isles are the Islands of the Hperboreans after all? Where else is found such a system of large scale, megalithic structures all centered around the Sun and the Otherworld? One has only to step within any of these raths to be transported to another time or another age. Bru'gh na Bo'inne is only one among many such locations. Three great mounds exist in this area of the Boyne river, New Grange is the most elaborate but the nearby mounds of Dowth and Knowth are also fascinating. Dowth is oriented to receive the rays of the setting Sun on Mid-Winter while Knowth has two passages and is oriented to receive the rays of the Equinoxes. These chambered passages are not limited to Ireland, but are found throughout the British Isles and even in Brittany. Two noteable sites are located at Maes Howe in the Orkney Islands and at Gavrinis in Brittany. The interaction of carvings and site orientation is also wide spread and not limited to just the rays of the Sun. Many sites also used the beams of the Moon to illuminate passages and special formations. Although these sites could be called observatories by those of a purely scientific viewpoint, that would be in direct contradiction to the aims and worldviews of their creators. To fully appreciate the beauty, majesty and wonder of these Magick sites, requires us to use our entire mind. Perhaps we should now consider the other great location that has equal claim to being the Hyperborean Temple of the Sun? That location is called Stonehenge. "Faery Rings" Who has nor heard of the mysterious lights that are seen within faery rings when the Sidhe dance within the Moon ways? Such lights have also been observed within Magickal Circles constructed by Wiccans and modern day Ceremonial Magicians. The crop circle phenomena has also been associated with light displays and formations. All these phenomena have been reported and seen by reliable witnesses (although , as with all 3208 such events, there have been cases of fraud as well). The fact is that
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such circlular formations have all been associated with light displays and other unexplained phenomena. It is no coincidence that all of the previously mentioned Magickal phenomena are also associated with the oldest such locations, the stone circles. Many hundreds of these sites are found in Britain, Ireland, Scotland and Wales. The two greatest of these are Stonehenge and Avebury. I will discuss Stonehenge tonight. I may discuss Avebury in the future if it is of sufficient interest to the other members of the workshop. "Stonehenge" Has there ever been a place to fire the imagination such as Stonehenge? What secrets does it hide as it sits amid the many other marvels to be found upon the Salisbury Plains ? This question and thousands more like it have passed through the minds of mortals for at least the last 3000 years. Why was it built? Who built it? How was it used? Can it be used again? I'm sure you many have a few questions of your own! Before we get to the questions, let's go through a few of the details we know about the site and some of the more recent discoveries that have been made regarding its possible uses. "Stonehenge I" Stonehenge was built in three phases, starting with the construction of Stonehenge I around the year 1900 BC. This is about a thousand years after the Pyramids and the tombs of the Bru'ghna Bo'inne and a few hundred years before the fall of ancient Troy and the Oddessy. The first phase of construction was a great circular ditch with banks being piled upon either side. The people building it were late Stone Age people, Not much is known about them except that they were hunters. An opening was left on the northeast side with four holes being left at the entrance that may have contained wooden poles. Two other holes inside the enclosure may have held upright stones. A third hole was dug that still contains the "heel stone", over which the sunrise is observed. A variety of other features are associated with this first phase of construction. I shall refer you to "Stonehenge Decoded" by Gerald S. Hawkins and John B. White for a more indepth discussion of these or other Stonehenge details. The entire structure was about 320 feet in diameter and about 6 feet high by 20 feet wide with the heel stone and possibly two other standing stones being visible. The entire bank would have been glaring white since most of the surrounding surface region is composted mostly of chalk. The heel stone rises about 16 feet into the air and is about 8 feet thick by 7 feet wide. Around the inside of the bank was a series of 56 holes called "Aubrey" holes. These holes contain the created remains of men and women from that period. Even in its first phase, I'm sure you'll agree, it must have been an imposing structure. "Stonehenge II" Work upon the second phase of Stonehenge was begun about 1750 BC by another race of people known as the "Beaker People". These people built two concentric inner stone rings consisting of 82 bluestones on about a 70 foot diameter around the center of the mound. The entrance was widened in the ditch bank by about 25 feet and a double row of 10 bluestones was placed in the entrance to the stone circles. This work was done during about a hundred year period and was never finished due to some unknown interruption. With their departure, the Stone age closes 3209 in Britain and awaits the coming of the Bronze Age. "Stonehenge III" The third and final phase in the construction of Stonehenge was
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undertaken by the "Wessex People" in about the year 1650 BC. These people were much more highly skilled than the "Beaker People" and carried on commerce with the peoples of the Mediterranean area. So many artifacts are found from these areas that some scientists have developed the theory that Stonehenge was finished under the auspices of a "Master Builder" from the Mediterranean. Since this is the only large megalithic structure attributed to the Wessex People, they may well be correct. The previous double ring of bluestones were removed and set aside for later use. They were replaced by a single row of huge sarsen stones coming from Marlborough Downs. A horseshoe shaped structure consisting of "trilithons" was placed inside of the sarsens and aligned upon the northeast opening and the center of the new stone ring. These "tri- lithons" are not found in other stone circles and are further evidence of the sophistication of the builders. The cross pieces are held in place using a woodworking technique called "mortise and tenon" construc- tion. All of these stone pieces were hand-worked. The uprights are very close together (about a foot or less). The outer circle is 97 feet 4 inches in diameter. The outer stones are about 14 feet high by 7 feet wide by 3 1/2 feet thick. The inner horseshoe is formed by stones ranging from about 20 to 25 feet high. A temporary structure which was oval shaped was constructed around the sarsen horseshoe that used the previously removed bluestones. This oval was removed and the stones were later used to form a horseshoe of bluestones inside of the sarsen horseshoe. A number of holes was also dug outside the sarsen circles called the "Y" and "Z" holes. These are in a pair of roughly circular rings around the entire structure. One stone remains to be described and that is called the "altar stone" though no hole has been found for it and no use has been clearly defined. It is of a different material from the sarsens or bluestones. It came from a quarry 30 miles away and is of fine grained green sandstone with mica flakes. If clean, it would glitter in the sunlight. Stonehenge III was completed about 1600 BC and now we are left with the Mysteries of its construction and use. "A Quick Word about Construction" The construction techniques would take an entire Workshop to cover and will not be discussed tonight. I refer you to "Stonehenge Decoded" for details. An estimate was made of the effort required using the conjectured techniques and and estimate of 1,500,000 man days was determined to be the level of effort required to build Stonehenge. These techniques were demonstrated using modern day men to determine how many were actually required for each task. I believe the estimate to be realistic and accurate. The question remains, "Why undertake such a truly monumental effort ?" Although the "Hows" of Stonehenge are fascinating, I am much more mystified by the "Whys"! "A Quick Word about Uses" I can classify the "Uses" into five categories: 1. It was used as a Calender to predict the seasons, the phases of the Moon, and the times of the Sun Festivals. 2. It was used as a site for performing Ceremonies (everything from sacrifices to Season fesitivals). 3210 3. It was used as a Computer to determine Solar and Lunar eclipses. (The use as a celestial observatory also fits in here). 4. It was used as a place to work Magick, take shamanistic journeys (similar to a Native American Medicine Wheel), and was used to initiate new shamans or priests into the order. 5. It was used for some other purpose that is subject to conjecture and awaits the revelations of our own "illuminations". I will attempt to provide details about the site that have been
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determined by computer analysis and let each of you decide for yoursel- ves what you think, since tonight we are very limited timewise. We may return to these topics for additional details in the future. "The Computer Analysis" How well did Stonehenge predict the Mid Summer/WInter sunrises and/or moonrises? When the stone alignments were analyzed by Hawkins in 1961, using a digital computer borrowed from Havard University. The analsis showed a TOTAL correlation of all major Sun alignments and an almost total correlation with alignments of the Moon as well. The accuracy of these correlations was within 1.5 degrees. The calculations were based upon the positions of the Sun and Moon circa 1500 BC. When the various phases of Stonehenge were considered, it was found that Stonehenge I had 11 key positions that pointed to ten of the twelve extremes of the Sun and the Moon and Stonehenge III pointed 8 times to 8 of the same key positions! Needless to say, the position and day of the key Solar/Lunar days could be easily determined using Stonehenge as a calendar. (I will construct and upload GIFs showing these alignments to Library 16). The computer was also used to determine a method where the 56 "Aubrey holes" were used to predict eclipses. (BTW 56 is also the number of years that the moon takes to complete its entire cycle through the skies). These facts have been used to support the arguement that the priests using Stonehenge could have reinforced their apparant "power" over the elements by not only predicting the "dreaded" eclipses but also to "miraculously" cause them to disappear. I personally couldn't say if this speculation is valid. It seems rather cynical to me. Another very interesting fact about the location of Stonehenge is that it is almost EXACTLY at the right lattitude (51 degrees 17 to allow the Sun and Moon azimuths to be separated by 90 degrees. It would seem that the site was NOT chosen at random. "Shamanistic Flights of Imagination" Before starting, I'd like to quote the ancient Sicilian historian, Diodorus about Britain in 50 BC: "The Moon as viewed from this island appears to be but a little distance from the Earth and to have on it prominences like those of the Earth, which are visible to the eye. The account is also given that the god visits the island every 19 years, the period in wish the stars to the same place in the heavens is accomplished. ....There is also on this island both a magnificient sacred precienct of Apollo and a notable temple.... and the supervisors are called Boreadae, and succession to these positions is always kept in their families." (BTW the Moon rises farthest to the North every 18 to 19 years as seen from the center of Stonehenge). 3211 I would like to speculate upon some of the possible Magickal aspects of Stonehenge: 1. The site is situated in the midst of a lot of so called "crop circle" activity. Could the energy of these verified phenomena also be harnessed by Stonehenge? Could an outbreak of crop circle like marks have sparked the neolithic people to have constructed their own more permanent circles? 2. Is there an Earth power that is yet to be discovered by modern science. Is this power related to "orgone" as postulated by Wilhelm Reich from his work with "bions"? Reich said that this energy could be seen spiralling into the air through tubes made from organic
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matter. His "accumulators" were like batteries for orgone and were made of alternating layers of organic and inorganic substances (like the roofs of the great chambers at Bru'gh na Bo'inne). Guy Underwood was also a proponent of what he caled "earth force" (also described as being spiral in nature). Underwood used divining rods to locate pockets of such energy within Stonehenge. 3. Is there a "Dragon" or "Serpent" power waiting to be harnessed within the Earth? Many of the ancient tombs have such a mark above their entrys. The Druids certainly believed it was so. Could ancient kings have married the land here as suggested in Marion Zimmer Bradley's "The Mists of Avalon"? I know the area is surrounded by the burial mounds of many ancient kings. Is the "Dragon Power" awaiting a new infusion of energy from a group of dedicated Magickal practitioners. Does the Dragon sleep? 4. The many solar/lunar occurences at Stonehenge suggest it may have been associated with shamanistic practices and initiations in a manner similar to the areas of the Bru'gh na Bo'inne. Such a practice is suggested in Douglas Monroe's "The 21 Lessons of Merlin". Is Stonehenge a portal to the Otherworld? "Ley Lines" One cannot discuss "earth force", "orgone" or the Earth Power nodes such as Stonehenge without discussing ley lines. These lines are geomet- rically located by standing at a Power node and sighting towards other power nodes. Using such techniques, "ley hunters" have determined that most of southwestern England is criss crossed by such lines. Are ley lines "power conduits" between "power nodes"? To answer this question I read "Earth Memory" and "Shamanism and the Mystery Lines" by Paul Devereaux, the editor of the "Ley Hunter" magazine and the Director of the "Dragon Project". Devereaux has embraced, investigated, evaluated and rejected more theories about the "ley lines" than anyone else (as far as I know). He acknowledges that "death roads" do exist near many of these sites but rejects them as being solely responsible for all ley lines. (NOTE: death roads are straight roads leading to such ancient centers for the express purpose of burials and funerary processions. They are well documented and universal to mankind). His own personal theory is that the ley lines are the result of shamanistic OOBE conducted at the so called "power nodes". The ley lines are the result of marking in this reality the patways that the shamans take in their altered reality from one sacred site to another. He suggests that these "traces" of the Earth's Spiritual Pathways are the means by which we can become re-attuned to the Earth's Power and ancient knowledge. 2312 Well there we have it, a discussion of Druid Power and Power centers. I know from my own experience that Magickal Power is stored within my own Solitary home Circle. How much greater can the True Power be at a site as special as Stonehenge or Bru'gh na Bo'inne? Celtic Workshop #8 - The "Rite of 3 Rays" and the "Gift of Awen" As usual, we gathered slowly, in fact I was late. After some brief initial hellos, we got started. Freepowder was still trying to live down an experience with Coyote (the Trickster) from early in the day! I discussed the book "The 21 Lessons of Merlin" by Douglas Monroe as an example of a work produced by "Awen". I wanted to give the Workshop members a perspective on the pluses and minuses involved with such works. I also went over some formal and personal rituals and meditations I do to receive "illumination". All in all, a very stimulating evening of presentation and dialogue......Searles O'Dubhain
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Tonight I would like to do things a little differently than I had planned. Before we discuss the "Rite of 3 Rays" or the "Gift of Awen", let's talk about one of the references that I have used and some of you may have read, "The 21 Lessons of Merlin". As we have previously discussed, not much was written down about the Druids by the Druids. The best we can get is the ancient writings of the Irish Celtic Culdean Monks who may have been Druids in disguise. Our next best sources are oral traditions found in Celtic families, legends and Bardic lore. Comparative analysis between the other ancient In- do-European traditions of the Brammans, Greeks, Persians,Egyptians and the Siberian Shamans may yield some of the hidden Druidic secrets. A lot of the time we are making some educated guesses based upon how similar peoples worked Magicks and conducted rituals. Sometimes we have biased "eye-witnessed" accounts such as Caesar's or the other Roman historians. When a gap exists in our knowledge of Druidic or Celtic practices we must do what the ancients did......we must ask that we receive the "Gift of Awen". I'll mention some ways that this can happen and what we can do to aid our quests for "illumination" a little later in our discussion tonight. What does all this have to do with "the 21 Lessons of Merlin" you ask? ..... The answer is that this is precisely the approach that Douglas Monroe seems to have taken in his book. He fills in the gaps with concepts that have come to him as illuminations and also uses the illuminations of the "Bardic Mysteries" of Wales (also arrived at by the aforementioned methods). Since we are all humans, some mistakes can occur when we interpret our "illuminated" thoughts and concepts. This is precisely why ALL SOURCES should be viewed critically and questioned (even as our very own Freepowder is prone to do!). I know I constan- tly question and compare. Monroe's book has some very good concepts in it and some that I dispute. My primary dispute with him is over his concepts regarding the sexual polarities and workings of Magick. He states that Druids were segregated in their Magickal workings because men and women cannot work together in a symbiotic manner Magickally. He says that women receive Magick from men but do not return it when a working is done. This is directly opposite my own experiences where I have found the presence of women to Powerfully enhance the working of Magicks. He also states that male Druids did not marry and were celibate. That may be true in Wales, but the Irish Druids married and 3213 had many children. Abstaining from sex would have severely depleted the Magickal "gene pool"! The Druids were not stupid! I doubt seriously if they abstained from sex or procreation! Sex Magick is Big Magick! (As I'm sure we will all agree!). So Monroe does make mistakes....so do it. Time and experimentation are the two best tools to evaluate any system and the systems of this book will be analyzed fully before we are done in this series of Workshops. Now I would like to briefly summarize what is in "The 21 Lessons of Merlin": 1. The 3 Rites of Assumption This lesson refers to the manner in which a student can first develop the ability to tap Power and to receive inspirations from the Higher Consciousness that exist around us. Monroe uses the "Song of Amergin", "The Song of Taliesin" and the "Song of Blue Star" to introduce us to Druidic imagery and visualization. 2. The Pelen Tan In this lesson, Monroe says that the "Pelen Tan" or a
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kind of glass globe with a candle or light inside of it was used to create a lighted space under trees that literally caused the area to glow with a "blue light" (used by male Druids). He also says that the white robes of the Druids emphasized the "black light" effect of these fire globes. He says that the female Witches of Avalon used "red lights' when performing their ceremonies, giving rise to the association of "red light" districts with prostitution in later ages. 3. The 4 Symbols of Mastery This lesson is concerned with the development of Magickal symbols, arch types and correspondences. The concept of "Mastery" over the elements is introduced and the need to be creative and original in all occult work is emphasized. 4. The Summoning A complete rite of Magickal evocation is described here. Monroe tells how to call the shades of the dead from their graves. He introduces the use of herbs and incense into ritual. The specific shade being evoked in this ceremony is that of Merlin. 5. The 4 Signs of Portal This lesson shows how to form a Magickal Circle, to call forth the Guardians of the 4 portals to the Otherworld. Symbols are given for each Quarter (Air, Fire, Water and Earth) as well as the symbols for the "Sign of Three Rays" that represents Spirit or Akasha (similar to the Pentagram). The Old ones called are Uscias, Semias, Esras and Morfessa of the Magickal cities of the North. The God in the form of Herne is also invoked. 6. The 4 Sacraments of the Earth The concepts of sacrifice to the elements upon a "Sun" day is presented. (Not human sacrifice BTW). 3214 7. The 8 Grove Festivals The eight major grove festivals of Samhain, Imbolc, Beltaine, Lughnasadh as well as the Mid-Winter, Mid-Summer Solstices and the Equinoxes are described. Some of the special items associated with each festival are given. 8. The 16 Leeches of Diancecht The use of herbs in Druidic ceremonies and practices is introduced. A discussion of Reincarnation is given and a Magickal journey is undertaken using these herbs. 9. The Rite of 3 Rays A means of achieving protection is described. The rite is likened to the Ceremonial Magick rite of the Banishing Rituals of the Pentagram as practiced by the Golden Dawn. 10. The Battle of the Trees The Oghams are discussed and the "Battle of the Trees" is described. A battle between wizards occurs and the Magick of the trees is used to defeat Merlin's adversary, just as the tree Magick was used to defeat invaders during the Cad Goddeu (circa 400 BC). One of the nine
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draughts of inspiration is described that will allow the Druid to commune more thoroughly with the spirits of the trees. ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ 3215 11. The 8 Songs of Cycle The correspondences of the Oghams to music and the use of music in Magickal acts is presented. The use of musical instruments is described for the various elements and a tie between the Druids and Atlantis is suggested. 12. The Herbs of Continence This lesson centers around Monroe's belief that Druids segregated by sexes for education, Magick and workings. He describes a concept called "Duality". He uses a trip to the Sisterhood of Avalon (Glastonbury) to present his case. He also advocates celibacy for male Druids but not for the Sisters (beyond Maidenhood). Four herbal concoc- tions are presented that enhance male sexual powers. 13. The Gateway Rite A visit to Stonehenge is described. The history and lore of the site is mentioned with references to Atlanteans, Hyberboreans and even the Tuatha de Dannan. A method of merging with the consciousness of inanimate objects is also described. 14. The Dragon's Eye The act of creating Druid fire is mentioned during a visit to the Isle of Wight. The ley lines and the Power of the Land are called Dragon Power during this lesson. A rite that allows one to "call the Dragon" is presented and the symbol for the "Dragons Eye" is drawn. 15. The Rite of Inspiration The use of meditation and Magickal Circles is described to allow one to receive enlightenment to the Awen (the inner spirit that is illuminated). Two rituals are given and the connection between the Sun and Awen is given. 16. The Wild Hunt The use of the Mandragon herb is described during a shamanic contest between the Druid and the forces of Nature (usually done during Samhain). The gains and losses of such a competition are mentioned. 17. The Life Board A Magickal symbol for the Three Circles of Existence (Ceugant, Gwyned and Abred) is given. Fionn's ladder is discussed. The use of such an empowered Magickal Symbol for makings and pathworkings is described. 18. The Rite of Libation A variety of Druidic draughts is given. (2-10,Trailstalker) RE #16: I thought that Druids were in alignment with Nature. What are they contesting? (2-22,O'Dubhain) This particular lesson is about being in the Woods
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3216 during the Wild Hunt of Gwynn ap Nudd when the raw primal forces of Nature heighten one's inner fears. (2-22,O'Dubhain) It's a rite of Mastery whereby the young Druidic Initiate masters himself and faces the power of Nature, the winds, the Darkness, the lightnings and such. So it's really a test to see how in tune you are with Nature. 19. The Threshold Rite The use of herbs and incense to enhance a journey to the Otherworld is given. 20. The Triscale Stones Divination using stones is presented. A pathworked trip to the Otherworldly city of Caer Idris is made to show the origins of the technique. The suggestion is given to find one's personal "oracle tree" under which divinations will be optimized. 21. The Rite of the Active Door The secrets of color and the concepts of invisibility are given along with a ritual that opens all occult knowledge to the Druid. This Ritual is the rite of passage to the Inner Mysteries. If you read this book, you'll see that the Druids are presented doing Magicks that harm others at times. Some of the Druids even do battle! This certainly violates the Wiccan Rede that states "Do what you will if you harm none"> The fact is that Druids were not Witches and they frequently did battle as well as aiding their clans and kings in war. The great Druid Amergin aided the Mileseans in their battles with the Tuatha de Dannan. Many other examples exist of Druids harming plenty, least of all none. Druids were definitely not Wiccans. Monroe's book follows this philosophy, so some may call it "unethical". He also advocates the use of a variety of naturals drugs to aid in Magicks, meditations and Illuminations. I personally think these practices are a matter of individual judgement and neither recommend nor reject them. Do what you will. The choice is yours. "The Rite of Three Rays" This Ritual is similar to the Lesser Banishing Ritual of the Pentagram and the Banishing Ritual of the Hexagram performed during Ceremonial Magick and Ritual by the Golden Dawn as outlined by Donald Craig or Israel Regardie. Monroe gives his version of this ritual in his book "the 21 Lessons of Merlin". I haven't found any historical support for it in my Celtic references but it seems to be typical of what I think a Druid might do. (The Ritual smacks of Egyptian/Thelemic Magickal practice IMHO). Monroe likens the 3 Rays or gestures in this ritual to the first 3 Rays of the Mid-Summer Sun over the horizon (the Celts called this Awen as well). This ritual is primarily used to generate Power within the Druid for protection or receiving "illumination" according to Monroe. It uses the vibratory energies of sound coupled with the physical act of deep breathing and communing with the Sun to create an "altered state" within the Druid. 3217 Here's the basic steps of the ritual:
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1. Stand in direct sunlight (noon if you can do it). 2. Close your eyes and breathe deeply to relax and start the path to a meditative state. 3. Once you are relaxed, exhale then breathe in deeply as you raise your hands above your head. 4. Slowly lower your arms while intoning loudly, "EEEEEEEEEEEEEEE" or "I" (The name of Isis in CM or Golden Dawn, this is the invocation of the Goddess Power). Bring your arms to your sides. 5. Repeat this step while intoning "Ahhhhhhhhhhhhhhh" or "A" for Apophis the Destroyer. Monroe calls this the "Crystal Ray" or Ray of Balance and Separation. He says this represents both Male and Female energies and also neither (sounds a lot like the Book of the Law). 6. Repeat again while intoning "OOOOOOOOOOOOOOOO" or "O" for the Male God Osiris. This invokes the God Power to your aid. 7. repeat the arm gestures a final time while intoning "IAO" or "EEEEEEE-Ahhhhhhh-OOOOOOOO!" Then open your eyes. At this point the energy has been raised and the work is to be done. One could shield from Magickal attack or seek the "Gift of Awen" or some other Magickal act. Monroe doesn't state this but I recommend "grounding" afterwards and if possible. Do this by eating and drinking a lite meal. (I never recommend doing any Magick on a full stomach). Wiccans do similar rituals using athames, wands and swords to draw Circles and/or Pentagrams for protection and Ritual. This ritual is nice because the 3 movements are tied to the 3 Rays of Awen. (As with all Magick, ritual is very personal, if it feels right do it!). Monroe says that one could reverse the direction of the arm movements and the intonations to "banish" energies that are directed at you. He also says that one could only do the "male", the "female" or the "crystal" movements depending on what is needed or banished. He suggests experimenting as do I. I'd next like to discuss some ways that I achieve "illuminated states". (2-24,Nan) how would you describe the basic differences/simila- rities between Wicca and Druidry? (25 words or less ) (2-22,O'Dubhain) The Druids use the Sun and the Moon. And the Druids were more political back then. Nowadays I'd say that the Druids tend to be more left brained than the Wiccans and they tend to be more bilateral with their Deity worship. (2-24,Nan) a point of clarification for me .......Wicca doesn't use the sun? (2-22,O'Dubhain) Most of the major Wiccan celebrations are done under the Moon. The Sun is also used but does not play as great a role as in Druidry. (2-6,Heather & Michel) We have both Wiccans & Druid here, so perhaps we can clarify... 3218 (2-22,O'Dubhain) good (2-6,Heather & Michel) Wicca uses the sun as much as Druidism. Moon is primarily for esbats... Wiccans don't tend to be culturally specific with their worship, while Druids go for mostly celtic stuff and only share 4 of... Wicca's 8 festivals. (At least how we do it.) ... ga
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(2-22,O'Dubhain) ok!! seems to be a diversity of opinions and practices as usual! thanks (2-10,Trailstalker) Where would "shamanism" fit in with all of this? We do ceremony under the Sun, the Moon, the Stars,... in swamps, forests, deserts, living rooms, ... you get the picture... and what's an "esbats"? (2-22,O'Dubhain) Shamanism comes in when you seek assistance from the Spirit world or you seek to control the elements. Esbats are Full Moon Wiccan Rituals held every month Sabbats are Major festivals like we outlined previously (2-10,Trailstalker) I've found that with shamanism if you are seriously working the path, there comes a time when rather than you working it and using medicine items, you more or less become a medicine item for a Greater spirit power. And it works through you. (2-17,Freepowder) I remember, Druids are left brain based on Bonewits? or others too? (2-22,O'Dubhain) Actually Druids are both sided. I think some Wiccans tend to reject the left side approach at times Bonewits seems to be left brain heavy! IMHO! (2-17,Freepowder) modern druids, as previously cited? (2-22,O'Dubhain) yes.... Modern Druids. The ancients were a lot more in tune with their entire minds They didn't really draw a line as such. To receive the "Gift of Awen" requires us to achieve heightened or altered states of consciousness. First let's describe what an altered state is. An altered state of consciousness is just that, a different state from that which we normally experience. This can be anything from a heightened awareness of our physical surrounding to a totally different way of perceiving all of reality. I have basically recognized the following states in myself: 1. Sensing the mood or spirit of the land around me, the trees, the streams, animals, the wind, the soul of the Earth. This state is achieved by quieting the spirit and/or the mind. Being at peace allows the world around us to communicate and touch us. I do this by relaxing and releasing my thoughts and emotions. I float and accept. I observe what IS. Not what I expect to see. Reality is as it is and not filtered by my conditioning. 2. Having access to the Akasha for inspiration and divination. (Usually coming in flashes.) I blank my mind in a manner similar to the above process but usually do this in a secluded room without light and external distractions. I fix my purpose in my mind and seek for an answer. I do not allow anything to distract me. When my answer comes, I can immediately recognize it. 3. Being out of "time sync" with others. Being slightly in the future of what's happening around me. This usually 3219 happens to me without trying and sometimes accompanies other heightened states. It also happens when I've taken anything with codeine in it. 4. Seeing "visions", things that are happening in the future or the past as if they are happening right now. This state comes on me when I have a quest that requires me to see through a different set of eyes or a different point of view. I actually let myself just look into another world or time through the eyes of a native being (sometimes me or a relative, sometimes an artificial construct.)
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5. Sensing people from previous lives. I usually have no control of this. It just happens and can be triggered by some familiar gesture word or other similar event. I just feel very at ease and comfortable (or hostile at times) with the person I've known before. 6. Reading minds. (This also just happens). This is not in words. It is in images and feelings. I just know what someone is thinking or feeling. 7. Going out of the body. I have to relax totally, isolate all external distractions. I start at my extremities and work inward. (Did I mention that I am lying down on a comfy surface?) I release all the tension in my physical body first. I next calm my emotions, then my thoughts. Once I only exist within my head, I start releasing all external inputs. I shut down all my creative centers. I turn off all the monitoring that goes on. I relax and float. If Thoughts or emotions enter in, I sink them into the Earth away from me. I banish them. I float. Once I am completely isolated and floating in total darkness, I try to see behind me and in front of me at the same time. This is not possible while embracing the normal physical existence. It can only be done in our Spirit forms. This takes total concentration and practice. Not force, just persistence and release. I liken this process to what happens when one is born. A long persistent pushing through the birth canal surrounding us. The physical barriers thin out before our efforts and suddenly we are born anew on the Astral plane. I can then see in all directions at the same time I am aware of all around me. Physical barriers are only thought forms to be ignored at Will. I can go anywhere I desire to go. (However I am only a child in this existence and am also very aware of the far greater Powers around me). I exercise extreme caution when traveling the Astral. It is very easy to be "noticed" and to become the object of unwanted attentions. My conscious mind distracts me continually as I maintain a hold on my physical existence. When i return to me body, I actually have to struggle back into it! Part of me wants to stay on the Astral. The barriers that separate and protect us from Astral Intrusions are tough to penetrate even when we hold the keys! Be careful and cautious and you can learn a lot. Slip for a minute and you can be trapped, possessed or lost. 8. Communing with the God/esses. I commune with the God/esses in several ways. I recognize that all things have life and Power within them. I especially feel a closeness to trees, plants, rivers and lakes. The ocean just overwhelms me with it's Power. The clouds constantly change in their forms and interactions. Celts believe that places have Spirits. I am a Celt ,by birth but also because I feel this Oneness and connection to Nature. You can be a Brother or Sister the same way. Birth is unimportant. Who we are in the Spirit is very important. The first way to commune with the Spirits 3220 is through Nature. When in this state my physical senses are extremely heightened. The next way to commune with the God/desses is through Ritual. In Ritual we open the Pathways within us to be filled with the One Power. We invite It within and share Its Touch. Magick is nothing more than specialized Ritual and is a focusing of the Power. We can actually become the God or the Goddess or some Other at these times. They can have a physical body through us. I have sat back at such times and been amazed at the words pouring forth from my mouth from the Energy that possesses me. This Power is benevolent and will vanish anytime we reassert ourselves. I caution those who would try this to be CERTAIN that they are within a Sacred Space and are Protected before opening up to a Spirit Entity. All Spirits are not benevolent and some WILL try to
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violate your presence and assume complete control of your body. It happens all the time. Watch the news and see for yourself. When out of the body and feeling no constraints, it is possible to experience the touch of the God/desses. I have felt Their Wonderful Presences filling me. I usually feel Their approach as a feeling of tremendous anticip- ation. I sense that something monumental is going to occur. Something coming to me. The space around my spirit begins sparkling in golden crystals. Then I experience a thrill of Joy and Happiness. I am completed and embraced by the Knowledge of the Ages and The Love of my Fellow Spirit. It's beyond words but so very uplifting, comforting and peaceful. I feel that I am where I should be. My sense of my life's purpose and my need to finish my work on this plane pulls me back. I also feel that I need to share myself with those on the physical plane I love. I cannot yet abandon the world of form. I bid Them adieu in Perfect Love and struggle back into my body. I carry Their Blessings and Love within. I try to share this in my life with others. 9. Working with Power. I always work within a Circle when using Power. This can be a Circle surrounding my person in an emergency. I prefer to use traditional methods to create Circles more formally. Circles tend to hold residuals of the Spells of Protection that are cast for them. My Circle at home is such a place. Anyone can enter it but only those that are invited may work with Power there. Sleeping within this Circle is guaranteed to make you travel and have the strangest of dreams! To use Power I merely open myself to it. No meditation is necessary, though it helps me to be more sensitive to the nuances of Power. All I really need is a Magickally isolated place, a Circle. Once I am open, I reach for the Power of the Earth and the Sky. I let the Energy flow through me. (It feels like it comes into my feet and out of my hands and head! This is similar to the way lightning flows.) I leave the stream open and charge myself as full as I can get. My hair usually stands up a bit and I get all "goose pimply"! I keep in mind the goal of my working and I release the Power I've stored. (At the same time the Power leaves me, I see it going as a beam of energy. If the Working is large or systemic, I tie the beam to the same source I've tapped. This permits it to continue after I've released it. (I actually visualize the beam remaining and pumping the energy out.) I leave the beam with a spell that allows it to quit when the Work is done. I release the Power back to the Earth and Sky and thank the God/dess for their help. It helps to eat or drink or something equally grounded in Physical Reality after such an effort. 3221 10. Dying. This is the Ultimate altered state. I myself have never actually died in this lifetime yet. I have been at the Portal many times. I have sensed the Ways to Tir na Nog. Always when I am close I sense a peace and a surrender within me to the call of the Guardian of the Door. I actually laugh from happiness. I have been told to return to this life because my Work is not yet done. I have spoken to members of my own family about their near death experiences and they are remarkably similar. A releasing and a faith in what will come. A sensing that all is right and that the Ultimate Will Accomplishes Its Purpose. I have read many books and accounts of the experiences of others who have gone through that door and returned. My belief in the Afterlife is strengthened by their revelations. The ancient Celts and Druids believed so strongly in such an afterlife that they sometimes chose to voluntarily accompany their loved ones through the Door. Druids would even borrow money to be repaid in another life! Needless to say their strong beliefs in another Life after this One caused the Celts to have no fear of Death!
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I have watched the Spirits of those I love leave their bodies and have seen the Light that surrounds them in Happiness. I have seen their smiles to have finished their Work and receive their New Lives. Death is no End, Death is an Accomplishment and a Release. How do we tell when these states occur? We don't have to!!! We are in them! They happen to us and we react to them!! We can't mistake them!! They are beyond all Time and Space! Seriously, If you are in one of these states, you feel very "charged up" and full of energy. You sense an Exaltation of the Spirit. You are extremely "Alive"! You will know and You will enjoy! How do we induce altered states of consciousness? The answer to this is that we "open" ourselves up to them. We release our grasp on the Normal state of Consciousness. We expand ourselves to the limits that are actually there and not the ones we are conditioned to accept. Seeing things that can't exist in Normal Reality helps sometimes. It shakes us out of our conditioning. This can be as simply as seeing a glorious Sunset or as strange as seeing a UFO or a Demon. I have achieved altered states through meditation, drugs, Circles, Rituals, Drumming, Singing, Reading, Dreaming, Involuntary or accidental occurrences, sickness and by being Possessed. I don't recommend narcotics or heavy drugs, sickness or Possession. Incenses and herbal drinks are ok though. (We'll discuss these next week). "Practical Meditation for Awen" I'll try to elaborate a little here on the practical side of meditation. I usually meditate lying down with my head to the North and my body relaxed. If I am in Ritual I can Meditate while standing or kneeling. The most important aspect to remember is to relax each part of your body and mind. I usually start at my extremities (feet and hands). I tell myself, "Relax your right foot, relax your left foot, relax your.... and so on. I release all the tension in each part and let it flow out. I do this several times until I don't feel my body any longer. Next I start on my breathing and my heartbeat until they are automatic and transpar- ent. Then I quiet my thoughts until only Darkness persists. Next I try to ignore the Darkness until I am floating. To go further requires 3222 additional techniques. At this point I am a blank tablet and can just rest or I can receive "messages" from Others. It's very important to be where you are absolutely secure from unwelcome intrusions of the Spirit or the Physical at this time. Without such a safe place, you will always be slightly on your guard. It helps if another Being you trust will watch over you at this time. This can be anyone from an elemental, a totemic animal, a Spirit Guide, a person to a God/dess. Just thinking about how it feels to meditate and then writing this answer, makes me meditate. I guess that remembering how it felt to meditate makes it easier to meditate the next time you try! Practice makes Perfect! "Druidic Meditation" Some of this material was covered previously but I repeat it here for clarity and the benefit of those that may no have seen that particular Workshop yet! Druidic meditation was usually done for divination and foretelling the future. This was called by the names: Tenm Laida, Dichetal Do Chennaib and Imbas Forosna. Tenm Laida (Illumination by Song) is an altered state usually achieved by chanting or singing of a repetitive pattern. This can also include drumming and dancing. These activities synchronize the body and mind to
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an external rhythm allowing us to cast off the chains of normal existence. This allows you to float at peace within the song (dance, beat, mantra, etc.) This is a strictly Druidic or Shamanistic practice even though it may look like TM. Dichetal Do Chennaib (Cracking open the Nuts of Wisdom) is a state achieved by relaxation and clearing the mind in a Ritual environment. It usually involved using some Magickal implement such as a knife, a sword or a staff to touch a subject (usually upon the head) or by handling an item to discover what secret knowledge was contained within it. This information could be events from a person's past life, a detailed history of who and what had happened to an object or how and why the subject was being hexed or spelled. I know this sounds like ESP but it was enhanced through Ritual and relaxation techniques. Imbas Forosna (Illumination) was a form of altered state used by seers and bards to create or see visions. The Druid would be totally isolated from all sensory inputs, sounds, lights and feelings. This was usually a very dark room or a covering of hides. The Druid would attempt to float and relax. When in the proper state he would signal for the hides to be removed or he would open the door out of the Darkness. The sudden, instantaneous transition from Darkness to Light would cause them to see visions or to spontaneously utter poems, prophecies or achieve a total Awareness of the secret Knowledge of their Surroundings. This sensory deprivation It was their Ultimate Meditation technique. The Druids also used music, colors, trees and numbers to alter their consciousness. They were familiar with the Pythagorean Mysteries and may have actually been the source of them! Druids shared IndoEuropean roots with the Indian Brahmans but I don't have any hard data to support any similarities in their practices. "Drugs" I have experienced Magickal states from drugs but I don't think the 3223 technique is sufficiently controllable or repeatable. It's like playing your Steinway with a sledgehammer. Sure you can play a song but at what cost to the instrument? Plus I find that the songs are usually more sophisticated if I don't use the sledge! I would caution anyone using drugs to know their track records, side effects and purity before starting. Then do them under gradually increasing controlled and supervised conditions. Never experiment with drugs. There is always a documented lab record of their effects. Know your suppliers and don't get the wrong ones! The best recommendation is don't do drugs. Your Mind, Body and Spirit can achieve better and more lasting results. (As I mentioned previously, some natural herbal drinks and incenses seem to aid meditation and ritual. We'll discuss those next week). Well there we have it! All the different ways to achieve illumination to Awen! (End of Celtic Workshop #8 - The "Rite of 3 Rays" and the "Gift of Awen") "Celtic Workshop #9 - The use of Herbs and Potions" The role of herbs in healing, Magick, ceremonies and rituals as well as in mind alteration were presented and discussed in detail. The effects of the most popular Druidic herbs and potions were detailed and discussed. Some reformatting was done on the transcript for clarity's sake as well. A final note!!!! Please exercise caution around most of
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these herbs!! Some of them are considered to be POISONS! The effects of some of the others are very powerful in areas of "mind alteration". The author of one of the texts, used as a reference, presents his suggested methods for how the Druids used these herbs (they are ONLY used in a greatly dilluted state!). Once again I urge caution and good judgement before proceeding. All in all, the Workshop participants evidenced a very thorough respect and understanding of the use and effects of these herbs. Entering Workshop/Seminar 1 room... "Druidic Use of Herbs" We must look at many sources to determine how the Druids used drugs and herbs. Some of these sources are historical (such as the Greek and Roman historians). Other sources are the traditions of the Bards and Seanchai. Still others are the folk remedies and fables of the major Celtic areas of the world (Ireland, Scotland, Wales and Britain). We can also look to information that comes from the inspired "Awen" of others (such as Llewellyn Sion of Glamorgan and Douglas Monroe). Archaelogical evidence is also being found (the bodies of sacrificial or other burial victims have been recently discovered). Each of these types of sources will be matched against the others (where possible) to give us the best possible idea of how Druids worked with drugs and herbs. A quote from one the ancients, Pliny, a Roman, referring to the Druid veneration of mistletoe: "Seldom was the Mistletoe found growing upon the Oak, but on such occasion, the Druids gathered it with due religious ceremony, (if possible on the 6th day of the new Moon-when the influence of the orb was waxing, and said to be at its height. Following an elaborate 3224 banquet, a white-clad priest cut the plant from the oak tree with a golden sickle, while another Druid held out a white cloak for its reception. They believed that the Mistletoe, immersed in water within a cauldron, would impart fecundity to barren animals, and that it is the antidote for all poisons - its name meaning 'all healing.'" I recommend acquiring the following books to aid in your tree and herbal work: Scott Cunningham's "Encyclopedia of Magickal Herbs". Llewellyn Publications. ISBN 0-87542-122-9. Medicinal and Other Uses of North American Plants by Charlotte Erichsen-Brown. Dover Publications, ISBN 0-486-25951-X. Peterson's Field Guide to Edible Wild Plants by Lee Allen Peterson, Ho0ughton Mifflin Co., ISBN 0-395-31870-X. The Book of Forrest and Thicket by John Eastman, Stackpole Books, ISBN 0-8117-3046-8. Trees for Healing by Pamela Louise Chase and Jonathan Pawlik, Newcastle Publishing, ISBN 0-87877-157-3. Many of the herbs can be had from your local health food store as well or can be ordered from the New Forest Gardens, P.O. Box 491,
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Westfield,NY 14787. (This is Run by Douglas Monroe I believe.) (2-1,Freepowder) there are 2 varietys of Mistletoe.... american and european, the effects of them are almost opposite... european lowers BP, american raises.... the *berries* of either are deadly poisonous. GA (2-11,Rhianna) Foxglove is another example - Digitalis (which comes from (foxglove) is a poison, yet it's used for treating heart patients. (2-28,cherokee) my gt grandma used mistle toe to bring prople out of fevers and unconsciousness. aspirin bark is poisonous too. its all in how you prepare it "The 16 Leeches of Diancecht" Diancecht was the physician of the Tuatha de Dannan. He healed their wounded during and after their Battles with the Fomorai and the Firbolgs. He is the God of Herbs and Medicines. The following list contains herbs listed in "the 21 Lessons of Merlin" and contains their correspondences to the four elements as well as their applications. How to prepare a suitable "store" of these medicines is also given. The recommended dossages are also given. Note: Some of these herbs can be considered "POISONS"! I heartily recommend using extreme caution with them. I have attempted to identify those that may be considered harmful. Please proceed at your own risk. I must say that 3225 generally Monroe stays away fron poisonous herbs in topical or internal medicines. He does use some very dangerous substances in some of his recommended incenses. a long list will follow please bear with me! "The 16 Leeches of Diancecht" Spirit Mistletoe Uchelwydd or All-Heal vertigo, dizziness, headaches, hear- t/problems/palpitations, high blood pressure, arteriosclerosis, nervine. Preparation one ounce of dried herb, in a jar with twice it's volume of vodka. Leave for two weeks, strain and place in labeled dropper bottles. Dosages 1 drop for every 10 pounds of body weight every 3 hours. Earth Phu (Valerian) sedative, cramps, pain, coughs. Hoodwort (Skullcap) nerves, fevers, coolant Nerve Root(Lady Slipper) nervine, indigestion, headache Absinthe(Wormwood) digestion, liver/gall bladder, worms, topically for: insect bites,sprains, rheumatism, bruises. Air Golden Pipes(Chamomile family) stomach aches/digestion/gas, calamative vs insomnia in children, eye wash and open sores, kidneys. Holigold (Calendula) Marigold. topical application for sores, burns, bleeding hemorrhoids & wounds, in oil for ear aches, vaginal infections.
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Eerie (Yarrow) internal bleeding (especially lungs), gas, diarrhea, fevers(measles, colds,flus). also antiseptic. Brittanica (Vervain) colds, flus, coughs, upper respiratory inflam- mations, stomatic, insomnia, pneumonia, asthma. Water Catwort (Catnip/Catmint) digestion/stomach ache or cramps, calmative, fevers, headaches, bronchititis & diarrhea. Beerflower (Hops) Sleep aid, liver/digestive/gas/cramps. externally for: boils tumors swellings & skin inflammations, refrigerant. Withe (Black Willow) pain, fevers, arthritis, kidney/bladder troubles, antiseptic, gargle, tonsilitis, refrigerant. Coneflower (Echinacea) antibiotic (immune system stimulant), tooth/body abscesses, lymph node swellings, digestive aid. Fire Goldenruthe (goldenseal) Antibiotic, general purpose internal/external, eye-wash, female infections, sores, skin conditions, colds/viruses/infe- ctions 3226 Amber (St. John's Wort) nerves, bed-wetting, liver tonic, insomnia, mix with olive oil: use externally for skin conditions, tumors, wounds, ulcers, burns, swollen glands, bruises and muscle pains. Sacred Bark (Buckthorne) Constipation/laxative, digestive stimulant, gas, liver, gall bladder/ stones. Quercus (White Oak) internal bleeding, vaginal infections, antiseptic for all wounds/bites/skin conditions, poison ivy/oak, gum problems, lymph node swellings, varicose veins. To activate these drugs, the Druids would include a small amount of Mistletoe preparation to each before use. Since it was considered "all heal". "Draughts of Inspiration" (Only one is given) These drinks are thought to instill the correct state of mind required for "Awen". According to Monroe, nine exist in total, though only one is given in his book. Perhaps we can discover the others? I suggest that the other tree barks that were used are from the red chestnut, white chestnut, Elm, Beech, Larch, Oak and Fir trees. I would guess these based upon Hints contained in "Practical Celtic Magick" by Murry Hope. I also would guess that ivy was used in a draught based upon information from Scott Cunningham's "Encyclopedia of Magickal Herbs". 5 tablespoons of spring water 1 pinch Evening Primrose Flowers 1 pinch Black Willow Bark 1 pinch Thyme sit in Glass bottle (closed in the Sun) for 3 days strain/ add 1 tsp apple cider vinegar before use add 1 tsp chlorophyll (alfalfa) take 3 drops subligually prior to Magickal Workings with trees/plants. "Threshold Smoke" These concotions are used to aid one in having an Otherworldly ex-
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perience. They are cast upon the flames of a fire. Please note that some of the ingredients are POISON! and that another one of them is con- sidered "illegal". The use of these herbs are indicated to aid solitary meditations in the deep woods. Be aware that they will induce "Dark Visions" and reveal your inner fears. According to Monroe, the Druids required one to master such fears to be in tune with Nature and to achieve "Balance"..I recommend that none of them be tried when unsuper- vised and I also recommend extreme caution. To make the incense: Blend and compound the following plants: Neckweede (Hemp) Nightshade (Belladonna) (poison) Ghostflower (Datura) Keep in a dark (light free) box. Burn as an incense to facilitate "threshold" and "traveling" works. 3227 "The Spirit of the Mandrake" This incense is used to attain a state of altered consciousness for resolving one's inner fears and becoming one with the Spirit of the Land and its animal Nature. I caution anyone considering using it to be aware that Mandrake is considered a POISON! This herb is used during the Night of the Wild Hunt that we discussed last week. Toss dried Mandrake (poison) root upon a bed of hot coals or embers and let the smoke cause you to travel within the darkness of the night. May apple, Peony; Ginseng or Briony roots may be substituted (also con- sidered poisonous!). "The Song of Bluestar" Another herb used to achieve altered states was the Bluestar flower or the Blue Morning Glory. This plant is considered poisonous! Do not eat or drink anything made with it and handle it with care. Monroe suggests drying the flowers and seeds to make an incense for a rite of assumption or tapping into Powers. This might also be called "mind expansion". (The same plants have been used to create LSD in recent times, so I am not surprised that they are used here). I'm not advocating that anyone of you try this incense, but Monroe says the Druids did. I'm not surprised. Here is the essence of the trip or rite of assumption: "I will be as a Bluestar upon a field of Green, circling upward towards a golden Sun." .... translation by D.W.Nash The Druids believed all life was interrelated from the lowest forms to the highest. This quote from the ancient Welsh document, the Mathnawai, shows their philosopy: "I died as a mineral and became a plant, I died as a plant and rose to an animal, I died as an animal and I was a man. Why should I fear? When was I ever less dying? Yet once more I shall die as a man, to soar in the Blessed Realm; but even from godhood
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I must pass on...." One further quote from "The Gorchan of Maeldrew": "Each atom an evolving life, each blade of grass a potential soul." "The Draughts of Oblivion" I give here the "fast" (meaning quick to make) version of Celtic drinks and libations from the "21 Lessons of Merlin" as well as the festivals at which they are used: May Mead for Beltaine Add a half ounce of each of the following to 1 gallon of your favorite white wines: heather flowers, meodowsweet, woodruff 3228 leaves. Let sit for about 6 hours. Filter and chill before serving. Midsummer Ale Add a half ounce of each of the following to 1 gallon of your favorite red wines: fresh oak leaves, chamomille, red rose petals. Let sit for about 24 hours. Add 9 tablespoons of honey and 1 teaspoon of vanilla. Filter and chill before serving. Samhain Absinthe Add a 2 teaspoons of each of the following to 2 pints of your favorite port wines: wormwood, dried apple/mint leaves, dried pumpkin blossoms. Let sit for about 1 week. Filter through muslin and bottle. Garnish with raisins and cloves before serving. Midwinter Mulsa Add a half ounce of each of the following to 2 quarts of your favorite dry white wines: crushed juniper berries, wintergreen, Elder Flowers. let sit for about 6 hours. Filter and chill before serving. Garnish with a sprigg of green pine or hot with a cinnamon stick Now these are drinks I can get excited about! I think we can all see that Druids used a variety of herbs in their work....from "visions" to partying. (2-24,Trailstalker) Before we break up for our "free-for-all" I wanted to share a couple of addresses. 1) Natural Labs in Sedona, AZ. They make great herbal tinctures. Pure and powerful. The man who runs it is very knowledgeable about herbs and remedies. They can be reached at: 602-284-9551 . 45 Castlerock Road, Suite 2, Sedona, AZ 86336.
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(2-24,Trailstalker) The other is Winter Sun Trading Company in Flagstaff, AZ. It is run by Phyllis Hogan who is the ... head herbalist in AZ. She's at: 602-774-2884 . 18 E. Santa Fe, Flagstaff, AZ 86001. (2-24,Trailstalker) BTW the man's name is Don Hall. Celtic Workshop #10 - The Act of "Becoming" and The Charm of "Summoning" How to actually influence your surroundings. How to perform Weather Magick, to call animals to you, to improve your crops and to influence the outcome of events. How to discover your past life, find your Inner Teacher or Self and how to summon "Spirits" to your presence. 3229 Our Cyber Tuatha gathered upon the moors and among the raths once more. This night was a night of Magick and the Power of the Moon Goddess in her full glory. We engaged in some prelimenary greetings and then the presentation begain ..... (2-8,O'Dubhain) Celtic Workshop #10 - The Act of "Becoming" and The Charm of "Summoning" Tonight's workshop is advertised to cover the following topics and I intend to give them all my best efforts at explanation. Tonight's topics are: How to actually influence your surroundings. How to perform Weather Magick, to call animals to you, to improve your crops and to influence the outcome of events. How to discover your past life, find your Inner Teacher or Self. How to summon "Spirits" to your presense. I am being ambitious in talking about these topics! I trust we can cover them all tonight and I also hope to have many contributions by all of you regarding your own personal experiences in these areas. We will learn from our "Inner Druids"! The key words to remember tonight are "Becoming" and "Summoning". They along with "Will" and "Authority" are the basis of most Druidic and Celtic Magicks. What do I mean by "Becoming"? What does this act have to do with Magick? How did Druidsdo this? I asked myself all of these questions before making this act a topic for tonight's workshop. The inspiration for the act of "Becoming" is the "Song of Amergin" from the ancient Irish manuscript the Leabhar Gabha'la (Book of Invasions). Hear now the words of the Druid Amergin: " The Mystery I am the wind which breathes upon the sea. I am the wave of the ocean. I am the murmur of the billows. I am the ox of the seven combats. I am the vulture upon the rocks.
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I am a beam of the Sun. I am the fairest of plants. I am a wild boar in valour. I am a salmon in the water. I am a lake in the plain. I am a word of science. I am a point of the lance in battle. I am the God who created in the head the fire. Who is it who throws light into the meeting on the mountain? Who announces the ages of the Moon? Who teaches the place where couches the Sun? 3230 (If not I)" This was the translation by Dr. Douglas Hyde from his work "Literary History of Ireland". This poem was once as well known in the Celtic world as the "Lord's Prayer" is in today's world. It is said to be the first verse made by the Mileseans as they arrived in Ireland (circa 1000 BC). This is also an incantation by a mighty Druid and is a good illustration of the act of "Becoming". Amergin is using the Magickal Law of Identification that is given by Isaac Bonewits in his book "Real Magick": "The Law of Identification ...states that by maximum association between your metapattern and that of another entity, you can actually "become" that entity and wield its power." Bonewits is a Neo Druid and the founder of the group A'r nDrai'ocht Fe'in (ADF for short though it really means "Our Druidic Magick" in Gaeilge). This act of "Becoming" is one that is not lightly undertaken. The danger exists of being trapped within the other entity (whether natural, human or spiritual). I suggest you not actually try this sort of thing until you know your True Will (exactly who you really are without self delusion). This was also true of the Greek and the Egyptian Mysteries. Their first and major requirement was "Gnothi se auton", literally "Know thyself"! The ability to control and return to one's being is linked directly to one's knowledge of Self. Sometimes this process goes the otherway as well, as when a Wiccan "Draws Down the Moon". The threefold Goddess actually Manifests within the High Priestess (HPS) in such a ceremony. She who has no Name is benevolent, usually, so that this possession results in the HPS afterwards being returned to control of her own body. "Becoming" is a two way street and a matter of "Will". Now that we know a little about the act of "Becoming", I think you can appreciate just how great a Druid that Amergin was....he "became" multiple entities at the same time in his Invocation of the Mystery. He controlled all of these elemental powers and made them his own. This act of Power allowed the Mileseans to land upon Eireann though they were opposed by the Magicks of the Tuatha de Danaan. He also lived to do other Magicks (though I must say that his invocation of Ireland is rumored to have caused him to marry and join the de Danaan within the spirit world of the Sidhe). We must remember that Amergin was a Druid and so had studied his arts intensivly for anywhere from 12 to 20 years as a minimum. He was able to return to hinself after such Magical Working because he knew his True Self and Will. This strong connection is the Way of Return for us all. I urge that you all exercise due caution when "Becoming". Know yourself first. Another saying worthy of note while discussing the act of "Becoming" is a common saying of the ancient world that I quote from Doreen Valiente's book "Natural Magic": "Ten measures of magic were given to the world. Egypt took nine. The rest took one."
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I include this saying here to establish one other connection....that of the Druids to the Egyptians. The lineage of Amergin and the Gaels includes his mother Scota (daughter of the Egyptian Pharoh) as well as Mile and Niall "of the Languages" a Scythian prince from Syria. No small wonder then that Pliny, a noted ancient scholar, says of the Druids in his work "Natural History" that the Druids practiced Magick with such elaborate ritual that it would almost appear that it was they "who had 3231 taught the Persians". These are none other than the Magi or "wise men" from whom the word Magick is derived. Another ancient historian, Dio Chrysostum groups the Druids together with the Persian, Hindu and Egyptian priesthoods regarding their use of magical powers. While I'm connecting Magical schools, I may as well say that Liber Al vel Legis (The Book of the Law) is the channeled revelation of the Egyptian dieties Nuit, Hadit and Ra-Hoor-Khuit (Otherwise known as Isis, Osiris and Horus) Horus is two in one, Horus and Harpocrates or Set/Apophis). We have already seen the use of these three godnames in the "Rite of Three Rays" from a previous workshop. This was the intonation of the sounds "IAO" used when invokiing the One Power. In Thelemic Magick the Book of the Law is the basis for the revelation of a "New Aeon" or "New Age". It was channeled in 1904 by Aleister Crowley 90 years ago this month. "Do what thou wilt is the whole of the Law". "Love is the Law, Love under Will". (caps are mine). I have digressed quite a bit here but I think the time is well spent. Celtic Magick is tied through the Druids to the Egyptians and the Persians to a far older Magick arising out of Summeria and from there beyond time. It is true and powerful Magick and I give the same caution to you that I gave about herbs last workshop....think long and hard and with great deliberation before undertaking this journey. Once the path is taken, the journey must be completed. Now I finally get to my first topic of the night! : "How to actually influence your surroundings" The key to any act influencing the world around us is to be in tune and in touch with it first. You must hear the tune before you can change the music or even write your own song. I suggest a lot of meditation in Nature. Find a spot that "speaks" to the Pagan within you. Be at Peace and "feel" the pulse of Nature, the God and the Goddess. Once this rapport has been established, one is ready to influence the surround- ings. The Druids left us few writings concerning their spells and Magicks. We must "rediscover" these Works by looking at the Magicks that are done in the world today and by Using our "Druid filters" and "Celtometers"!! I have included examples of such "Natural Magics" from my own experiences, the experiences of other Witches and Druids as well as those that I found in the writings of Doreen Valiente, Bonewits and Scott Cunningham. "How to perform Weather Magick" For weather Magickal examples I turned to our very own Thunder Being, Shadow Hawk, shaman and wizard extraordinaire! He obliged me with a few examples: The first example involves the control of weather fronts and rain. Our favorite shaman uses the techniques of dancing and drumming to attain a higher state. He invokes the Lightning beings and they join the dance with him. By being so in tune with them he can ask that they do his bidding. If he must act upon an existing weather front, he sends his "power animal", Dragon into the clouds. Dragon is a manifestation of
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this Shaman in the power planes. Dragon then interacts with the clouds and controls the storms. When the work is done, he is recalled to his shaman. The use of such a "power animal" or Magickal construct allows the wise shaman to "become" one with the elements of the storm and 3232 influence them without "losing himself" in their wild natures. The connection is retained with the Self (Shadow Hawk) back upon the ground while the power animal (Dragon) works among the clouds. The use of such Power has its price.... Shadow Hawk suffers sever headaches for three days following these episodes. The second example of how our Dark Shaman uses the weather for Magick is in charging his Magickal tools: his sword, wand and athame. During a 200 MPH hurricane, he faced the Power of the storm, shouting out the invocation of the Quarters, forming a Magickal Circle and calling the storms Power into his sword, his wand and his athame. He also captured the storm's rain in a cauldron for later magickal workings. Can't you see him with the storm's winds lashing at his cloak? Sword upraised as lightnings crash all around him, exploding in sparks and reflecting in eerie blue lights off the steel of his blade and the aura of his Magick!!! He has used these tools in many Powerful workings. "How to call animals to you" This is a matter of "becoming" the animal in your mind and "willing" it to come to you. Actually the "Beastmaster" movie illustrated this technique quite well. Most good hunters do this subconsciously and naturally. "How to improve your crops" In this Working, invoke no other spirits than your own. Burn no fires nor incenses. Carry four stones with you that have been blessed by you in a previous ceremony. Set these stones to define the area that is to be planted. Cast a Magickal Circle within this field. Sit upon the ground and place both hands upon the earth at your sides. Feel the earth, it's dampness, its fertility, its calm. Reflect upon your needs and the crops you are about to plant. Next recite a suitable chant or poem. I like this one: "Go maith raibh agat, na mBande'. Go maith raibh agat, na De'. Go maith raibh agat, talamh me'ith. Cuirim fad beannacht na greine thu. Cuirim fad beannacht na gealai thu. Cuirim fad beannacht mo chroi' thu. Go me'adai Bhri'de do sto'r san ba'isteach de earrach. Go me'adai Danu do sto'r san greine te de tsaamhradh. Go me'adai Dagdha do sto'r san gaoth ple'isiu'rtha fo'mhar." As I sit and reflect upon the bounty that the Land has given me I give back to the earth of my own personal Power. I remember the blessings it has bestowed to me and my pleasure in its well being. After a suitable amount of reflection and meditation, I arise to do my plowing and to plant my seeds for another turn of the Wheel. "How to influence the outcome of events"
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3233 I try to create a feeling of Positive Magick within me. I banish all negative thoughts. I surround myself with a glow of positive golden energy. I tap the flows of the earth and the sky and "project" a creative field all around me. I find that this works well in casinos and just before having important meetings. It helps to strongly visualize the outcome that is desired and to see the results occur and not the actions that cause them. Let events sort themselves as they may. Let the Magick work. Be patient and await the rewards. "How to discover your past life" Some people use tapes and hypnosis to do past life regressions. Perhaps some of you have and can share those experiences with us tonight. I find that what works best for me is to read about a time to understand the events of that period and to set the stage for my Work. I then allow myself to "daydream" and reflect about that time and to see myself within it. What usually happens next is that no revelation comes to me immediately. I maintain my focus over perhaps as long as three days constantly checking to see if my "dream" search has produced any results. When I least expect it, sudden revelation will show me a scene from a past life and my part in it. It's like seeing a photograph from an album for me. "How to find your Inner Teacher or Self" This is the start of all real Magick, finding your True Will. Many techniques exist for doing this in a variety of books, everything from "the 21 Lessons" to Donald Michael Kraig's "Modern Magic". I will relate how it happened to me. I studied the works of Magick, Science and Religions (as many as I could find). I sought for the Truth that was external to me. I was a bulldog chasing down many paths and wrestling with many concepts. The Truth eluded me, always constantly out of mu grasp....the fox and the grapes. I was incredibly frustrated. One night I gave it all up. As I lay in the Silence of my mind, I left all of the mundane world behind and suddenly I was surrounded by Spirit in a place not a place. It was not within me...I had ceased to exist I was the student and the Spirit was the teacher. Since then, if I have need of an answer, I create a sacred space for me to be silent and I await enlightenment. I listen to my Inner Guide. Sometimes the lessons are easy and othertimes I have to learn the hard way. (Frequently I get off of My Path and am "guided back" with many "object" lessons kicking me in the seat of the pants)! I would be interested in hearing how anyone else found their True Will. Mine search was long and hard and I still stray in confusion at times! "How to summon 'Spirits'" I will give an example of how to summon the Spirit of Merlin as found in the book "The 21 Lessons of Merlin" by Douglas Monroe. Before we begin there is a chant we must learn in old Welsh: "Bedd Ann ap lleian ymnewais fynydd lluagor llew Ymrais Prif ddewin Merddin Embrais." the meaning: "The grave of the nun's son on 3234 Newais Mountain: Lord of Battle, Llew Embrais,
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Chief Magician, Myrddin Emrys." the pronunciation: "BETH AHN ahp T-Lay'in, eem-NEW-ais FEEN-ith T-loo-AH-gor T-loo EEM-rais Preeve DEW-in MEER-thin EHM-rihs." I find that using an unusual language in a chant helps me to free myself from the chains of the mundane and allows me to focus upon the Working. After memorizing the above chant one must search for a suitable site....a grave yard or burial ground that is isolated from prying eyes and situated upon a hill. This sounds hard but is not impossible to do. I know of such a place where my great, great grandfather and grandmother are buried upon a hill beneath a copse of trees in a farmers fields. Many such spots exist... though work can find them (and hopefully also permission to use them). Pick a suitable night for the ritual, Samhain being the absolute best night. Gather nine pumpkins that are carved with faces (though candle holders will do...just not as spooky). Set the circle up the day before the ritual as you don't want any distractions from your Work. Arrange the pumpkins with candles around you in a circle (about arms width) with the faces looking outward. Always light the candles from within the circle. Pick a suitably soulful dirge (for meditation and mood setting) from your favorite songbook (Monroe suggests his but you know what you like better). Sing this song as you meditate and reflect upon the Working. Place an iron cauldron within the circle upon a bed of coals. Into this cauldron place a mixture of an herb, a flower and a tree (Monroe suggests using 1 part wormwood, 2 parts Ghostflower (Datura) and 3 parts Yew (juniper or cypress) as an incense mixture. (Store bought incenses work just as well and can be burned in an incense burner instead of a cauldron). Start the entire ritual at 30 minutes before Midnight. At precisely Midnight throw additional incense on the coals and recite the above invocation nine times without stopping. "Become" one with the chant! See into the Darkness! Expect the coming of Myrddin Emrys! Sit quietly and await the coming of the shade of Merlin! You may ask for the answers to three questions. Release the shade by extinguish- ing the fire and incense completely, then extinguish the 9 circling fires of the pumpkin heads. You can now pack up and leave. The key to successfully working this Magick is setting the mood, performing the meditations and reflections and reciting the invocation properly. The ritual can be adapted to allow you to invoke other Spirits as well to equal effect. The ancient Gaels would do similar rituals to communicate with the dead. They would usually lay and sleep upon the grave of the person to be summoned while fasting, until the shade appeared. This process was not lightly undertaken by them, as the dead could be quite dangerous to the living, wanting to regain the pleasures of the flesh (hence the need for the Magickal Circle of pumpkins and light). In a previous workshop I told how the Ta'in Bo' Cuailnge was recovered by a young Druid sleeping upon the grave of Feargus Mac Rioch. I'd like to caution you all once more to do these rituals only when in dire need. That's why it's important to do two things... 3235 1. Always work within a Circle. 2. Have someone there that can aid you if things get out of hand. This means severingthe connection and banishing the entity. This is also why it's so important to know your True Will. When you have that anchor you can come back from anywhere. I know... because I have
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done it. It's like climbing a hill though... (2-28,cherokee) Rhianna, I think as od said it's important to remember that you are working with very powerful energies. You must be pure and centered before doing the work. The indians believe it is not possible for an animal to take over a human because the animals are here as guides who keep us close to our source. Celtic Workshop #11 - "Walking between the Worlds" and "Journeys on the Wheel" We met on Tuesday evening because the online Bealtaine Ritual was on Monday. The topics of discussion were Out of Body Experiences (OOBE), Astral Travel and Inner Journeys. An example of a "pathworking" on Fionn's Wheel was given. Tonight's workshop discusses Astral Travel and Inner Journeying. Tonight's topics are: Out of Body Experiences Astral Travel Example Inner Journey on Fionn's Wheel Tonight we talk briefly about the subject of Out of Body Experiences (OOBE). Thisexperience is the means by which one can effect or achieve Magick. It is central to the methods behind the Magickal Law: "As Above, So Below". A complete workshop will be offered here soon by another, so I touch briefly on these techniques tonight. Three excellent books on these subjects are: Astral Projection by Denning and Phillips. Journeys Out of the Body by Robert A. Monroe. Traveling With Power by Ken Eagle Feather. I will present the results of an Inner Journey later, using Fionn's Wheel as a guide to the Astral Archtypes within each of us. The basic techniques of OOBE are these: "disassociation" and "release". Another word for "disassociation" is "meditating". Meditating allows us to break free from the conditioning forced upon our thoughts by the ever so mundane, so-called "normal" world. It places our mind into a rhythm that allows it to "vibrate" in resonance to other realities (some might say other dimensions or even other worlds). I achieve this state by 3236 going through a process of literally forcing myself to "relax". I relax my extremities first, then my legs, arms, trunk, head, breathing, heart and lastly, my mind. The body is calmed by physically lifting, then releasing a body part and "feeling" the waves of relaxation flow inward and up the body. This is done in succession until only the mind is active. Once totally within the mind, relaxation of thought must occur. I achieve mental quietness by visualizing a totally "Black" void into which all thoughts, feelings and flickers of thoughts and feelings are
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fed. This process continues until all is "black". I float before a sea of Darkness. I see nothing, I feel nothing , I am nothing. Once this state is achieved, one may proceed to "travel" or have an OOBE. "Leaving the Body" To leave the body requires an additional two steps: an increase in the vibratory rate of the Spirit and a "pushing" out of the body. I am lucky that I seem to have discovered these techniques while experimenting on my own. The proper level of Spiritual vibration or "ecstasy" is achieved by further relaxation and through belief or "Will". I totally believe that my Spirit can leave my body and do anything. This focused and concentrated belief through Will is the essense of all Magick. It is absolutely necessary to achieve results. Some might call this process "faith". It is the stuffby which mountains are moved and with which entire worlds and even universes are created. It is also the basis of Love and it is through Love that most of us discover the Power that we all have to create and perform Magick. Everyone from Ahura Mazda to Jesus to Crowley says the same thing about this process. Love is Power. It is the fundamental requirement for creative Work. Let us soar upon the wings of eagles and fly on the wings of doves into the Astral. I "key" the process of leaving my body to seeing in every direction at the same time. This is impossible for me to visualize or to consider in my "normal" existence while contained within the physical shell of my skull and the confines of my body. The "Darkness" I have achieved by relaxation of the mind is seen as a balloon. I see only one side of it. As my Magick squeezes this balloon, it expands toward me and through me until I am surrounded by the Darkness. While this process of transformation and metamorphesis occurs, I maintain constant contact with all aspects of the Darkness that I encounter when the passage is complete, I see the inside and the outside of the Dark Bubble. I see in two directions! This is one step. I take as many steps as are necessary, piling belief upon work and work upon belief until no direction is unseen. I see myself from without and myself from within. I float and I create. I "travel" and I do anything I can conceive. My existence is a "waking dream". I am the master of Reality. I am a new creation! This is the essence of OOBE. Where one goes from here is for a more advanced workshop. I trust the New Age forum OOBE Workshop will be just such an experience for all of us. I plan to be a part of it and I trust you will all join me there. "A Journey Through the Veil at Bealtaine" In the spirit of this Bealtaine season and to Honor the Mother of Summer and the Lord of the Greenwood, I took out a copy of Fionn's Wheel to use 3237 as a focus for my reflections and musings. I found a quiet spot with no distractions and I gazed upon the Magickal Oghams of the Wheel. I sought guidance about the world around us and clarity as to my purpose. As I gazed upon the symbols, a mist began to form and I slowly began to journey. The veil between the worlds is thinnest on the spindle of the Wheel this night. What follows is the story of my journey upon the pathways of the Wheel: (A voice within my mind spoke to me.) "Tonight is a night of Magick. Come with me into the rath ..enter the home of the Sidhe. Let us walk the moonways and take the path of the journey within:" "The Mists of Draiocht"
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(How can this be?) The colors are every color!! Multicolored hues and rays abound!! They are many and they are one !!! They are one and they are many! The colors! The colors are all one! The signs of mystery...abound...the Mystery is in the signs ... The signs of Mystery! All is Pefect ...all is Beauty...and... I choose the first sign. ...."Huath" 3239 Purity! "The Endless Sea" The doorway is open yet the door itself is closed! Pass within with me: "The Oaken Door of the Greenwood" (Hear the words of the God:) "Come sit at my fire!!! Look within and SEE!! SEE!! SEE yourselves!!! See them all! Your lives and your deaths!! See your travels! See your loves!!! I am HE! I am Lord of the Greenwood!! I am life reborn from the womb of the Mother. and You are a seed...you are a forest!! You are remade!! Be One!! Be 3240 a part of the All!! Live with me and my children!! We are life...your life and the forest...all souls in the green song. We are verdent...green upon green... upon green... Let us wed the Bride and be ONE as we are always...you and I! We wed the Land!!" Join me upon the wings of Air: "The Flight of the Starling" A lush green earth spreads in fields below me as I soar upon the winds. I journey through and above a garden. Many blooms...many flowers...many scents. The air is filled with sounds and scent and I see Forever across the World of the Living even unto the Hill in the Center. The Center of all things. A great
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stone temple arises within a grove of hazel and is framed against a golden light. White and grey stones surround a crystal well that sparkles within the mote of the always seeing eye! The Crystal Light shines forth! It guides me to the spring!! The Waters of Life!! The Wellspring of Knowledge!! Crystal twinkles of light play music upon my mind's eye and cascade in fountains of joy! The Song of the Ages of Man and Woman .... so Many and so Right...the temple is filled by the Song and the Dance ...step and sing! Brothers and Sisters! Are we all here? What is this place? Am I here? Are you here? We are within... I am AWARE. "The Fountain and the Field" 3241 "Choose wisely....do not waste this spin upon the spindle of life!! Now is the time of change!! One choice only can you have!! Choose wisely.... or be gone!" This is the answer that appeared: "The Fruit of the Tree" I ask,"What is this Tree that grows within this Sacred Place oh small brown one? What is this Tree and why am I here? Guide me! Let your Spirit show me the way!" "Take...eat...SEE...and know life!!!Here are the five points of Eternity!!! Here are the seeds of Life itself!! Eat only if you are wise! Live only if you are pure! Endure only if you are strong and return to choose wisely once again!! Now is the time of the Five Pointed Star!! You must become a Star child and grow!!! Be a Point of Light in the Darkness!! Be the Darkness and the Light!" The World Beckoned to me once more: "The Light in the Darkness" The point of light recedes rapidly into 3242
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the night, a shooting star across the skies. I am alone once more looking at the wheel, wondering about myself...Who am I? What does this mean? What awaits me? What awaits us all? We are alone and the Wheel turns. Once more I gaze upon Fionn's wheel... and know my journeys continue....It's knowledge is my shield. I am a sword and the fires of summer beckon to us all. Such is the nature of an Inner Journey. I continue to see this journey and to reflect upon its meanings to me and to who I am. I recommend that each of you also undertake such journeys for yourselves. Go within to your Inner Guide and travel the Wheel. Journey the pathways of Fionn to Wisdom and Knowledge. Beannacht libh! That was my experience in an Inner Journey. ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ 3243 Celtic Workshop #12 - The "Outer Darkness", the "Dragon's Eye" and the "Many Speckled Rainment" This Workshop was presented and hosted by Searles O'Dubhain. We covered the basis of Druid Magick or Drai'ocht. We discussed the "Dragon" or "Serpent" Power that is inherit in the Land. We touched on the many different areas of knowledge and discipline necessary to be a Druid. We also discussed the Mysteries of "Death" and "Rebirth". Some preliminary socializing soon gave way to the formal presentation and discussion: Here is what I hope to cover tonight: The Road to the Grove. The Druidic concepts of Being. The use of the Power of the Land in the Rite of the "Dragon's Eye". The "ley lines" and the "death roads". The attainment of Druidic enlightenment (Initiation to the Inner Mysteries) Authority and the "Many Speckled Rainment" "The Road to the Grove" There are many paths to Magick though only One True Magick IMHO. The Grove is a home to this Power as is the Circle and the Temple. How do we attain the Power to do Magick for ourselves and for all of humanity? Let us look to see what the Pathways were for others. "The Ancient Druidic Orders" I have discussed the Ancient orders or levels of Druids in a previous workshop. I include them here for the sake of our current discussion. Druidic Bards studied for 15 to 20 years to learn the epics, chants, spells and histories of their peoples and clans. These works were memorized exactly and were a requirement for advancement to a higher or inner level of the Druidic ranks. The works had to be rendered with feeling so that the listener would be spell bound and consequently could relive the event. The Irish Druids had the following classes of Bards: Class # of Epics __________________________________________ Driseg 20 (the Beginner)
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Foclaic 30 (Advanced beginner) Cili 100 (Journeyman) Anraid 175 (Master/Warrior) Ollomh 175+ (Doctor/Judge) It is to be expected that the lawyers, seers, scientists, judges, and clergy of the Draoi underwent similarly lengthy training periods. "The Cloak of Many Colors" In the Christian Bible, Joseph was awarded a cloak of many colors by his father because he was beloved among all of his brothers. Due to the jealousy and greed of his brothers, Joseph was also sold into slavery in Egypt and suffered a "death" to his old way of life. Because he was open to wisdom and could perceive the meanings within signs and dreams, 3244 he became the chief counselor to the Pharaoh and rose above his death to "new life". Just as the history of the Gaels is tied to Egypt, so the rites of Druids are tied to this idea of "many colors" and rebirth. Please recall that the Mileseans descend from the Pharaohs of Egypt and that their Druids were said to be better Magi than the Persians. To be as good a Druid as Joseph, one must learn the art of interpreting dreams, divination and eloquence. This is a mighty job and worthy of us all! "My Own Personal Paths" When I embarked upon the quest for my roots and for the nature of Drai'ocht, I was immediately impressed by two things: 1. The Druids were acute and patient observers of Nature. 2. The Druids were the scholars and scientists of their day. Using these two ideas, I created a color-coded series of educational levels for myself in my quest into the secrets of the Draoi. I believe there are five areas of knowledge in the Mysteries: Knowledge of Self, Knowledge of the World, Knowledge of the Spirit, Knowledge of Magick, Knowledge of the ONE. The entire process of learning and growing never stops. As a minimum I have required myself to know the following: Knowledge of Self (The Blue Level) __________________________________________ The Student must be able to meditate until he/she can know their inner voice. The Student must know truth and abstain from lying. The Student must be able to love and be loved. The Student must know the limits of self. The Student must identify their Sexuallity. The Student must know their life goals. The Student must know their bodies and how to maximize and maintain their health. Knowledge of the World (The Green Level) __________________________________________ The Student must know the physical world. The Student must know how the laws of Nature work. The Student must be Holistic with Creation. The
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Student must be able to shape the forces of Physics and Chemistry. The Student must know the ways of Botany and Zoology. The Student must study animals, plants, insects, birds,fish,trees and rocks. The Student must hear the voice of the Waters and the Winds. The Student must SEE within the Fires, The Student must be connected with the Earth. The Student must know the history of civilization. The Student must know the laws of man. The Student must learn Music. The Student must learn Poetry and Writing. ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ 3245 The Knowledge of the Spirit (The Yellow Level) ______________________________________________ The Student must know the Spirit within. The Student must study the Religions of Humanity. The Student must make a Spiritual Journey. The Student must leave the body and walk the Moon Ways. (OOBE) The Student must see the origins and travels of the Spirit within. (PAST LIFE REGRESSION) The Student must Know the Spirit in Music, Colors, Symbols and Life. The Student must hear the Akasha. The Knowledge of Magick (The Orange Level) __________________________________________ The Student must read the Great Works (Cayce, Crowley, Enoch, Fortune, Hermes, Jung, Ogham, Pythagorus, Qabalah, Science, Solomon, Thelema, etc.) The Student must learn to "See." The Student must learn to "Divine". The Student must learn to "Shield." The student shall learn to "Speak." The student shall learn to "Heal." The student shall learn to "Travel." The Knowledge of the ONE (The Red Level) __________________________________________ The Student must create and lead a Ritual. The Student must focus the three Powers (Earth, Self, ONE). The Student must perform the Great Rite. The Student must change Reality. The Student must perform the rite of "Making." The Student must be reborn and become ONE. After passing through all levels successfully, the Student then becomes the Teacher and can wear the White, Multi-speckled or the Dark Robes of their choice. This is my path to Drai'ocht. You alone can choose the proper path to your Inner Light of Whiteness or Darkness. All colors are one color. All Drai'ocht is ONE DRAI'OCHT! "The Druidic concepts of Being" ------------------------------- I would like to quickly touch on some Druidic concepts about states of being. These states of being correspond to the previous cosmology that we discussed in workshop 5. (Time does not permit me to make a complete discussion of these topics tonight. I may add another workshop to cover them more completely in the future.) "Barddas and The Circles of Being" ---------------------------------- The Welsh Bardic work "Barddas" contains a description of the three Circles of Being: 1. Abred or the Realm of Matter (The physical world of form) 2. Gwynyd or the Realm of Blessedness (The Magickal Astral world of Spirits)
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3. Ceugant or the Realm of Infinities (That which is the home of the God/desses and the Blessed) 3246 These states of being are separated by three veils that must be passed: 1. Annwn or "Dark Forgetfulness" (This is the gap or veil that must be passed to achieve birth and rebirth in the Physical World.) 2. Cythraul or "the Ghost" (This is the veil that must be passed to achieve enlightenment.) 3. Lyonesse or "the Isle of the Blest" (This is the final veil that is passed when one has achieved complete enlightenment and complete growth.) "Awen" or "illumination" is like a lightning bolt that can come to us across these veils and bring us knowledge and understanding. The key to our Power and true wills is how well we are able to pass between these states of being. I will discuss some of these techniques next. "Circles of Thought" or, "The Cyclatron of the Soul" One of the marvels of modern science is the atom smasher or particle accelerator. Another name for these powerful devices is a "cyclatron". This is basically a phased arrray of electromagnetic devices that take charged particles and accelerate them to tremendous speeds around a circular field until they approximate the speed of light or at least they approach relativistic velocities. The particles are then smashed into a target and the history of the mutual destruction is observed and recorded so that humanity may unlock the secrets of the Gods. I trust that most of us here tonight have experienced this acceleration effect within the vortex of our thoughts and Spirits. We strive mightily to increase the relativistic mass of our thoughts so that we may observe their behavor as they approach God-like reality in their manifestions. Whirr and strive as we might, we are doomed to the universal restraints of our own humanity in much the same manner as nuclear physicists are limited by the unvirsal limits of "C" or light speeds (warp Factor 1, Mr. Sulu!). Such are the limits of thinking. "The Salmon Leap and the Shaman's Death" I have gone through the process of questing for ultimate meaning in life many times. Most of this effort has been exhausting as well as futile. Only through extraordinary efforts have I actually attained results. These results came about through quantum leaps of the mind and spirit across the "void". Since the salmon is the totem of knowledge, I call this leap the "Salmon Leap". It is very approprite to name it thus since the "void" is actually "death" and the salmon "leap" up the streams of it's birth to spawn new life from it's own death struggle. The ancients also refered to mighty feats as a "Salmon Leap". We must experience the "Shaman's Death" in order to attain our new life and knowledge. The "Salmon Leap" brings us to a New Reality and altered state of Being. Included in the initiation rites to all of the Great Mystery Schools was just such a rite of Death and Rebirth. Anyone care to reveal their secrets now? OTO'ers? GD'ers? Druids? Wiccans? AMORC? Freemasons? Templars? Illumatti? Assassins? Channellers? Others? The floor is now
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open. Let's hear the words of Life and the words of Death. Josey Wales faces Ten Bears in the moment of Truth. The gauge is cast...the 3247 challenge is issued. The floor is open to all comers! "Enlightenment" Coming through the "dark night of the soul" or the "Shaman's Death" purifies and releases us so that we can experience illumination and enlightenment. Our "darkness' and ignorance are burned away in the flames of the Phoenix as we are reborn into the Light! Such a wonder! The Akasha and all knowledge are there to be received! Our training and our quest are rewarded. We are a new creation! "The Dragon's Eye" The "Dragon's Eye" is another word for Earth Magick or the Power inherent to the Land that is at the root of the Celtic Soul. This is the power of Excalibur or Caliborn, the sword of Arthur. It is the "Dragon's Breath" that Merlin works with to create a Magickal Mist while using the charm of "Making". We have already seen the "Eye of the Dragon" in a previous workshop ritual. I would like to now open the floor for a further discussion by everyone here as to how we sense this Power in the Land and particularly how we sense it at many sacred sites such as "Stone Circles", Raths, Menhirs, Hills, "Ley Lines", "Stonehenge", "Avebury" or any other site of your experience. The floor is now open for Magickal discussion! Anyone else have a good story for how they've sensed the Power of the Land? How it just is laying there waiting for the call? (2-10,Freepowder) Some time, when you can be alone for a while.. climb up into the moutains, my mountains are the Sierras get up high, above treeline, and sit there, find a rock... where the wind blows all the time and just sit. it may take a while maybe an hour, maybe a day... but you will feel it.. strength more than power, but power just the same coming up form the rocks... singing in the wind... when you have got it right.. the animals will come you may not see them, the conys and the birds but you will feel them too if you are lucky. they will talk to you not in words but in thoughts. if you are ready your totem will make itself known I have found that no great preparation is neccesary but for an open heart and mind it happens for me everytime I go there which is not nearly often enough oh! don't do this in a lightning storm (2-8,O'Dubhain) Beautiful Freepowder! A hymn to the Mother! We can all sing the song of the Health of the Earth! She is beautiful still in some places and will be again in others as we....and I do mean we.... all get together to release the Power of the Dragon! THAT has been safeguarded for us by our ancient Shamans within the Earth. I sense that the keys for this Work are soon to be given to us all once more. (2-15,Nan) Well, I can think of many times that I've felt the Power of the Land but I'll offer just a simple recent example: Last week I gave my ankle a nasty sprain, I knew that one thing it needed for healing was to walk barefoot on the land, so that's what I did in general I find that going barefoot on almost any ground allows me to feel the power of the land......I don't do it long in the snow though . (2-8,O'Dubhain) I'll bet!!! Many of the ancient sacred sites are no longer in active use. I think that the day is rapidly approaching 3248
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where the Land will call us to Work Magicks at such sites. We will re-establish the "ley lines" of Power that are now just echoes of their past. These lines and sites require a Human/Dragon magickal connection to re-Power the grids that exist all across this planet. Many events occur today that point to this Work. (2-15,Nan) I just wanted to comment that a few years ago I visited a more obscure stone circle and noticed by items left behind that it had been recently used..... so not *all* the ancient sites are inactive and I'm glad! (2-8,O'Dubhain) That's true! I believe Shadow Hawk told about feeling serpent lines of Power beneath Avebury's Circles during a visit there as well, though Stonehenge seemed inert. He told me recently that he sensed that it could come "alive" again for the right combination of persons working there. If that happened, it would have to be tended on a regular basis. Too much of the Dragon sleeps at that site. Myrdin Emyrs sleeps nearby himself! Anyone else have a "Dragon" sense? (2-17,cherokee/wwc1) Many of the american indians have the same legends only we call it the serpent my great grandmother taught me to go out at night and to feel the serpent move beneath my feet and to listen to the song it made in the wind. We believe the time for the serpent to rise is here [it is in the] spirit of the people and the land. I have been a healer in my past lives we used the crystals to awaken the serpent when it was time. That time is soon and I feel the serpent singing to me. (2-8,O'Dubhain) Thank you My Princess! Some legends say that crystals were used at Stonehenge as well. They were placed upon the tops of the lentils there to provide a Power connection. Perhaps the crystal skulls will provide an answer. I hope to see one in Miami next month. (2-15,Nan) All this talk of serpents reminded me of Australia, where the Aborigines have the story of the rainbow serpent (I think it may be part of a creation myth) there they call the ley lines songlines. Bruce Chatwin wrote a wonderful book by that name that covers a lot about the Aborginal beliefs (2-8,O'Dubhain) I want to check into that some more. Isn't it also amazing that everyone connects the serpent to wisdom ....even the Christians do it! Though I must say they try to make out like it was a bad thing to get smart! (2-17,cherokee/wwc1) All peoples have stories of serpents many of them have head cult legends where the skulls were used as resonators to focus energy and to sing to the serpent to wake it up the aborigines believe this as did the mayans and the cherokees and other native peoples (2-17,cherokee/wwc1) ga (2-8,O'Dubhain) Thanks!! ok Trailstalker M'lady ga! (2-1,Trailstalker) Sorry... I'm coming in late on the conversa- tion... are we talking about snake/kundalini power? ga (2-8,O'Dubhain) we are talking about the power in the Land ga 3249 (2-1,Trailstalker) ok I just needed a ref. pt. for the conversa- tion. (2-1,Trailstalker) ga (2-8,O'Dubhain) ok Freepowder ga
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(2-10,Freepowder) The serpents are everywhere, but watch out! some of them are snakes couldn't resist, sorry "The Many Speckled Rainment" "The Song of Amergin" This translation by Dr. Douglas Hyde from his work "Literary History of Ireland" was as well known to the Druids as the "Lord's Prayer" is to todays priests. It is a perfect example of the many different Magickal skills used by the Druids. It is one of my personal favorites as well! I would like to use it to discuss the "many-speckled" rainbow of Drai'ocht! Once again I give you the words of the Bard: The Mystery I am the wind which breathes upon the sea. I am the wave of the ocean. I am the murmur of the billows. I am the ox of the seven combats. I am the vulture upon the I am a beam of the Sun. I am the fairest of plants. I am a wild boar in valour. I am a salmon in the water. I am a lake in the plain. I am a word of science. I am a point of the lance in battle. I am the God who created in the head the fire. Who is it who throws light into the meeting on the mountain? Who announces the ages of the Moon? Who teaches the place where couches the Sun? (If not I)" Let's just go down the line and list the Druidic attributes used in this one spell by lines and in order (I also assigned colors to each attribute): Attribute Color _________________________________________ The Powers of: Wind, (Red) Sea, (Grey) Fire. (White) Persistence. (all) Death in battle. (Black) The Power of the Sun. (Golden) The Power of the Green World. (Green) Courage in extremis. (Red) Infinite Knowledge. (Yellow) The resting place of the soul. (Purple) The Knowledge of Science. (Yellow) Focus through Discipline. (White) The Gift of Awen. (Orange) *Drai'ocht*. (White) 3250 I could write an entire page on each of these attributes but not tonight! "Fire in the Head" is the name of an excellent book by Tom Cowan on the subject of Celtic Shamanism. "The 21 Lessons of Merlin" by Douglas Monroe agrees with my assignments for most of the above colors. A true Druid worn the Cloak of many Colors for festive occassions, White or Black robes to conduct Magick and during ritual and a bull's hide when in battle.
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"Authority" This the source or result of working with Magick for Druids. It is a measure of their Power and the strength of their "True Wills". In the "21 Lessons" Monroe states that the students of Drai'ocht were awarded colored glass beads (called Gleini na Droedh) that were strung on leather cords for necklaces. These multicolored necklaces were kept secret by each Druid and produced only to demonstrate their Authority to other Druids. Magick knowledge, discipline and practice determined the level of Authority thus attained. "Into the Light" Fionn's Wheel can also be multicolored. I have made the one in the library that way! (Make it so Number One!) Seriously, to become a Master Druid, one must transcend the separation of colors and walk into the Light. This involves knowing the many fold paths of the Wheel and primarily the Inner Mystery of the relationship of Life and Death, White and Black, Balance and Action, Being and Not being. The Initiations into most of the Great Mysteries included this Dualism of Transcendancy. (An excellent book on this topic is "The Great Initiates"by Edouard Schure, translation by Gloria Rasberry.) What does this mean? What is this Initiation? What is the Mystery? What follows is what I envision COULD have happened during such an initiation. Hear the words a modern day Druid might hear as he achieves his full Knowledge: "I am Arianrhod, Queen of the Heavens! You who approach me must now ask yourselves these questions: How can you achieve the Inner Knowledge? Where can you find the Signs that show you the Way? Heed My Words! I am Arianrhod, Queen of the Stars, I am She of the Silver Wheel! My crown spreads across the Vault of the Heavens! Your dreams shall be filled with the Secret Ways of the Night! It is I that will show you the Paths of Knowledge! It is I that will fire your Spirit in sparkling crystals of Wonder! I am Arianrhod! Come to Me My children! 3251 Be filled with Expectancy for what is yet to come!" "Hear the Words of the Ard Druis:" "You who seek the Ways of Power must dare to approach the Queen of the Stars! You who seek the embrace of Wisdom must approach Her Presence without fear! You that seek for Love must first know your True Selves. What is your Authority? Are you truly Human? Speak now if you dare!"
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"Oh Arianrhod of the Silver Wheel! Bless us in Your Mysteries! Fill us with Your Spirit! Let us place no limits upon Your exalted Being! You are Infinite! You are the Unknown! The Darkness! Admit us into Thy arms! Grant us Your Blessings! Our speech is confounded! Chaos is upon us!" "Now is the Great Re-awakening! Now is the time of enlightenment! Those who are untrue shall be cast out into the depths! Cleanse yourselves through trials of fire and fasting! The way is long, Only the strong shall attain Knowledge!" "Behold the Flaming Door! Behold the Burning sword of Gorias! Enter if you dare the halls of Lugh!! Wear the many speckled cloak of Samildanach!" "Hear the words of the Sun!" "I am Lugh Lamfadagh!!! I am Samildanach! I am thy burning desire for Knowledge! I am the Power that illumes the Heavens! Life is my gift to you, even as your Death is the Mother of Life. To know Me is to know yourself completely, even beyond Death! Enter if you dare! Approach the fires of Life!!! Die and live again!" "I, Lugh am the focus of the Power and you My Druid are its 3252 Manifestation! Enter the Flaming Door! Cead Mile Failte! Maith an Drui!" Such is the end of a long journey. An Fhi'rinne Roimh an Saol! We must awaken the Dragon Power within us all!! DRAI'OCHT LIVES AGAIN! TA' ME' DRAI'OCHT!! Celtic Workshop #13 - The "Charm of Making" This Workshop was presented and hosted by Searles O'Dubhain. We covered some concepts touching upon the beginings of all things. We also covered how symbols are used to describe reality and Magick. We discussed the necessity for *belief* in performing Magick. I led a discussion about a ritual that was centered around the Charm of "Making". The arch[e]types and the Quarters used in Celtic Magickal systems were also discussed.
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Some preliminary socializing soon gave way to the formal presentation and discussion: Opening Remarks Tonight I attempt to tie together the beliefs of the Celts in Cos- mologies and Magick or Drai'ocht to what we know of the world and reality through the study of modern science and more recent Magickal systems and their resulting Cosmological models. It is my hope that all of this discussion will clarify the history of the Celts and the workings of the Druids. The highest form of Drai'ocht was the Charm of "Making". This is the essence of creation by the use of the Will. It is into the Cauldron of Primodial Creation that I plunge tonight as a Midwife to Magick. Drai'ocht shall live again! The Dragon will once again be reborn! "Chaos" In many mythologies and some philosophies, Chaos is the void that existed in the begining of all things before even time existed and from which all things have arisen. "The notion that creation came from nothing (creatio ex nihilo) appears in several accounts of creation. The biblical story of creation contained in the Book of GENESIS begins with a formless, watery chaos that God shapes into the ordered world. The hymn of creation from India's epic Rig Veda (see VEDAS) describes the primordial situation as one of neither existence nor nonexistence and further states that no one, not even the gods, knows who produced the universe. In marked contrast is an Egyptian myth attributing creation to the deity khepri. In this myth Khepri states that when he came into being, being itself 3253 came into being; all other beings were then produced from his actions and his body; but before him there was only nonbeing. Among the Polynesians, creation myths emphasize the dimensions of void space and the qualities of darkness as the primordial structures of creation. In these myths, the initial state of darkness and void in which the deity dwells is later transformed and the forms of the universe then emerge. Creation is thus predicated on a void or a nothingness--a reality totally different from any form or substance of the created order. In addition, the deities who create from nothing or emerge from this void are given a new and special kind of power; for though creators of the world, they remain distinct from it in their originative form." .......quoted from The Online Edition of GROLIER'S ACADEMIC AMERICAN Encyclopedia, Copyright (c) 1993, Grolier Electronic Publishing. Magick is the ability to cross the void of Chaos and to create order in the universe that surrounds us. The primary way in which this creation occurs is through the focus of our own Wills. "The Void was without Form" "Chaos theory, a modern development in mathematics and science, provides a framework for understanding irregular or erratic fluctuations in nature. Chaotic systems are found in many fields of science and engineering. The study of their dynamics is an essential part of the burgeoning science of complexity--the effort to understand the prin- ciples of order that underlie the patterns of all real systems, from ecosystems to social systems to the universe as a whole." ..quoted from The Online Edition of GROLIER'S ACADEMIC AMERICAN Encyclopedia, Copyright (c) 1993, Grolier Electronic Publishing. The BIG BANG theory of the creation of the universe is widely accepted
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by astronomers. "It holds that the universe began with the explosive expansion of a single, extremely condensed state of matter. A further development of this model, known as INFLATIONARY THEORY, describes the original condensed matter as arising from virtually empty space. Whether the universe will expand forever, slow to a halt, or contract again and continue to oscillate indefinitely from one big bang to the next is the subject of ongoing speculation....." Charles Long .......quoted from The Online Edition of GROLIER'S ACADEMIC AMERICAN Encyclopedia, Copyright (c) 1993, Grolier Electronic Publishing. "Order" Out of Nothingness was Reality formed. The diversity of Reality is due to the two great forces of separation: projection and reception (the male and the femine aspects of Power). From this duality of all things, the rest of Creation is manifested. This manifestation can be described and modeled in many ways. I have chosen to limit myself briefly to two such descriptions during tonight's workshop. The first such model or description is the science of "quantum mechanics". According to this area of science, everything is composed of waves and the interaction between wavefronts. With two primary and distinctly different sources of waveforms, we get interference patterns. These lines of intersection have their own "nature" and give rise to other "quantum effects" in their own localized area of the space/time continuum. This ongoing process of interaction and manifestation can create Infinite Combination in Infinite Diversity (IDIC). I will discuss this concept later. 3254 The other way in which two differing states can create their own "reality" is through the laws of Boolean Logic and Algebra. In digital design and simulation techniques, this fact is well known. I work in such areas and can reduce any system to a series of "min" and "max" terms of inputs and "truth tables". This Boolean discipline of using "min and max terms" has given birth to the CyberSpace that we currently inhabit. I suggest that our present existence is no more than a "real-time" simulation in a greater system and that our creative/destru- ctive interactions are constantly birthing new realities and new creations. We are each a "star" as some Magickal systems teach. All Physical and Magickal systems have hidden controls that operate from outside the program flow (another word for this flow might be called "life"). This outside intervention might be what appears in the form of "Magick" to an internal observer of that system. The operating system for the host platform, such as DOS, determines the form of the relation- ships between all programs, files and other processes. A magickal way of stating this might be, "As Above, So Below". Tonight, I have discussed only two ways that some realities are postulated and created. In the wide variety of the Infinite Cosmos, Diversity is carried to the extremes. Anything CAN and DOES happen! "Symbols" One way man has attempted to understand and quantify his universe is through the use of symbols. The most often used symbols are numbers, letters and sigils. The Jewish Kabbala, the Celtic Oghams and the other Magickal alphabets are good examples of the use of such symbols to order and understand most physical, spiritual and Magickal relationships. I have talked about Oghams and Fionn's Wheel/Ladder in previous workshops. I have also talked about the Celtic Cosmology. Tonight I will briefly touch on numbers and math. Please refer to the previous Celtic Workshops #1, 2, 3, 5 and the Online Wicca Kabbala Threads for more information in those areas. Another kind of symbol that can describe our reality is a relatively new form of mathematics called Fractals.
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"Fractals" "A modern mathematical theory that radically departs from traditional EUCLIDEAN GEOMETRY, fractal geometry describes objects that are self-similar, or scale symmetric. This means that when such objects are magnified, their parts are seen to bear an exact resemblance to the whole, the likeness continuing with the parts of the parts and so on to infinity. Fractals, as these shapes are called, also must be devoid of translational symmetry--that is, the smoothness associated with Euclidean lines, planes, and spheres. Instead a rough, jagged quality is maintained at every scale at which an object can be examined. The nature of fractals is reflected in the word itself, coined by mathe- matician Benoit B. Mandelbrot from the Latin verb frangere, "to break," and the related adjective fractus, "irregular and fragmented." The science of fractals has been found to exist within many natural formations . Fractals are found everywhere we look, from the shape of coastlines to the geometry found in cellular divisions. Most dynamical systems that change their behavior over time become CHAOTIC in nature and can also be described using fractals. The reason I mention fractals tonight is twofold. First, fractals show us mathematically how reality and life are manifested. As I said earlier, fractal geometry and 3255 mathematics are a fairly recent discovery. One important type of Fractal that is found in nature is called a Mandelbrot set. This particular set of fractals becomes inheritly unstable as one looks closer at it's component fractals. What is so interesting about this fact and study is that FRACTALS in the FORM OF MANDELBROT SETS have been appearing as CROP CIRCLES on the Salisbury Plains. This is the same area that is located close by both Stonehenge and Avebury. What is the source of these symbols? Where is this information coming from? Are these crop circles some sort of Magickal alphabet or symbols? Are they communicated to us across time and space from other Magicians or other Entities? If they are such symbols, has this phenomena occurred before in the past? Did the Druids observe, record and understand this type of information during their times? My second pointis that our knowledge of Magick is itself like a fractal. With each piece of information we receive from our searches into the nature of Magick, we discover more and more questions. This gives rise to more and more associations and consequently more questions and disorder. Our attempts to totally understand Magick by close inspection consequently results in chaotic thinking. We see fractals everywhere when we look at the world. This world seems to be a fractal. Everything from shorelines, earthquakes, cell structure to computer graphics have been found to obey the laws of fractals. Perhaps Magick and the heavenly cosmologies are fractals of the Higher Will? Perhaps our True Will is a fractal? Maybe fractals are the new Ogham, the new Wheel of Fionn? "Transformations" If an idea can be reduced to mathematical or Magickal symbols, then it can also be manipulated or transformed. These relation-ships are called "veils" or "pathworkings" in Magickal works. In mathematics, such transformations occur frequently. What is complex in one domain is simple in another. Engineers use such techniques as vector and tensor analysis to handle complex systems all the time. Magicians use the principle, "As Above , So Below" to aid their Magickal Workings. Sometimes this Magickal work is also done while using symbollic logic to aid in the act of manifesting or "making" a new creation. We will next discuss how some of these Magickal transformations are done.
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"Vibratory States" The addition of external energy to a molecule or the introduction of additional molecules into a solution causes its electron configuartion to change. The electron "jumps" across an energy barrier to obtain a different orbit or geometry. The Molecule changes its behavior, sometimes with amazing results. This change in electrons through levels or states of energy is directly analogous to the levels or states of vibration that a Magician goes through to "resonate" with other spiritual forces. These principles of resonance and vibration are the keys to the techniques of OOBE and energy transfer in Magickal systems. To discover how we as Magickal/Spiritual entities can go through these types of transformed states, I looked at my own experiences, once again. "Personal Experiences" The keys to working Magick are BELIEF, DISCIPLINE and FOCUS. Focus is a matter of personal ability and is sharpened through practice and effort. Discipline is inherit to our very natures. Belief is absolutely 3256 necessary to any Magickal Work. I have had three types of personal experiences that are the foundation of my BELIEF in MAGICK. "The All from the None" This experience I have discussed before. It is the first veil that must be passed to obtain BELIEF in Magick and the resulting Powers. Briefly stated, I was able to detach from the ordinary (while conscious) and encounter Spirit and Magickal Beings. These experiences have reinforced my ability to work Astrally and Magickally. The secrets to this experience are meditation, inner quietness and the increased vibrational level of the spirit or "ecstasy". By going into the "void" of Nothingness, I was touched by the Power of the Akasha! Anyone can do this, if they are willing to put in the time and effort to meditate to achieve inner "quietness". The "Void" is the place where the Will can focus to create and produce all Magick! "The None From the All" These are experiences I have had from "lucid dreaming". I have basically been able to go anywhere and do anything in my dreams. I have had many revelations and Super Normal experiences in these dreams. I guess the most outrageous experience was experiencing "death". Some deaths were just an abrupt end to one existence while manifesting into another body and another existence. One particular "death" was at the center of an exploding sun or bomb. I was literally blown into Nothingness and Non-Existence. I "floated" there in endless time without thought or being. I just was. Only my Will still existed and through the exertion of my Will I was able to awaken into my body once more. This was not and ordinary dream. In fact, I'm not really sure this is the Reality I started out in! A Powerful incentive to learn more about Magick (to prevent such a thing from ever happening again)!!!!! "IDIC" IDIC is borrowed from the Vulcan, Mr. Spock. It stands for Infinite Diversity in Infinite Combinations. This basically means the Universe is filled with possibilities and that anything can (and will) happen. This is all those strange events that can be dismissed if taken one at a time but will stagger you if you keep a log of them. This includes such things in my life as: Flying or "floating" in the air by myself, reading minds, seeing the future, seeing creatures that are in another
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plane, hearing the music of the Sidhe and incredible feats of strength and speed (that could not possible have happened). All these many events taken together point to a variety of techniques that people can do. The secret is in remembering how we did it!!! Or maybe in finding a really excellent teacher. I am the worst of students but I am very persis- tent! "The Charm of Making" The following is the merest sketch of an outline for performming the Charm of Making, the very same chant that Merlin was heard to use in the movie "Excalibur". Much of this ritual comes from the following works: "The 21 Lessons of Merlin", "Celtic Magic', "Witta", "The Irish Celtic Magical Tradition" and the "Sacred Cauldon". Some of it is changed to suit my personal (*Irish*) preferences! 3257 "Circles of Drai'ocht " Druids' Circles are very similar to other Magickal Circles. Each direction should have a candle and color associated with it. (I use Red for East, White for South, Grey or Blue for West and Black for North). I also have candles for the God and the Goddess. these are usually Green and Red respectively. I light the candles as the Spirits are invoked. "The Guardians" "Air" The Guardian of the East Quarter is Esras associated with the Power of Air. The sacred city of this Spiritual realm is Gorias. The Celtic Deities usually associated with this Quarter are Nuada and Scathach. The sacred treasure or weapon is the invincible sword. The Magickal Deity for the elemental Powers or the wind singers and sprites is Paraldas, ruler of the Sylphs, Zyphyrs and the Winged Sprites. This direction is most often associated with ideas, thoughts, inspiration and psychic powers. Ritual work for this direction is associated with dawn, sunrise, Spring, harmony, travel and freedom. A suitable invocation of the Guardians might be: "Tugaim cuireadh do Garda de Soir! Tugaim cuireadh do Duile de Gaoth! Tugaim cuireadh do Esras de Gorias!" Translation: "I give invitation to the Guardian of the East! I give invitation to the Element of the Winds! I invite Esras, Master of Inspiration!" Pronunciation: "TUG-im KIR-oo gu GAAR-du gu SKULL! TUG-im KIR-oo gu DOO-li gu GWA! TUG-im KIR-oo gu ES-rah gu GOR-ah! "Fire" The Guardian of the South Quarter is Uscias associated with the Power of Fire. The sacred city of this Spiritual realm is Findias. The Celtic Deities usually associated with this Quarter are Lugh and Bridgit. The sacred treasure or weapon is the flaming spear. The Magickal Deity for its elemental Powers or Salamandes and Firedrakes is Djinas, ruler of the Consciousness and flames. This direction is most often associated with Action, Passion and Change. Ritual work for this direction is associated with Summer, noon, sexuality and purification. A suitable
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invocation of the Guardians might be: "Tugaim cuireadh do Garda de O'Dheas! Tugaim cuireadh do Duile de Tine! Tugaim cuireadh do Uscias de Findias!" Translation: "I give invitation to the Guardian of the South! I give invitation to the Elements of the Fire! I invite Uscias, Master of Conscious Action" Pronunciation: 3258 "TUG-im KIR-oo gu GAAR-du gu OWE-yass! TUG-im KIR-oo gu DOO-li gu CHIN-e! TUG-im KIR-oo gu ISH-kah gu FIN-jah!" "Water" The Guardian of the West Quarter is Semias associated with the Power of Water or the Sea. The sacred city of this Spiritual realm is Murias. The Celtic Deities usually associated with this Quarter are Mannanan and the Cailleach. The sacred treasure or weapon is the cauldron. The Magickal Deity for its elemental Powers or Nymphs and Undines is Niksas, ruler of the depths of the Sea and the spirits of the waters. This direction is most often associated with Emotions, healing and Marriage. Ritual work for this direction is associated with Fall, sunset, plants, the subconscious mind and dreams. A suitable invocation of the Guardians might be: "Tugaim cuireadh do Garda de Siar! Tugaim cuireadh do Duile de Muir! Tugaim cuireadh do Semias de Murias!" ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ 3259 Translation: "I give invitation to the Guardian of the West! I give invitation to the Elements of the Mystical Sea! I invite Semias, Master of the Mind's Deep Waters!" Pronunciation: "TUG-im KIR-oo gu GAAR-du gu SHEER! TUG-im KIR-oo gu DOO-li gu MWIRR! TUG-im KIR-oo gu SEM-ahs gu MUR-ahs!" "Earth" The Guardian of the North Quarter is Morfessa, associated with the Power of Earth. The sacred city of this Spiritual realm is Falias. The Celtic Deities usually associated with this Quarter are the Morrigan and the Dagdha. The sacred treasure or weapon is the Stone of Fal. The Magickal Deity for the elemental Powers or Gnomes and Dwarfs is Ghobas,ruler of the inhabitants of the Earth and a crystal spirits. This direction is most often associated with Destiny, Prosperity and Fate as well as Magick. Ritual work for this direction is associated with Winter, night, midnight, self will and treasures. A suitable invocation of the Guardians might be: "Tugaim cuireadh do Garda de O'Thuaigh! Tugaim cuireadh do Duile de Talamh is Cloch! Tugaim cuireadh do Morfessa de Falias!"
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Translation: "I give invitation to the Guardian of the North! I give invitation to the Elements of Stone and Earth! I invite Morfessa, Master of Destiny and Magick!" Pronunciation: "TUG-im KIR-oo gu GAAR-du gu owe HOO-ee! TUG-im KIR-oo gu DOO-li gu TA-loo is KLOKH! TUG-im KIR-oo gu MOR-fes-ah gu FAL-ah! "Spirit" The Center of the Circle is protected by the Power of the God and the Goddess and the balance and diversity that They each manifest and control. This is the province of the Goddess of Sovereignty, Macha, and the Horned God or the Hunter, Samhan. The center is protected by the combined Powers of the Quarters and their Masters. A suitable invo- cation of the Spirit might be: "Tugaim cuireadh do Ana'l Fein! Tugaim cuireadh do Duile de Anam! Tugaim cuireadh do Grian agus Geala! Beannachtai' DE' agus mBANDE' againn!" Translation: "I give invitation to the Souls of our Ancestors! I give invitation to the Element of All Spirits! I give invitation to the Sun and the Moon! The Blessings of the God and Goddess be upon us!" 3260 Pronunciation: "TUG-im KIR-oo gu GAAR-du gu AN-aal FINN! TUG-im KIR-oo gu DOO-li gu AN-um! TUG-im KIR-oo gu GREE-un AG-us GYAL-a! BAN-uck-ta JAY AG-us BAN-jay UG-een!" "The Words of Power" After the Guardians have been called, then the Words of Power Are Spoken and the Rite or Sign of Three Rays is performed for each of the Quarters. "IAO" This is the name of the God/dess of All and is intoned three times while making the appropriate hand gestures, "EEEEE-Ahhhhhh-OOOOO". "EEEEE-Ahhhhhh-OOOOO". "EEEEE-Ahhhhhh-OOOOO". "Threshold Experiences" If a portal to another plane or place is to be opened then the following Charm of Making is to be said three times (this Charm uses the Power of Sea and Stone): "A ELFNTODD DWYR SINDDYN DUW CERRIG YR FFERLLURUG NWYN; OS SYRIAETH ECH SAFFAER TU FEWR ECHLYN MOR, NECROMBOR LLUN"
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"Dragon's Breath" If something is to be caused to happen or prevented then the following Charm of Making is intoned three times (this charm invokes the Powers of Fire and Air): "ANAIL NATHROCK UTHVASS BETHUDD DOCHIEL DIENVE" At this point the Power has been raised. The Will of the Draoi' should be directed and stated forcefully in the direction of greatest Power using the sign for that Quarter. Once the work, is completed, the God/desses and Guardians should be thanked and the Power Earthed by lowering both hands to the ground while kneeling. The Circle is opened in the reverse of its creation and the bounty of the Land and Tuatha should be enjoined and enjoyed by all. This is the end of the prepared presentation on the Charm of "Making". This and "Pathworking" are the two most powerful abilities of a Druid. Celtic Workshop #14 - "The Wheel of Elements or Seasons" Forum member Freepowder noted similarities between the Plains Indian Medicine Wheels and Fionn's Wheel from Celtics sources. His analysis and presentation on these topics led into a discussion of other cross 3261 cultural similarities. I added some info from a study of the indigenous peoples of the world as well as Celtic topics. Tonight our man of many names, Freepowder, O'Ba'n,John White, Sir Freep, etc. will give us his thoughts on the wheel and the directions as compared between the Plains Indians and the Celts. It looks to be good! I may have a few comments of my own. I also have some info on thses directions compiled by a noted anthropologist, Angeles Arriens, for the indiginous peoples of the world. I hope we can discuss the use and meanings of directions to all of us in our magical work. "The Wheel of Elements or Seasons" The world over, aboriginal religions have used the circle as a symbol of the world, the cosmos and the spirit. Tonite I will attempt to draw some parallels between the Celtic version, Fionn's wheel or window and the Plains Indian version, the Medicine wheel. Both of these wheels are pictured as a circle bisected by two lines, one vertical and one horizontal. In Plains Indian (PI from here on) the circle represents the cycles of the earth, of learning and of life. The lines represent the 'roads' one must travel to achieve enlighten- ment. The points at which the lines intersect the circle signify the four directions, east to the right, south at the bottom, west to the left, and north at the top. There are qualities and totems (animal spirit guides) assigned to each direction. The totems and qualities vary somewhat, tribe to tribe, and the following is an attempt to combine several, mostly Lakota (Sioux) and Tsisistis (Cheyenne) . East: red, illunination, child, the sun, spring, the source of life, eagle, hawk and birds generally South: yellow, innocence, youth, daylight, summer, fullness of life, snake, lizard, mouse, horse, elk
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West: black or blue, introspection, maturity, sunset, autumn, waning of life, thunder beings, Bear, buffalo North: white, wisdom, old age, night, winter, death, wolf, raven, buffalo The PI speak of the guardians of the quarters as 'Grandfathers' or 'Grandmothers'. Animals in mundane life are refered to as 'Little Brother or Sister.' At the center of the wheel is,in Lakota, 'Wakan Tanka', the Great Mystery. The source of all life, of all that is. Although Wakan Tanka is refered to as Grandfather, it has no sex, no body, it is at once the creator and all of creation. Also at the center is White Buffalo woman (or Sweet Medicine to the Cheyenne), the personification of the earth, and the female aspect of Wakan Tanka. The cycle of life as illustrated by the Medicine Wheel starts at the east. The PI believe that as an infant a person knows all things, thus the connection with enlightenment. As you grow into youth these things are forgotten so you may learn, and grow, symbolised by the south and innocence. When you are mature you move to the west and introspection. 3262 Here you take your vision quest. As you approach old age you achieve wisdom in the north and, if you survive you return to the enlightenment of the east. On to the Celts! The Celts use either a four spoked wheel, identical to the medicine wheel in apearance or enhance the image with 'cross quarters' making an eight spoked wheel. One differnce in the Celtic version of the Wheel, is probaly due to the variation in weather patterns between the Britsh Isles and the Great Plains. The Britsh Isles are around 1000 miles north of the Plains causing several things to happen. The sun, even at midsummer will rise far further to the north in Britain. Britain's proximity to the trade winds cause the prevailing winds to come from differnt directions. Therefore the Celts start their journey of life in the north. The qualities of the quarters areremarkably similar if somewhat skewed as to direction. (Note: the animals assigned to quarters and cross quarters are approximate and individual impressions as to what animal goes where are most important IMHO) They are: North: black, winter, wisdom, clarity, death, earth, animals, minerals, fallowness, darkness, winter solstice, salmon, wolf, the Morrigan, East: red, spring, inspiration, life, birth, renewal, air, birds, smell, dryness, germination, spring equinox, otter, crow South: white, summer, spirit, humanity, change, power, fire, sun, light, vegatables, summer solstice, bear, hawk, West: grey, autumn, creativity, ripeness, fertility, compassion, love, emotions, hearing, water, moon, twilight, fish, autumn equinox, stag, hound The cross quarters mark the seasonal festivals, have associated animals and are used to represent the ages of mankind:
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Imbolc: 31 Jan, child, eagle Beltaine: 30 Apr, youth, sow Lughnasadh: 31 Jul, adult, horse Samhain: 31 Oct, elder, heron The Celts assign Gods and Goddesses to the quarters as well. The following courtesy of O'Dubh, and subject to interpretation. God/esses are directional as follows: North: Master Morfessa of Falias, The Morrighan, Goibhniu, The Dagdha, Epona, Eriu, Macha (The Land, the Lia Fal, Magick, Soveriegnty) East: Master Uscias of Findias Danu, Anu, Lir, Lugh, Bridget, Scathach, Ogma, Nuada (The Invincible Sword, Wisdom, Strength, the Winds) South: 3263 Master Esras from Gorias The Dagdha, Lugh, Bridget, Danu (The Flaming Spear, Action, Fire, the Sun or Shining One) West: Master Semias from Murias, Manannan mac Lir, The Dagdha, The Cailleach, Cerridwen, Danu, Dianecht, Arianrhod (Rebirth, the Undry, the Sacred Cauldron, the Sea, Water) Many of these God/desses are assigned to more than one direction because they have more than one aspect (The Dagdha, Danu, Bridget, Lugh, the Morrighan). The best way to associate them with a particular direction is to base their direction upon their role in your Working or upon their use of the magickal tool involved. The Celts have this multi-faceted diversity in the nature and directions of their God/desses due to their travels across Europe and their incorporation of the local Deities into the Deities of their respective clans. When they finally stopped their travels, these Deities were then more fixed in their associated directions and attributes. As modern day Celts, we have the use of all of these Archetypes to aid or worship and to enrich our Magicks! (2-21,cherokee) the cherokee say that all ancient cultures descend through the plieades and that the druids and the cherokee have origins in atlantis the cherokee calendar as are most medicine wheels are based on the mayan system of time. The Dogon of W. Africa say the same. which is very similar to the celtic most ancient cultures say they got the wheel from the stars Also some of the first sailors to come in contact with North American Indians were Welsh and they could converse with some of the tribes! Seemed the Indians were speaking Welsh! (2-21,cherokee) the cherokee also claim twelve tribes came out of atlantis when it was destroyed and populated the areas of the earth bringing this ancient wisdom to other cultures like the 12 tribes of israel there are 12 clans in the cherokee matrilieage. There was contact betwweeen the nordic vikings and the indians after contact with the celts too. (2-9,M&J) As to the NA Indians speaking Welsh, I attended a Celtic League symposium a year or two back, and this was one of the talks. I'll have to go back and review my notes, but as I recall this is heavily debated. The accounts go back to a Welsh prince who
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supposedly sailed to America. Whether or not this is true is highly uncertain. (2-8,Freepowder) The Welsh Prince was Madoc, and I believe... he was supposed to have sailed in the 11th century.... there were records of his sailing away.... but nothing on where he ended up....he most certainly never returned to wales.... One possible explanation for the 'Welsh' Indians is the occurance of grey eyes in some of the southern tribes, notably... the Choctaw and Cherokee.... There are some similarities in the languages, but it is possible.. that this is due to some wandering Celt .... heading east from the orient. Ok Thanks FP! There are many other similarities...notably the common belief among both sets of peoples, the Cherokees and the Celts, that 3264 springs were doorways to the Underworlds and possessed their own spirits. There are other similarities... The Irish have legends about the first settlers coming from the west after a flood. This was later Christianized to be the daughter of Noah Ceasir....but it was first thought to be Atlantis. Also some of the alignments of the stone circles are on the Pleides. In fact, The two major hubs of the Celtic year are connected to when the Pleides first ascend into the constellation of Taurus That is when Bealtaine and Samhain actually occur. As to use in your magickal workings, given the eclectic nature of most American Mages, introduction of the Plains Indian version of the attributes of the quarters is allowable. Perhaps even justified given our geographical location. I personally use the Indian colors and animals in conjunction with the Celtic God/esses. As they used to say in the Toyota comercials, 'It just feels right.' Ok I have another set of values for directions. Then a brief discussion of future topics. I know everyone is suffering from too much Holiday!!- ! Here's my blurb on directions: The "Four Fold Way" by Angeles Arrien a survey of sacred directions and paths of the indigenous peoples of the world gives the following characteristics to the directions: North: The Way of the Warrior, Direction of Power, Element is Air, winged creatures, Standing Meditations, Right Actions, Dancing, instrumrnt is the rattle and season is the Winter. East: The Way of the Visionary, Direction of Vision, Element is Fire, dessert and no legged creatures, Walking meditations, Truth telling, Singing, instrument is the bell and season is Summer. South: The Way of the Healer, Direction of Love, Element of Earth, All four legged creatures, Meditating while laying down, Right Speech is the way of living, Paying attention, Story telling, instrument is the drum and the season is Spring. West: The Way of the Teacher, Direction of Wisdom, Element of Water, All Water creatures,Sitting meditations,RightTiming in life's actions, Being Open minded to outcomes, Silence is the best wisdom, instruments are sticks and bones and season is Autumn. ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ
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3265 "HOW TO USE MAGICK with a Straight Face" (C) 1989 by Scot Rhoads, all rights reserved MYSTIC MOON Metaphysical Books, NEW MOON RISING journal & BBS 8818 Troy St., Spring Vly, CA 91977 (619) 466-8064; BBS: 466-5403 "People that eat blowfish are stupid. People that do not eat blowfish are also stupid." --Japanese proverb With the advent of the New Age, many people are airing great new ways to change your life for the better. These ideas are based on the premise that we have total control of our lives on some level. All we need do is reach that level with our desires. This is, of course, the big challenge. You can read millions of words on that subject. Why is there so much information? Because achieving this kind of control is a very individual thing. There are so many different ways that each person could write his own book. To succeed, each must find his own path. The reason there are instructions at all, though, is because each can find guidance in the successes of others. Magick is one of these many guides. This file is relatively short because it concentrates less on the myriad details of magick and more on how to find your own path. The task is never as easy as it sounds, but it is not complex, either. With straight forward exercises (good, honest work on your Self) you will achieve whatever you desire. We all have this power. The way we use it is not by gaining a new ability, but by getting out of the way of the ability we already have. This book outlines the basic blocks and the kinds of things to do about them. But, as with any advice, it is up to you to honestly assess your own situation and discover what works best for you. Remember, achieving your personal Power is everyone's path in life. You will succeed, it is only a question of when. This book is designed to bring that success more quickly and, overall, more easily. Many people these days still appeal to the "booga-booga" aspect of magick: "We will grant you incredible powers to use on whomever you please if you send us money." As we enter into the New Age of understanding, people are learning that occult powers are actually a natural part of everyone's life. It is our goal to help this process along. We hope to teach newcomers what magick is about. This book is written not only to inform, but also to circumvent the psychological barriers set up by living in a mechanistic society. The mechanistic paradigm (the idea that each person and object is totally separate from the rest of the universe except through physical interaction) precludes magick (non-physically affecting one's environment). The magickal paradigm states that your beliefs create your reality. This choice is like contemplating eating blowfish-- when you analyze it, you can conclude that adopting either paradigm is stupid. Since you can't please everyone else, pick the one that you like best. If (and only if) the magickal paradigm appeals to you, then choose it. Then the trick is to get out of the mind-set that says that magick is impossible. We hope that you will try some exercises to prove to yourself that magick works. Once you have 3266 done so, then you are on the way to achieving anything you desire.
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POWER Power can be a very misleading term. The way most people mean it is in the sense of "power-over." People recognize power as the ability to get others to do what you want, especially when these others have different ideas. This is not Power (with a capital 'P') at all. When you rely on someone else to do something for you, you give your Power to him. This is very different from doing something *with* someone, then both parties gain. But, to believe that you must force or trick another is to say that you need this person to do something that you cannot. You may steal their power (lower case) but you give away your Power. Power is, among other things, the innate ability to bring whatever you truly desire into your life. When you "make" others manifest them for you, you create blocks in your own mind. These blocks say "I cannot do this myself," which obstructs your Power. This is "giving away your Power." When you "take your Power," you accept responsibility for your life. This is not guilt or martyrdom, it is honestly assessing your life and recognizing your successes and failures. Give yourself credit for even the smallest success and recognize that you can overcome every obstacle. Then you allow your Power to express itself. What you need comes to you; projects work for you. We often think of many obstacles as insurmountable. For instance, many believe the lottery to be their only desperate hope of escaping poverty. Such people give away their Power. And why shouldn't they? Everything they've experienced tells them this. Our whole society is rooted in the mechanistic paradigm (all causes and effects have a physical link), which precludes a belief in Power. How is one to know that this concept works? How can this be real when it is so different from what we are used to? Our society has a concept of "Reality" as an objective existence of which we are all a part. When two people have different ideas of the nature of some detail, then at least one is Wrong. We all have a fear of being Wrong. When we are Wrong we miss out on things and people don't like us as much. Therefore we desperately strive to be Right. It turns out that Right is what ever those around you happen to feel that it should be. It's as if they all took a vote when you were out of the room. But "Right" changes all the time: from preservatives are harmless, to preservatives cause cancer; from Stalin is a great leader, to Stalin was a monster; from Ptolemy explains the forces of the universe perfectly, to Newton explains the forces of the universe perfectly, to Einstein explains the forces of the universe perfectly. The philosophy of science this calls this evolving better (or at least different) explanations. Yet, while these ideas hold sway, people call them "Reality." Just how reliable is Reality? We all live our lives using our 3267 individual concepts of Reality to get along. We update them as we see fit. But few will fundamentally change their concepts. We are sure that, although we may not have the details, we certainly have a feel for the basics. Anyone who disagrees with the mechanistic paradigm, for instance, must be missing at least a few marbles. Such a person is irrational in a universe that we
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know to be rational. But is the universe truly rational? Science has pursued the mechanistic paradigm down to the smallest scale, particle physics; here it fails to explain the universe. The building blocks of Reality do not behave rationally. If you drive a car from one side of a mountain to the other and you have a choice of two tunnels, you will drive through one of them. If a single electron has a choice of two holes in a plate to pass through, it will go through both. You can plot the speed and position of your car to the limit of the accuracy of your instruments, but you will never be able to do both to that electron. When you observe this mythical car, it is a solid object. If it were not, it would not be a car. If you drove it around, then tested to see if the car were not solid and discovered that it wasn't, what would you think? Around the turn of the century, scientists figured out that light acts like a wave when you test for a wave, and like a particle when you test for a particle. In the regular world it must be one *or* the other. The two are as mutually exclusive as a non-solid car that you can none the less drive. Mysteriously, light was behaving like both. Eventually, scientists concluded that light doesn't work like the universe we are used to. The act of observing light defines its character. This is called wave-particle duality. Later in the century, scientists found that atomic particles, the building blocks of all matter, behave this way, too. Now imagine that you can find no evidence that this car crosses the space between where you see it and where you saw it last. Suppose the car isn't actually "there" when you're not looking-- the act of looking brings it into "existence." What would you think if noticed that your expectations seem to have an effect on where it turns out to be? This is awfully strange, but it is the kind of universe that particle physicists find. "Looking at" a subatomic particle "brings it into existence." Also, scientists are finding that whatever kind of particle they expect to find in an experiment, tends to be there. This is starting to look less like brilliant theory and more like an effect of the observers. They are no longer separate from their experiments. It turns out that the universe doesn't actually work the way we've always assumed it does. This is the nature of matter on the smallest scale, and it doesn't make sense in every day life. This does not mean that we should abandon our present ideas of how to live. Keep what works ("If it ain't broke, don't fix it"). Particle physics won't affect how you drive through tunnels, for instance. But, if you accept physics, the epitome of the mechanistic paradigm, this means that our mechanistic ideas of how the universe works are fundamentally incomplete. In other words, the mechanistic paradigm is not the whole story. 3268 Big deal. What does this mean in a practical sense? The world seems to work just the same as it did when the mechanistic paradigm was unchallenged. But what if our preconceptions dictate what we are aware of? It is a common trick to set up a group of people for startling event and see how many will overlook a strange inconsistency. In one instance, a teacher took a student off into an adjoining room on a pretext. There was the sound of an argument and a crash and the student ran out through the room. One of the other students suspected a set up and she was the only one who noticed that the teacher's accomplice was carrying a
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bone. A much more dramatic example is the story of Magellan's ships. When the explorer landed on a particular island, the natives, who had never seen europeans before, recognized them as funny looking men in funny looking little boats. But Magellan soon found that the natives were unaware of the large ships that carried them there, though they were impossible to overlook. The natives had seen men and small boats before, but they had never seen a large ship. Such a thing was outside of their experience and therefore outside of their comprehension. Their eyes must have seen the ships, but their brains did not. The natives gathered to try to see them, staring intently at where they supposed to be anchored. Soon the local shaman could discern the barest outline which he described to the others. Eventually they could all perceive ships. Who can say what we make ourselves unaware of? It is only after we've expanded our perception that we learn how limited it was before. But we can't go around indiscriminately "expanding our consciousness." What we choose to believe is based on our desires. If you are happy with what you believe, the is no reason to change. "If it ain't broke, don't fix it." Change is challenging and even if you succeed, it may well be unpleasant. But if you feel unable to overcome obstacles in your life (and you *really* want to), then you have nothing to loose. Magick will only expand possibilities. If it's all a crock, you've lost nothing. If it's true, you can do anything you're willing to work for. It is a draw-win situation. The only way you can lose is to make your choice out of fear. Don't let the opinions of others influence what you choose to believe. Don't give away your Power. Everyone else is in the same situation you are, so when it comes to your own life, there is no greater authority than yourself. If you're interested in magick, try it and see for yourself if it works for you. ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ 3269 WHAT MAGICK IS Magick is a way of using your Power. More technically, magick is the process of non-physically affecting your environment through messages consciously impressed on the subconscious with a system of symbols. (This will become clear later.) This is the broadest definition and it can include such things as prayer, meditation, chanting, positive thinking, subliminal tapes, programming and hypnotism. Some think that magick is unnatural and evil. It is no more evil than any tool. A knife, for instance, is "good" or "evil" depending on its use. It can be invaluable in many beneficial projects, yet it can also harm. Nothing is immune to misuse. People even try to use prayer against others. Such potential is not a reason for fear, but for respect. The idea that magick is unnatural is a modern misconception. Magic has only recently come to mean Hollywood special effects or pulling rabbits from hats. It is often spelled magick in order to distinguish it from this new meaning. For millennia magick has been a path to enlightenment and self mastery or just plain getting what you want. It is nothing supernatural. Magick uses natural powers and the natural flow of the universe to bring about the changes you desire. We are so immersed in magick that, like still air, we are unaware of it. We all use this power without thought, like breathing. Magick is using these powers with awareness. Magick involves placing a message of your choosing into your
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subconscious. This is all that is necessary to achieve any goal. The power of the subconscious is awesome. When you unite it with your conscious will, you can do anything you want. Remove the internal barriers and the external barriers melt away. Oriental philosophy would call this "following the Tao." Achieving this is the challenge of magick. HOW MAGICK WORKS How can programming the subconscious affect the world around us? What are the mechanisms involved? According to the occult view, it works because that is the nature of the universe. In the West, we use the mechanistic paradigm. A paradigm is a pattern or model, in this case describing the way the universe works. We use paradigms to function, usually without even realizing it. The mechanistic paradigm is one of the most basic that underlie our culture. This model states that there is an objective reality in which objects interact solely through physical contact. Science has updated this to include fields like gravity and magnetism, but the principle is the same. The result is a universe in which the individual is nearly powerless. You can only make real change through physical action. Magick is the act of making such changes non-physically, so it does not fit in with the mechanistic paradigm. Most westerners are unaware that the magickal paradigm represents a majority view among the world's cultures. Basically, it is the antithesis of the mechanistic view. It states that there is no objective universe, only subjective universes. These 3270 universes are the perceptions of each individual. You couldn't possibly do any experiment that would show your universe to be either subjective or objective. You must be an objective observer in order to tell the difference. You are automatically a subjective observer because you are in the universe. That's life. At this point, there is no practical difference between these views. The universe looks the same either way. But the magickal paradigm also states that the universe is an expression of your perceptions and your perceptions are that part of yourself over which you have control. When you change your own attitudes and preconceptions, the universe will follow. This gives an individual as much power over the universe as he has over himself. Metaphysics We obviously don't exercise infinite power. There is more to magick than merely having a desire or belief. That is because we have many conflicting desires and beliefs on many levels. There is a level called, among other things, the Little Self. This roughly corresponds to the subconscious and the super ego. The ego, the part of ourselves which we think of as "I," is called the Middle Self. The Little Self is the gateway to the High Self, our connection with godhead and the universe. Infinite power lies with the High Self, but our access is through the Little Self which has its own ideas. The Little Self is aware of and accepts everything around it and everything you think, even when you are not aware. These perceptions build up very strong ideas in the Little Self. When these ideas are different from yours (those of the Middle Self), your ideas loose. To succeed, you must unify your will.
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Of course, people rightfully complain that even if we do create our universe, it's still tough to make changes. That is because there is quite a bit of inertia to ideas that have been strongly supported since childhood (or before, if you accept past-lives). In an extreme example, the original "Peter Pan" had to be changed to keep from harming children. In the original version, the characters flew because "they believed." Many children attempted to fly and discovered the hard way that their Little Self did not agree. Things like a belief in gravity may be possible to overcome, but no one will argue that it's commonly done. This example sounds silly because our experience of gravity is so compelling that it seems ridiculous to consider it to be "merely a thought construct." But another belief that is nearly as widespread is that of poverty. This is a significantly less daunting belief which many have overcome. As long as you believe you are poor, you will be. This is often a very strong belief. Many cannot even genuinely imagine themselves as being wealthy. But, because it is not beyond reasonable comprehension, it is possible to reprogram your Little Self-- much as it's possible for left-handers to learn to be right-handed. Magick is an effective way to do this. If you are unconvinced, consider how many little messages you 3271 heard when growing up, which you now believe on some level. Frequent messages, especially with children, usually become true. If you have heard all your life that you are poor or dumb or unsuccessful, eventually you believe it and eventually it's true. You probably know many people with an unjustifiably poor self image. This is an image which their Little Selves accepted, probably during childhood when they couldn't protect themselves. That is how messages to the Little Self work against you. And the Little Self is aware of everything, even when you are asleep. It also believes everything it hears. So the next time that you hear that you're not good or that you need to buy a product that you don't really want, consciously give your Little Self a different message. Talk to it and tell it what you want to believe. This is what makes your universe, so make it the way you want it. When you have a particularly powerful belief to overcome, then you must send a powerful message. That is the role of magick. Religion The religious rendition of magick is prayer. Although they are different things, the principles are similar. Techniques that are effective for one will work very well in the other. In fact, they use many common symbols. One could say that magick is secular prayer. Prayer works when "God answers it." This is entirely in line with the metaphysical explanation. You can say that the Higher Self is God or your connection to God. This is simply a different way of expressing the same ineffable principles. You can adapt anything here to fit into your views. Don't let the way these concepts are phrased put you off. Feel free to interpret this as much as you like in order to make it acceptable and usable to you. Psychology
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The explanations so far require new way of thinking about the universe, but those entrenched in the mechanistic paradigm need not miss out. Psychology has enough respect as a science to offer hope. If you replace Little Self with subconscious, the principle is the same. Although there is no longer a source of infinite power or non-physical change. But influencing the subconscious is the next best thing in a mechanistic world. Psychologists would say that magick directs all your unconscious efforts toward your goal. It also eliminates those unconscious efforts keeping you from your goal. This may not sound like much, but it is primarily these efforts that determine success or failure. It is easy to overlook because, for the most part, the conscious will is the same as the unconscious will. Thus, we succeed at endeavors such as waking up, getting to work on time and fixing dinner. This may seem silly, but when your subconscious doesn't share a goal, even simple tasks are exceptionally difficult. The power of the subconscious can either fight you or help you. Where ever you succeed, it's almost certainly helping. Where ever you fail, it's almost certainly fighting. 3272 The subconscious represents everything the mind does that we do not think about. This involves a most of what we do. When you are driving on a familiar freeway in good conditions, you are usually thinking about the music on the radio or salient problems. At such times it is your subconscious driving. If you notice something strange in the road, it was your subconscious that brought it to your attention. This is very helpful, but that isn't necessarily the case. The subconscious can throw up all kinds of barriers, preventing even the simplest tasks. It can make you late for work when it doesn't feel like going-- you can wake up late, feel ill, misplace car keys or even have an accident. This influence sometimes goes to the extremes. People can even be paralyzed by hysteria, a condition that lies entirely within the mind. Pathological fears are another example. An agoraphobe, for instance, can have such an extreme reaction to being outdoors that he cannot leave his house no matter how badly he wants to. The subtle action of the subconscious can be almost as profound. Even when the influence of the subconscious is indistinguishable from chance happenings, on larger scale the effect is dramatic. Psychologists try to ensure that experiments are "double blind" for this reason. They must set up an experimental group and a control group. In the latter, there is only the single element, the target of the experiment, that is different. In drug testing, experimenters use placebos on a control group. The act of administering a substance can have a profound mental effect, even when that substance is inert, a placebo. When they expect effective drugs, people can have great results with a placebo. But the "placebo effect" is purely psychological. If either the experimenter or the subject think that they know which is being administered, that is enough to throw off the results. The subconscious of the subject reacts to what the subject expects. If the experimenter knows what he is administering, then the subject's subconscious reacts to cues from the experimenter's subconscious. This is sometimes called the "Clever Hans effect" after a horse which seemed to be able to do math. In reality, clever Hans but was reacting to cues from the people around him.
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When someone near him knew the answer, the horse could sense that person's expectation. It was sometime before researchers even considered these nearly invisible clues. Although such subconscious actions are very subtle, they can dramatically change the results of an experiment. The subconscious similarly affects results in your life as well. Magick programs the subconscious to work for you. This is not as potent as the metaphysical concept, but it will make you as effective as you can possibly be in a mechanistic world. A unified will directs all your efforts, conscious and otherwise, toward your goal. Since the subconscious can present insurmountable barriers, working out these barriers is all it takes to be on the road to success. Some may be disturbed to think that magick may be misrepresenting how it works, but that should not be a problem. In one experiment, scientists gave placebos to a group of 3273 subjects. After the placebos "took effect," the scientists explained what they were. Even when the scientists made it clear to the subjects that the placebos had no biochemical action, many subjects still wanted a prescription for them. (It would be interesting to see how much more effective prescription placebos are versus over the counter placebos.) Were these people stupid? Or were they wise to stick with something that worked? New Science Those that cannot extricate themselves from old mechanistic views need an excuse to allow the placebo effect to bring them success. Ironically, the same discipline which made magick so difficult can now provide this excuse. Scientists are exploring some new ideas which depart from the founding mechanistic paradigm. Ideas consonant with the magickal paradigm show up in Jung's synchronicity, quantum physics, the Gaia hypothesis and the morphogenetic field hypothesis (see Rupert Sheldrake's "A New Science of Life"). When these views obviously challenge the traditional mechanistic paradigm, they are a source of hostility or amusement. When the challenge is more subtle, people ignore it. Never the less, the West is gradually turning toward a view more in tune with magick. With greater frequency, people are willing to consider the idea that we affect our universe on more than just a physical level. Scientific evidence now supports the idea of non-physically affecting your environment. Quantum physics suggests that an experimenter's goals seem to create whatever particle he's looking for. The morphogenetic field hypothesis suggests that actions affect all other actions to the degree that the circumstances are similar. This explains why it becomes easier to grow a certain type of crystal over time and how new animal behaviors "jump" from one isolated population to another. Science is continually finding support for things that metaphysicians have said for millennia. If your respect for science is such that you cannot take magick seriously, do some research into these areas. If you can find an acceptable explanation, then you can respect magick. This respect is essential for success. But don't look for "proofs." The concept of magick is nebulous. It's designed to explain the way things are. "Contrary evidence" only shows that you misunderstand. Change your definition to include the new
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evidence. Magick can never be proven wrong because it can't be pinned down. Since it explains a subjective reality, it can never be proven right, either. The magickal paradigm will confirm any preconceptions, so the mechanistic paradigm will look "true" if that is what you expect. Since it also postulates so many unknowns in the mind, this paradigm states that what you get is what you expected. As with so many things, you will believe if you want to and you won't if you don't want to. But when you're on the fence, the right explanation can help you accept the possibility. Only then you can honestly try magick. If you experiment with a negative attitude, it is the nature of magick to confirm this. Magick works best for those practical enough to 3274 be skeptical, but open minded enough to give it an honest try. If a part of you is genuinely interested in magick, work to become comfortable with it. Start with simple and harmless work. Leave the embarrassing stuff for later, after you've seen it work and you don't care so much if your friends find out. Avoid getting too involved in the "explanations." If you need one, pick whichever you like. It doesn't have to be any of those here. Each has to build his own models. In any case, reality transcends the understanding of waking-consciousness, so any expressible explanation is "wrong" in the traditional sense, anyway. For a good illustration, try to "understand" wave- particle duality in any but a mathematical sense. It's as impossible to picture as a four dimensional cube. However the universe "actually is," always act in a manner that is responsible in an objective universe. If this were not essential, people would have abandoned the objective universe long ago. Objective or subjective, there are many empirical rules of behavior that we all know. Magick doesn't change these rules. Don't drive crazily because you've done a protection spell. Don't spend unwisely because you've done a prosperity spell. Don't jump off a building because you've done a flight spell. Remain within these rules and you loose nothing by acting as though the universe is subjective. You should not be doing anything you don't want to do in the first place, because such acts are pointless in either universe. If the universe is objective, then you have had some harmless fun. If the universe is subjective, then you have the chance to get anything you want. If you approach it properly, you can't lose. THE EMPIRICAL RULES OF MAGICK Karma, the golden rule So far you have read a few possible explanations of how magick works. This is to open your mind to the fact it *can* work. But any explanation puts a limit on the possibilities. The possibilities which a model rules out are much harder to achieve while you use that model. Please don't limit yourself unnecessarily. But remember, no matter how much you may try to believe that you can fly, it's not likely you'll succeed. The obvious lesson here is, be careful: test the waters of your subconscious, act responsibly (but not over cautious). Don't jump off a cliff after your first flight spell. Don't quit work after your first job spell. Start slow and find out how your Little Self works before you do any life changing work.
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There is a hazard so universal that you should treat it as fact: Karma. This is the old saw of, "what goes around, comes around." You attract things of a similar nature to what you concentrate on (similar to morphogenetic fields). And remember, when you concentrate on something, your Little Self does so at least as much. The mechanistic reason for this may be "the subconscious mind directing subtle actions to bring about circumstances in tune with its thoughts." Metaphysicians often explain it as "like vibrations attracting like." 3275 Everything has a "vibration." This is similar to the vibration of musical notes, though obviously not the same. As with musical notes, one vibration can start a sympathetic vibration. One vibrating piano string will start similar strings vibrating. Karma is the word for this principle in magick. There is a certain vibration associated with any act. If you hit someone, the emotions and actions involved are of a certain vibration. This will tend to attract things of a similar vibration, primarily violent acts. You will tend to attract someone to hit you. It turns out that everything you do to others you essentially also do to yourself, and vice versa. It sounds trite, but being nice to others and yourself truly makes the world a better place for everyone. It doesn't matter how you understand karma, or even if you believe in it-- you are warned. Many people don't believe. The action of karma, particularly on such people, is often too slow to notice. It can easily take lifetimes for a soul to work through karma. But the soul will, so avoid bad thoughts. This is impossible, but you will get better with practice. Each unpleasant thought has a negative effect on you and others. This brings negative things into your life. This is pretty rotten, but remember that each positive thought brings positive things-- that can be pretty good. In any case, you needn't respect karma to find yourself a happier person for trying to live this way. If you are just learning about karma, you will probably find that it is now a little more obvious in your life. But sometimes it's difficult to figure. If you do a spell to heal someone, you would expect to be attracting good things. But what if immediately afterward you receive a transfer back home to live near your scummy relatives? Hardly fair! Yet that's the kind of result you can expect if you do anything to a person without permission. People have enough difficulty with their own Little Selves, it's nearly impossible to divine the desire of someone else's. The most beneficent act could violate someone's will on some level. If the person asks you, then you are free to act. But, even if you are absolutely sure that the person would want it, if he hasn't asked you, don't do it. Another fantastic example is the love spell. Do a spell to attract the kind of person you want, not a specific person. Exercising your will on others without their consent is always nasty-- doing so magickally has an even higher cost. Watch yourself. Many people working with magick do so under a "threefold law." This means that any karmic response is tripled. This is to keep people particularly scrupulous when they are fooling around with this stuff. Take it seriously. Know Thyself Karma is best described by the golden rule, "Do unto others as
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you would have them do unto you." The other major rule of magick is just as common place, "Know thyself." This is essential because of the Little Self. Magick is the science of expressing your will. Because there are many aspects to your will, it follows that you must be aware of all these aspects to be an effective magician. 3276 "Know thyself" means be aware of the thoughts and feelings of your Little Self. Learn how it feels about the things you want. Learn it's beliefs. You must know your starting point to effectively change negative beliefs. To do this, you have to pay attention to all the subconscious cues that your Little Self gives you. Explore your feelings, keep track of your dreams, look at your past. One of the best clues is your own life. If you create everything on some level, then part of you "wants" each thing in your life. You must not deny this, but work with it. The goal is healing because destruction is at best temporary. Different desires on other levels interfere with your conscious desire. Your Little Self picks them up everywhere. You must be aware of this so that you can counteract it. Every ideal commonly in the mass media impresses itself strongly. When Madison Avenue spreads the word that young and thin are the ideal, your Little Self will accept this if you are not careful. If you are not young and thin, this message undermines your sense of self worth. The resultant sense of undeserving works against your success. There is so much exposure to these messages that it is a real battle to avoid them. Particularly in childhood, when we can't protect ourselves, others deeply ingrain ideas that can be with us for life. You must work hard to discover these feelings and counter act them. If part of you feels undeserving, genuine success seems impossible. There are other aspects to this problem. Not only might you feel undeserving, but you could even desire failure. There are many reasons for this, usually based in childhood. Whatever the cause, you must look at your failures to see if there might be some reward. Many people are subject to chronic illness, for instance, because of the attention they get or an unpleasant situation they avoid. If you really want to succeed, you must consciously release your desire for the rewards of failure. You must also look at the fear of success. Many times we do not consider the problems associated with what we are striving for, but the Little Self does. It may be afraid of the responsibility of a better job or a new spouse. Think through your goals very carefully. What would life be like if you had what you desire? You will have to address any new tasks and responsibilities. You will have to be aware of any sacrifices. Once you are sure that you want not only your goal, but the sacrifices and responsibilities that go with it, then release your fears. People fear change, because it is unknown. You must be aware that you are taking a leap and welcome it. Have faith in your Self. When you know your Little Self well enough, you will be able to trust that it will bring you what you desire. When you don't know it that well, work on that. If you fail, it's time to work harder. When you and your Little Self have the same goals, and you have healed all the blocks to your success, you *know* that what you want is coming. When you know, you do not feel desperate. If you are feeling desperation, you are blocking. In that case, back to work! When you have worked hard enough, then you are ready for
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the easy part, the spell or ritual. When you enter ritual you should know what you want and why you want it. You should have 3277 healed all feelings of failure and undeserving and you should know that your spell will bring it. Work to cultivate this feeling of calm expectation, it is an important key. When you do a ritual, you will release all the power you have built to do its work on the universe. You should not even have to think about it again. Once you achieve this, though, there is another caveat. Many people have something unpleasant happen to them and later realized that they had asked for it. "Be careful what you ask for, you just might get it." Always think carefully about what you want and how you ask for it. Once again, solid background work is the key. USING MAGICK Magick is a field with many different disciplines. There is sympathetic, Earth, Ceremonial, Enochian, Celtic, Egyptian and Kabbalah magick just to begin. These are occasionally different in their basic techniques, but mostly they differ in the symbols they use to achieve their goals. The principles are the same, however. Whichever form you prefer, it is how you observe these principles that determines your success. Beyond that, it is only personal preference. Preference is very important, too. It is your Little Self that you are addressing, and it is as individual as you. You must learn what works best for you. The first clue is what appeals to you most. Once you find the best methods for you, you build your own personal magickal system. It is up to you to find these methods, through research and experimentation. There is so much information that it is impossible to give more than a sample here. The information in this book is enough to get started. It is your work that will complete it. If you are happy with what you get on your own, you need never open another book. But you must at least pay constant, careful attention to your work to fine tune it. As with anything, the more work you put in, the better your success. The first principle is to take what you're doing very seriously. This is not so easy when you're struggling with society's negative attitudes. Ignore any intrusive thoughts you might have. Concentrate on what you are doing. You must passively avoid any distractions. Do not try to actively avoid them for that usually becomes an even bigger distraction. As long as you enter with the right attitude, the rest will come with practice. Magickal ritual is a very special thing. You must set it apart from your ordinary functions. When you do this, your Little Self is aware that you have that an important message to give it. Not only is the message less cluttered by stray thoughts, but it proceeds more directly to the Little Self. The more special things you have surrounding your ritual, the more effective it is. (As long as you don't have so much that these things become a distraction in themselves.) Pick a time when you are relaxed and awake and not under the influence of any drugs (e.g., alcohol or medication). Take the 3278
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phone off the hook and see that you are not disturbed. Create a "sacred space" that is only for ritual. If you can set up a regular time or place which you use for nothing other than ritual, this is ideal. Before you begin, take a bath or at least wash your hands and use this to symbolically wash away all other thoughts and distractions in your mind. Relax your body and mind. Remove watches and tight clothes. Make sure the time of the ritual is clearly separated from your usual day. Use a symbolic act like knocking three times to open and close the ritual. Anything that you can add to the ambience will help: incense, special or no clothing, candle light, silence or meditative music (or whatever music is appropriate to the spell-- be careful of any lyrics!). If you know a second language that you don't ordinarily speak, such as hebrew or latin, you may want to use this. Alternatively, you can use the Thee's and Thou's of archaic english. During the ritual, concentrate on your goals. Make sure that your ritual is not so long that you can't keep your mind focused! It is better to repeat a ritual over days or weeks than to have an enormously long one in which you spend most of your time thinking about balancing your checkbook. Know what you will do before you start. You may ad lib, but your purpose must be completely clear before you start. Don't be surprised, however, if a ritual goes differently from expected. You may, for instance, gain an insight as you work that seems unrelated to your goal. It is important to consider this! It may be the key to what you are trying to achieve. It may also be a distraction, so be aware. The Attitude Since magick is the science of controlling your Self, the entire key is in attitude. Not only must you take it seriously, but you must also cultivate the right feelings. You must want and expect your goal. Wanting seems easy, but this is deceptive. That is because the many facets of a personality often want different things. You must unify your desire just as you must unify your will. A person who grew up abused may learn, on some level, to associate this with love. That person's Little Self will seek out abuse as an expression of love. It will want abuse even if the individual does not. Changing the desire of the Little Self to that if the individual is the challenge. An even bigger challenge is that of expectation. According to the magickal paradigm, you not only get what you want, but you get it in the way that you expect it. Thus, if you do a spell for money and you think "I'll never win the lottery," the money cannot come that way. If the spell is to work, the money must come from another source, such as finding a better job. Too often we rule out all possibility. When you do a spell, you know that has already worked. If you do not know this, it has not worked. This is the ideal. It may well take some time before you work up to this point. 3279 For these reasons it's usually best to start slow. Remember, to be completely successful, you have to want and expect on every level. Begin with a project easier than levitation! Work your way up to something life changing only after you have proven
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yourself. And don't look for dramatic results. Don't rule them out, of course-- you can win the lottery or even have ET hand you a suitcase of money. But remember, this is dealing in what you believe, and people rarely believe that dramatic things can happen to them. Look at magick as an extra push-- something to make the random events break your way. In addition to magickal means, strive for your goals on the earthly level. Preliminary results usually tend toward things like improved success in your ordinary pursuits: business picking up, a bonus, getting that job interview. Also, the energy you put into these mundane efforts also supports your magickal work. Even if you concentrate on winning a lottery, you must at least buy a ticket. All your efforts help to build expectation and gives a very strong message to the Little Self. Affirmation The message you give to your Little Self is the most important aspect of Magick. The whole process is communicating the right message. Desire and expectancy are the two most important messages. But often these do not get across. The Little Self has the understanding of a child. There are certain messages that work well and quite a few that work disastrously. You must learn how to talk to your Little Self. The Little Self understands images and feelings; it does not understand negatives or time. When you say "I will not fail," the image in your mind is that of failure. The message to another person would be what you mean, because they understand the negation, "not." The message to the subconscious is "I will fail." Never, never, never use a negative when talking to your Little Self. If you change your message to, "I will succeed," you still have a problem. Since the Little Self does not understand time as we do, it will perpetually see success as being in the future. Success will never arrive. The proper message would be, "I succeed." This is not the way we are used to thinking, but it is necessary for magickal work. Always formulate your goals this way when you begin a ritual or spell. In addition, the more you think in this way in everyday life, the more powerful will be the positive messages to your Little Self. Visualization The images which you give your Little Self are even more important. It is the images which your words conjure that actually do the communicating. When you choose your goal, you should try to choose one or more images to represent it. The image must include you in it, either see yourself in a scene or picture it as if looking out of your eyes. The scene should represent to you exactly what you desire. 3280 The more you imagine in your scene, the better. Details, smells, sounds and textures all help enormously. The scene is most effective when it brings up all the emotions that you would feel if you were actually there. A drawing or picture is a good aid. Surround yourself with as many things you can find that make you think of your goal. Imagine you have what you want and know you have what you want. That is a successful ritual.
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Symbols Over the millennia, people have discovered symbols which speak to the Little Selves of nearly everyone. Various sets of symbols form the foundation of the many different schools of magick. They are often culturally oriented. Because our culture is far removed from its magickal symbols, each must discover his own. There are myriads of occult books that offer as many different symbols as you could want. If you are interested, research them. Look first to your religion or ethnic background for your symbols. Mythology and astrology are also good sources. One kind of symbol is the magickal tool. This is a physical object which you have consecrated for magickal work. If you have, for instance, a cross or star which you want to use for protection, you must empower the object for that purpose in a ritual. You will direct you will, through statement and visualization, into to object. From then on it is a constant tangible reminder to you and your Little Self. Treat it with the greatest respect. When you want to use a symbol, first explore your feelings as you look at it. If it conjures the feelings you want, then use it. With symbols from a source, try do this before you read what the "authentic" meaning is. Sometimes you can get new information by not prejudicing yourself. Be careful if the meaning is very different, though. If you are not entirely in tune with your Little Self (and few beginners are), you may be missing something that will affect your spell. Chakra To give you an idea of what to look for and a sample to try, here is a simple set of symbols based on the Chakra. Chakrum (singular) is Sanskrit for wheel, although vortex would be a better word. Chakra refers to points in the body where certain energies localize. These types of energies correspond to many different things: herbs, stones, times, planets, moods, political beliefs. It is possible to relate anything to a chakrum. This chart gives points on the body, one of the many color schemes and how one experiences these energies. This becomes useful when you seek a reinforcing energy. You can use this chart to decide where to apply a magickal oil or what color is best to use in a given project. RED ROOT Physical Health and Energy ORANGE SPLEEN Sexual and Reserve Energy (Second Wind) YELLOW SOLAR PLEXUS Mental and Emotional Energy GREEN HEART Love, Prosperity, Fertility, Growth BLUE THROAT Command, Creation, Will, Expression INDIGO BROW Magick, Psychic Energy 3281 LAVENDER CROWN Spirituality WHITE Positivity, all colors combined, the Universal Deity (God) BLACK absorbs negativity PINK Filial Love, "Agape" (look it up) BROWN Earthiness, Grounding, Hearth & Home GOLD Wealth TEMPLES Thoughts, mind The blue is a very light blue. Indigo is a very dark blue, like navy blue. Lavender is a mixture of the colors and the energies of red, indigo and white. It is a very light color which you might be able to see at the edge of a gas flame. The root chakrum is at the base of the
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spine. The spleen is a few inches higher and to your left or along the spine (your choice). The Solar Plexus at the navel (there is a major nerve nexus here). The Brow or Third Eye Chakrum is associated with the pineal gland. On the skin, the point is on the brow between the eyes. The crown is the top of the head, associated with the fontanelle (soft spot). If you use something black (like obsidian) to absorb negativity, be sure to wash it occasionally to get rid of the negativity. When you burn a black candle, this creates a vacuum. This may be filled by for negativity unless you also burn a white candle to bring in positive energy. EXERCISES Magick is not just an occasional exercise to bring what you want, it is a way of life. It requires a certain kind of relationship with your Self. This does not preclude any kind of life style or religion, it is entirely separate. It isn't what you do but why and how you do it. Magick demands that you love and respect your Self and that you accept your Power. This is the goal. "Getting what you want" is a small bonus. Building a magickal relationship with your Self is much like building one with a best friend. You learn all you can about its beliefs and feelings. You help heal it and it helps you. You achieve this through communication and love. You love through learning acceptance. You communicate by learning and listening to the language of the Little Self. Dreams The Little Self expresses itself most clearly in dreams. You should keep a regular dream diary. Have a journal handy by the bed. As soon as you wake up in the morning, write down as many details as you can. If you scribble down notes, transcribe them into a clear, coherent text. If you remember no dreams, write this down. You should have an entry for every day that you sleep. It is best to record them in present participle (e.g., "I dream that I am writing in my journal"). Once you have a dream recorded. Consider it and write down your impressions. How does it make you feel? To what does it pertain? What symbols are there? What does it tell you about yourself and your life? After you have considered these things, you may choose to look up the possible meaning in a dream dictionary. It is best to do this afterward because someone else's interpretation could prejudice your own. The advantage is that many dreams are "contrary." Such dreams actually mean the 3282 opposite of what they seem to on the surface. A dictionary can help jog your awareness. Once you've tried on your own, it's not a bad idea. Remember, though, your impressions are the most significant. You can make great progress during your dreams as well. The more control you have in your dreams, the more Power you have in your life. Try to develop this control. Remind yourself each time before you go to bed that you will remember your dreams and exercise your will in them. The ideal is called a waking or vivid dream. In this you are consciously aware that you are dreaming and everything, especially color, is very clear. The most important thing to remember in a dream is to defeat everything that attacks you. Attackers represent those things afflicting you during the day. Don't let them beat you in your dreams. If you need help, call for it. When victorious, make the attacker give
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you a gift. The gift is the benefit that you can gain from any situation. Defeat your dream monsters and you gain power to face your real monsters. From your dreams you can learn what your Little Self desires and fears. You can also gain powerful symbols for your work. These are all highly personal and it is up to you to divine this information. But, don't try to interpret too much. Much of what you dream is reviewing the events of the day and other items of no great insight. Look at all your dreams and discover which ones hold meaning for you. Don't worry when you don't understand. Your Little Self will keep trying when it has something important to tell you. As long as you keep listening, you will progress. Diary You should also keep a daily diary. It too, is a line to your Little Self. Use this to record the events of the day and your thoughts and feelings. These will reflect what is going on inside you. Use it also for introspection. You must do a lot of soul searching to learn about your Little Self, this is most effective when written. It is even more important to track the progress of your magickal work. Each time you do a spell or ritual record your goal, your feelings before and after and your methods. Before you get to this point, you should also have explored all your feelings associated with it. Then pay careful attention to all that happens to you (part of the reason for the daily diary). Often, a spell will work and we will not even notice. Since magick works with what we believe, things come to us in the way we expect or allow. When you do a healing, it will tend to look entirely natural, rather than miraculous. If you do a prosperity spell, receiving a tax refund check the following month could be the universe's response. Keep an eye out for any hint of possible results. Even the weakest indication is very positive. It may not be enough to satisfy, but it means that you are being effective. If you keep working, you will be able to improve until you achieve the result you desire. When you give yourself credit for even the smallest success, you build the relationship between you and your Little Self. 3283 Pendulums Another good way of communicating with your Little Self is through pendulum work. You can use any object on a string, but if it holds significance for you, so much the better. Hold your arm steady and think about the pendulum swinging forward and back. It should eventually begin to do so without you *consciously* moving your arm. Next change the movement to left and right by thinking about it. Once you can do this with facility, assign "yes" to one direction and "no" to the other. If you choose forward and back as "yes," alternate thinking the direction and thinking the word. Eventually, even when you start cold, the pendulum will swing forward and back when you think "yes." Repeat with the word "no" for the opposite direction. Now you have a way of talking with your Little Self. You can ask it questions directly. Eventually, you can even get your Little Self to spell words by holding the pendulum over a semicircle with the alphabet on it. The direction of swing will indicate each letter. Another method is automatic writing. With this you hold a pen and relax
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and let "it" do the writing. (This may sound like an Ouija board, but it is not. Do not try to use one for this purpose or vice versa.) Whatever method you use, be careful. Your Little Self wants to please you. It will tend to give you the answer you want. Make sure you want the truth and that your Little Self understands this. Always be friendly, as you would with a child. Praise success and don't berate failure. After all, it is only trying to please. As usual, this requires regular work over time, but eventually you can have such a good understanding that you need no tools. You will simply "know" how your Little Self feels. This is the ideal. Meditation Another way to achieve this awareness is through meditation. This is a method of calming the conscious mind. There many physical benefits from the stress reduction alone. It also allows your inner thoughts and feelings to express themselves. All the skills you learn in meditation are very useful in magick. Not only is it a line of communication with the little self, but it teaches you to quiet the conscious mind which is essential in ritual. You would do well take instruction in a meditation technique such as yoga or self-hypnosis. If you are learning this on your own, observe these rules: Relax your body consciously and completely. You must be in a comfortable, calm environment to do this properly. Starting at your feet, think about each part of your body and let it relax. It may help to tighten the muscles first. Use a cue to tell your mind to relax. This can be something like mentally going down stairs or counting backwards. [Do not use a common cue. For instance, "three, two, one" is something that you might encounter on the radio while driving. This could be dangerous. It would be better to use, "three, three, three, two, two, two, one, one, one." This is less likely to cause a problem. It is dangerously easy to get into a meditative state during automatic tasks like driving. This you must avoid.] Once relaxed, you can use this state to allow subconscious thoughts to float to the surface, or 3284 you can use it in ritual to give a powerful message to your Little Self. This mental state is another key to magick. You will find that it is very difficult to focus your conscious mind at first. See how long you can hold one word or picture in your head without any other thought. It is probably an astoundingly brief time. Watch commercials to see how many seconds they show one unchanging scene. This represents the average attention span. This is one of the reasons that magick is so difficult, you must remain focused for the entire ritual. Be aware of you concentration span. While it is short, you should be working short rituals. It is better to have three five-minute rituals than one half-hour ritual if you spend twenty minutes of the latter thinking of other things. In order to improve your concentration, spend some time each day trying to hold a word or picture as long as possible. Another good exercise is to pick a word and try *not* to think of it for a week. Count how many times you think the word in your head, if you think it again when counting it, count that instance, too. This is very difficult, but eventually you will even be able to hear or see the word without thinking it. These skills immediately become useful in communicating with
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your Little Self. You will want to hold positive thoughts, such as "I am a loveable, successful person." You will want to dispel negative thoughts, as when the T.V. tells you, "I was very unpopular until I started using Crealm Toothpaste!" When you are trying to reprogram your Little Self, feel free to use aids such as subliminal tapes. Another good one is colored cards. Place your simple, direct message, such as "I succeed," on a colored card where you will see it each day. Put small pieces of the same color where you will encounter them throughout the day. Each time a bit of card comes in your field of view, your Little Self will notice and remember the message, even when you don't. Symbolic acts are also very powerful. When you clean out your house and get rid of everything that you don't *need,* you make way for new things to come into your life. This is a good thing to do in concert with a major change in your life, quitting smoking or graduation, for instance. It helps to tell your Little Self that your old life is over and your new one has begun. The more you can eliminate the symbols of your old life, the more you can shape your new life to your liking. Be aware of all that you do, for you can use ordinary acts to give messages to your Little Self. Your morning shower can be a ritual to "wash away" all your stress or yesterday's mistakes. If you do this, however, you must *make* it a ritual. Develop a routine and concentrate on the purpose of the act throughout. This is true of all magickal works. Once you have begun this work to focus your conscious mind and reprogram your Little Self for success, then you can begin some small works of magick. You want to start small because most people have difficulty accepting a great success on a deep level. If start with a spell to win one million in the lottery and you are not ready for this, your failure will set you back. If you do prosperity spell and you get a small raise or win $10 in the 3285 lottery, that is a start that you can build on. One of the better starting goals is manifesting an insignificant object. Manifesting means bringing it into your life. Things tend to manifest in unremarkable ways, so keep a look out. The blue feather is a classic. Set up a ritual in which you concentrate on a blue feather. See it, feel it, smell it, want it, then let it go. Then pay attention for the following week (and keep track in your journal). You may find a blue feather on the side walk. You may notice one for the first time on a billboard that you pass every day. You may see one on T.V. All of these are successes. It is best to start with insignificant, uncommon (but not rare) objects. An uncommon object gives you a good indication of success. A rare object is a challenge you can work up to. An insignificant object is easier because you do not have interfering desires or fears. You have to be relaxed and confident and let go of your desire as you complete the ritual. You should be able to manifest such an object before you proceed to a greater challenge. It is valuable to repeat this exercise every so often in any case. Another good spell to start with is a spell to do good spells. That is, you can use magic to help remove blocks and fears. For instance, if you have discovered that you feel unworthy, this will seriously impair your ability to manifest what you want. But, you can use your desire for self worth to empower magickal
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work toward feeling worthiness. You can also do a spell to support your ability to concentrate on your goal. This is just an extension of all the other methods of getting messages to your Little Self. When you discover blocks and fears, when thoughts intrude and your mind wanders, or when you find yourself thinking exactly what you're supposed to avoid, don't worry! This happens as you learn to control your will. The idea is not to avoid these problems, but to *learn* to avoid them. You can't do this by trying to force yourself. There are no instructions on how to do this, only exercises. Just do your stuff and the rest will follow. When problem surfaces, recognize it and go on. Don't try to stop it and don't dwell on it, just continue. You may know that you have "spoiled" a ritual with a stray thought, but complete it anyway-- it's a good exercise. Sometimes you can deal with stray thoughts by *trying* to think about them. Concentrate on these thoughts and let your mind tire of them, then go on with your work. Work steadily, but not overly hard, on these exercises and make magick a part of your life. Unify your will. Take and prove your Power. Only after you have done this are you ready to do magick. When you feel you are ready, develop the messages and visualization which will be the most powerful for you. Decide how you are going to set up your ritual area and how you will orchestrate your spell. Whatever you feel best with is what will be the most powerful. If you need an idea of how to start, consider the examples that follow. 3286 SPELLS Once you have discovered and addressed your blocks, you are ready to do a spell. This is only a little different from what you have already been doing. In a spell you do nothing new, you do it differently. A spell is a ritual, an act carefully planned to have the greatest effect. You must do the planning, for only you know what will be the most effective ritual. Plan carefully and completely. You may want to use a script (it would be best to memorize it). You can ad lib once you're more experienced. At this point, you have enough information to develop more powerful rituals than you are likely to encounter in any book. However, since this is so different from what most of us are used to, here are some samples to give you a starting point. Feel free to use and change these rituals as you please. They are here to give you an idea of how you may want to approach things. The ritual starts in a special place. It could be out in the woods or in a special room. Ideally, you would never use this place for anything but ritual, but this may be impossible. If in the home, choose a quiet time and unplug the phone. Make sure that you are not disturbed. Before the ritual, carefully clean and arrange the area and take a bath or wash your hands. Think about washing away the days thoughts and cares. You are now ritually purified. You should not engage in any mundane activity until after the ritual. Enter your ritual area and knock three times, to mark the beginning. From this point all your thoughts are on the ritual. Don't do anything automatically. No matter how familiar, think about every action and what it means.
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Light candles and incense (only if there is no danger of fire!). Imagine the ritual area surrounded in a circle of white light. You may physically trace this circle to reinforce it. (Traditionally, all such movements are clockwise when invoking and counterclockwise when dispelling.) Repeat an act of purification. This is like the bath only more symbolic. You can hold your hand in the incense smoke and touch water from a ritual cup to your forehead, for instance. Next, relax and aum-- that is chant the mantra "ohhmmm" (or whatever works for you) to bring your mind to the proper state of alert relaxation, ready for work. At this point you will state your will. Tell your Self and the Universe how you choose it to be. This is not merely verbalization, during ritual your word is law. What you say, is. Feel your statement with your entire being, with every sense. Use all the techniques that you have found effective. Then, let the feeling go. It is going out into the universe to do its work. End your expression with a statement like, "According to free will and for the good of all." This helps to avoid problems with karma, as long as you mean it. Do not allow other thoughts to intrude at this point, it is now time to close the ritual. Imagine removing the white light circle (counterclockwise). Knock three times to end the ritual. Put out the candles, clean 3287 each item and put it carefully away in a special place. The ritual is only finished once you have completed all of these steps. Only then can you resume thinking about what's on the T.V. and how big a jerk your boss it. As a beginner, you should always be prepared to go through this entire procedure before you start. Even in an emergency, you should at least remove the white circle and knock (very quickly, perhaps, but do at least this much when possible). Nothing in a ritual is mundane, so it must be clearly delineated from your mundane actions. Otherwise you will dilute your spell and give the wrong messages to your Little Self. When ritual is obviously separate, your Little Self will know when to pay close attention. Once finished, do not talk about your work. Silence is another important key to magick. If you discuss it with anyone else, they cannot help adding their thoughts. This is almost always detrimental. It is fine to work with people, then your energies multiply. But never talk about specific spells that you have done. Destroying Your Enemies This is one aspect of magick that attracts many. It is a big mistake! Karma will get you every time. Don't try to rationalize. Though you may be able to put it off, you will not escape karma. In the mundane world, you might justifiably do violence in order to defend yourself or another from physical attack. In magick, this justifies only defense, never attack. Don't imagine yourself to be an agent of karma or a martyr saving others at your own expense. Who ever has done you wrong will get his. It's frustrating to wait and we all want to be there when it happens, but it is never worth trying to make it happen. When you have any kind of relationship, particularly a magickal one, you develop a karmic tie. You will want to avoid such ties with people you don't like. Even if you get the best of